Are most Audiophiles hard of hearing?

So you guys are listening to a YouTube recording and saying people can’t hear the difference between vinyl and digital? Are you kidding me? You do realize that both recordings are digital because you are listening to them through a computer.

THANK YOU, TONY!
 
For Duke in the 90s. I finally snagged a new vinyl version of this Direct to Disc recording that is on the top 100 albums of the 20th Century lists by many music critics. This album is a Best of the Best.
I agree. I have For Duke on vinyl and tape.
 
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I agree. I have For Duke on vinyl and tape.
Ron, that is great. Since For Duke was D to D, the tape must come from a back up recording done on tape. I have a tape of the Dave Gruisin Shefflied DtoD which was from a tape backup. Larry
 
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To the extent that the demographic of audiophiles leans heavily on middle age or older males, the answer is still probably not quite "most" audiophiles have hearing loss. But, a lot. Myself included. Concerts, music festivals, motorcycles, and playing music too loudly at home and in the car are the likely contributing factors for my hearing loss.

"Hearing loss affects approximately one-third of adults 61 to 70 years of age and more than 80 percent of those older than 85 years. Men usually experience greater hearing loss and have earlier onset compared with women. The most common type is age-related hearing loss; however, many conditions can interfere with the conduction of sound vibrations to the inner ear and their conversion to electrical impulses for conduction to the brain."
Publication: https://www.aafp.org/pubs/afp/issues/2012/0615/p1150.html
 
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To the extent that the demographic of audiophiles leans heavily on middle age or older males, the answer is still probably not quite "most" audiophiles have hearing loss. But, a lot. Myself included. Concerts, music festivals, motorcycles, and playing music too loudly at home and in the car are the likely contributing factors for my hearing loss.

"Hearing loss affects approximately one-third of adults 61 to 70 years of age and more than 80 percent of those older than 85 years. Men usually experience greater hearing loss and have earlier onset compared with women. The most common type is age-related hearing loss; however, many conditions can interfere with the conduction of sound vibrations to the inner ear and their conversion to electrical impulses for conduction to the brain."
Publication: https://www.aafp.org/pubs/afp/issues/2012/0615/p1150.html

My son's piano teacher is completly deaf in one ear, but also has absolute pitch. There are many parameters involved in "hearing". That being said, hearing loss is inevitable for most of us. I have some hearing loss in my left ear. My audiologist was worried and had me get a scan. Everything is fine. I enjoy my system.
 
I can always hear a difference when somebody post a video and makes an alteration to the system. I can also hear a dramatic difference between somebody playing a horn based system and a dynamic driver system. But I cannot really say what either system actually sounds like. I can only make assumptions based on hearing other systems that were similar topology n the past.
I don't see any validity at all in playing a track of something digitally played or analog played and asking me to tell you which is which. If the video was people sitting in a room listening, I would find it to be interesting. That never seems to happen.

I have seen Mike at Suncoast audio do a video with three people sitting in a room. Thay was nteresting to here their feedback.
 
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That’s awesome. If I ever heard it on tape I’d pass out.
Ron, that is great. Since For Duke was D to D, the tape must come from a back up recording done on tape.
Ron let me know where on earth you acquire For Duke on tape!

I have not played the tape. I did some research, and I am murky on the origin of the tape recording of the original performance.

Considering the vinyl is D2D I don't want to guess whether the tape or the LP will sound more convincing.
 
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Here is an album that was digitally recorded by Philips in Japan in 1982 and released on both vinyl and CD in 1983. In my opinion, both formats were most likely pressed from the same masters, as they are Japanese Philips pressings.

A digital recording doesn’t necessarily give the CD edition an advantage. While it can be beneficial, CD production and playback involve extensive coding (EFM, CIRC) and decoding processes, which can be a potential disadvantage for sound quality—possibly even more so than digital-to-analog conversion itself. What is stored on CDs is not pure PCM; it is an encrypted version of PCM called CD Audio. From this perspective, a CD doesn’t have a significant advantage over vinyl when the source is digital.

