Arya Audio AirBlades
- Thread starter spiritofmusic
- Start date
been living with the Arya AirBlades Hype SE for a couple of weeks now, and I concur with what Marc is saying, this is the real deal. I was a bit concerned that it will be a waste of money because my speakers are 106 db and might be too efficient and too fast for the AirBlades. It did not take very long to convince me that my fears are baseless. They totally play louder than the rated efficiency, and as it was explained to me - it is because the sound is dispersed differently due to it’s design.
The effect of these are more noticeable when you remove them than when you add them. one thing I noticed is the more holographic soundstage. when there are a number of singers you can easily identify them no matter how well they are blended in. So with the instruments, a lot more separated and defined. The treble has a lot more detail and bite without being bright.
I had been busy with work since returning from a 2 week vacation and and not played around with placement a lot, which I intend to do. I have tried 1k and 1.5k settings and seem to like the 1.5k setting more.
I chose to use a tripod with a transverse arm with make it easier to make the placement of the tweeters without moving the basement of the tripod, important to me since my space is getting a little crowded.
Great stuff. It's good to not be alone in the asylum, lol.
Interestingly, they seem to be stellar across a swathe of different installs and with different speakers.
The Gobel Divins on Audio Exotics forum, Howie here with Tannoy Westminsters, me with my Zus, and now you with your horns.
And all of us seem to detect the same upticks.
Interestingly, they seem to be stellar across a swathe of different installs and with different speakers.
The Gobel Divins on Audio Exotics forum, Howie here with Tannoy Westminsters, me with my Zus, and now you with your horns.
And all of us seem to detect the same upticks.
Cool driver!
It looks like a Heil turned on it's side and curved. Pleated diaphragm and all. I am a little surprised about using stepped 3dB attenuation considering this is a second source where you don't modify your existing system.
Just seems rather course with a typical system over the same frequency range a 1dB change is audible. I would think using 1dB steps would make for better integration with existing systems. With 3 dB I can see not enough and then a little too much.
Rob
It looks like a Heil turned on it's side and curved. Pleated diaphragm and all. I am a little surprised about using stepped 3dB attenuation considering this is a second source where you don't modify your existing system.
Just seems rather course with a typical system over the same frequency range a 1dB change is audible. I would think using 1dB steps would make for better integration with existing systems. With 3 dB I can see not enough and then a little too much.
Rob
Rob, that could be true. For me, it's easier to get the level right than the xover setting.
I could live with 1.5k or 3.5k (currently preferring 3.5k).
In terms of level, 5/5 is too "hot", 4/5 is a sweet spot.
Most noticeable as just the right attack and reverb detail on piano strikes.
Quite how they seamlessly blend with my Zu main drivers that cover 35Hz to 11k is quite something.
I could live with 1.5k or 3.5k (currently preferring 3.5k).
In terms of level, 5/5 is too "hot", 4/5 is a sweet spot.
Most noticeable as just the right attack and reverb detail on piano strikes.
Quite how they seamlessly blend with my Zu main drivers that cover 35Hz to 11k is quite something.
After a lifetime in this hobby humping back-breaking amps etc, it's kinda fun to run Airblades that can be moved effectively with zero effort.
Arthur of Arya Audio, along with member Howie here, suggested I rotate the Airblades so that they're firing down the room with zero toe-in.
Takes literally a second to do, no sweat.
A little early to make any firm conclusions, but my impression is of a much more "filled in" centre image, greater solidity and strength of imaging, again these were all areas that my Zus didn't excel at.
Arthur of Arya Audio, along with member Howie here, suggested I rotate the Airblades so that they're firing down the room with zero toe-in.
Takes literally a second to do, no sweat.
A little early to make any firm conclusions, but my impression is of a much more "filled in" centre image, greater solidity and strength of imaging, again these were all areas that my Zus didn't excel at.
Marc is way ahead of me in terms of experimenting with the airblades and I am now trying them on my Audio Note UK speakers and liking what I hear as I did with the Westminsters. I did ask Arthur whether the AB should be pointed in the same direction as the speakers (which in Audio Note's case are very toed in crossing in front of the listener). Arthur has suggested trying both the same direction and pointing straight so I will see what happens. Another mistake I made initially was connecting the AB to the HF output of the AN speaker crossovers. This post crossover connection meant the AB were not getting the full signal. I had simply presumed that since it is a compartively HF speaker, the AB would be okay with this. Arthur has corrected me and it should either come direct from the amp or from the input connector of the crossover for full effect.
Howie, my Zus are crossover-less, Arthur advised going from the spkrs terminals, not the amps. And since they extend down to 1k, makes sense not to view them *only* as a HF transducer.
You have a lot of fun and musical insight to experience as you get them right in your system.
So, let me see. Speakers using Airblades successfully...
Tannoy Westminsters, tick.
AN spkrs, tick.
Zus, tick.
Sierra horns, tick.
Goebel Divins, tick.
Cessaro Wagners, tick.
Tidal La Assalouta, tick
I think I'm seeing a pattern here...
You have a lot of fun and musical insight to experience as you get them right in your system.
So, let me see. Speakers using Airblades successfully...
Tannoy Westminsters, tick.
AN spkrs, tick.
Zus, tick.
Sierra horns, tick.
Goebel Divins, tick.
Cessaro Wagners, tick.
Tidal La Assalouta, tick
I think I'm seeing a pattern here...
Yes, speaker terminals too but as my speakers have no speaker terminals (the speaker cables are hardwired), going from the crossover or amps is an option. Please try them next with your iphone.
Carl, check out post #12 of this thread. My Zus are quoted as 101dB/1m, and the Airblades sound seamless.