This isn’t a classical recording but rather a pop album, yet it seemed like a good choice for comparing vinyl and CD from the same masters. I will upload comparisons from the Analogue Productions SACD and the double 45rpm LP.
View attachment 144755
View attachment 144756


Here are the samples:
Sample A
Sample B

The LP was captured directly from the phono output, and I cleaned ticks and pops to prevent revealing its identity. The CD was ripped using EAC with a correctly adjusted read offset on a Panasonic drive.

Over the years, I have used many CD/DVD writers, including Japanese-made Plextors, the Yamaha F1, Pioneer, BenQ, HP, and others, but I ultimately settled on an internal Panasonic drive. It allowed me to create near-identical copies of XRCDs using EAC and MOFI (Mitsui Gold) CD-Rs. So, you can rest assured that the CD’s quality has been preserved.

I believe this type of comparison is much fairer before blaming audiophiles. Let me know which version you prefer and which one you think is the CD.
I listened to both on my phone with Etymotic in-ear monitors. I have a slight preference for sample B, which seems to have a fuller sound. I cannot tell you which is the CD and which is the vinyl rip. Perhaps sample A is the vinyl and suffers from the "ticks and pops" cleaning? Perhaps sample B is the vinyl and offers more dynamics, in spite of the "ticks and pops" cleaning?

Which one do you prefer listening to (on your speakers)? -> P.S. not the files, but the original CD and LP...
 
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Here is an album that was digitally recorded by Philips in Japan in 1982 and released on both vinyl and CD in 1983. In my opinion, both formats were most likely pressed from the same masters, as they are Japanese Philips pressings.

A digital recording doesn’t necessarily give the CD edition an advantage. While it can be beneficial, CD production and playback involve extensive coding (EFM, CIRC) and decoding processes, which can be a potential disadvantage for sound quality—possibly even more so than digital-to-analog conversion itself. What is stored on CDs is not pure PCM; it is an encrypted version of PCM called CD Audio. From this perspective, a CD doesn’t have a significant advantage over vinyl when the source is digital.

This isn’t a classical recording but rather a pop album, yet it seemed like a good choice for comparing vinyl and CD from the same masters. I will upload comparisons from the Analogue Productions SACD and the double 45rpm LP.
View attachment 144755
View attachment 144756


Here are the samples:
Sample A
Sample B

The LP was captured directly from the phono output, and I cleaned ticks and pops to prevent revealing its identity. The CD was ripped using EAC with a correctly adjusted read offset on a Panasonic drive.

Over the years, I have used many CD/DVD writers, including Japanese-made Plextors, the Yamaha F1, Pioneer, BenQ, HP, and others, but I ultimately settled on an internal Panasonic drive. It allowed me to create near-identical copies of XRCDs using EAC and MOFI (Mitsui Gold) CD-Rs. So, you can rest assured that the CD’s quality has been preserved.

I believe this type of comparison is much fairer before blaming audiophiles. Let me know which version you prefer and which one you think is the CD.
This thread is about why most Audiophiles couldn't spot the (superior sounding in this case but not always) vinyl playback. Is it a hearing deficiency issue or do folks just hear differently or they picked the vinyl sample as digital because they thought that sample sounded better and assumed it must be digital.
 
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This thread is about why most Audiophiles couldn't spot the (superior sounding in this case but not always) vinyl playback. Is it a hearing deficiency issue or do folks just hear differently or they picked the vinyl sample as digital because they thought that sample sounded better and assumed it must be digital.
We’ll see about that.
 
We’ll see about that.

However fun it may be to play these little games, I doubt you will come to any conclusion vis à vis our hearing with these types of tests. There are too many variables.

Do we hear differently? To some extent I am sure we do, and this is supported by research (left/right hand dominance, mother tongue, are factors in pitch recognition, for example). Is there any way to correlate these differences with audio technology? Absolutely not. So who cares?
 
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Here is an album that was digitally recorded by Philips in Japan in 1982 and released on both vinyl and CD in 1983. In my opinion, both formats were most likely pressed from the same masters, as they are Japanese Philips pressings.

A digital recording doesn’t necessarily give the CD edition an advantage. While it can be beneficial, CD production and playback involve extensive coding (EFM, CIRC) and decoding processes, which can be a potential disadvantage for sound quality—possibly even more so than digital-to-analog conversion itself. What is stored on CDs is not pure PCM; it is an encrypted version of PCM called CD Audio. From this perspective, a CD doesn’t have a significant advantage over vinyl when the source is digital.

This isn’t a classical recording but rather a pop album, yet it seemed like a good choice for comparing vinyl and CD from the same masters. I will upload comparisons from the Analogue Productions SACD and the double 45rpm LP.



Here are the samples:
Sample A
Sample B

The LP was captured directly from the phono output, and I cleaned ticks and pops to prevent revealing its identity. The CD was ripped using EAC with a correctly adjusted read offset on a Panasonic drive.

Over the years, I have used many CD/DVD writers, including Japanese-made Plextors, the Yamaha F1, Pioneer, BenQ, HP, and others, but I ultimately settled on an internal Panasonic drive. It allowed me to create near-identical copies of XRCDs using EAC and MOFI (Mitsui Gold) CD-Rs. So, you can rest assured that the CD’s quality has been preserved.

I believe this type of comparison is much fairer before blaming audiophiles. Let me know which version you prefer and which one you think is the CD.
I appreciate what you are trying to do but this is still a digital representation of an analog vinyl playback- an edited/modified analog playback actually, because the record noise has been removed.

Think of it like this. Suppose I take a picture using the film back on a Hasselblad camera. Then I take the same picture with the same camera using a digital back. I develop the film and make a photograph. I also print out the digital version of the picture with an ink jet printer. Next I place both pictures side by side on a wall and I go say, 50 feet away and take a photo of the two pictures using a digital camera with a long telephoto lens. I send out that digital file to see if people can tell which picture is film and which is digital. After some discussion, I decide to use a much more expensive telephoto lens and retake the photo of the two pictures. I send that digital file of the two pictures out to let everyone decide which is the film shot and which is digital. It is still a digital representation of a film photograph. Maybe enough difference exists between the two prints to say which is made from film by looking at the digital file or perhaps too much information is lost or transformed by the second generation output- ie, I am looking at a picture of a picture. I already know that the information transferred is something less than 100%.

My point is the only way to really evaluate film vs digital is to look at the two photos in person. And the only way to evaluate vinyl vs digital is to hear the two sources in person. I don’t see the reasoning of critically listening to a file of a file or a file of a vinyl record playback to make a comparison.

In my mind I am seeing that painting of the painter painting, of the painter painting and so on into infinity.
 
I appreciate what you are trying to do but this is still a digital representation of an analog vinyl playback- an edited/modified analog playback actually, because the record noise has been removed.

Think of it like this. Suppose I take a picture using the film back on a Hasselblad camera. Then I take the same picture with the same camera using a digital back. I develop the film and make a photograph. I also print out the digital version of the picture with an ink jet printer. Next I place both pictures side by side on a wall and I go say, 50 feet away and take a photo of the two pictures using a digital camera with a long telephoto lens. I send out that digital file to see if people can tell which picture is film and which is digital.
Ok, what I understood from the responses that it’s unnecessary and it’s best not to share future samples for comparison. I cancel AP vinyl vs SACD and AP vinyl vs XRCD. I will also delete the post.

We’ll continue to compare a video on youtube which is recorded 3 meters from speakers.
 
Ok, what I understood from the responses that it’s unnecessary and it’s best not to share future samples for comparison. I cancel AP vinyl vs SACD and AP vinyl vs XRCD. I will also delete the post.

We’ll continue to compare a video on youtube which is recorded 3 meters from speakers.
Do let us know which was which :)
 
What's your take on the two versions in your system?
My Cd player is not a part of my setup for the last 8 years. As far as I remember I preferred the vinyl versions over Cd for almost all albums I compared including this one. When I compare the samples I shared with headphones I still prefer the one captured from vinyl.
 
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