No. You think you hear something and assume/believe it is attributed to your amps. Now whatever "science" is put forth, even completely incorrect, is accepted as "good". By you in your posts, no assumptions needed.
I'll ask you the same as Bud. When you hear this change over the weekend, how did you eliminate:
SME 30/12, SME V-12, MSL Signature Gold, AirTight Supreme, VDH Colibri Platinum, XP-20, XP-25, Transparent REF XL, 3 Vibraplanes, Dedicated circuits, wall outlets....and your vision, knowledge, expectations, owners manual, website chats, etc, etc, etc, etc.....as the source? How did you isolate this change you believe you hear, to the amps?
cheers,
AJ
Here's how. When I turn on my amps and listen to my system, I notice changes, clearly audible to me, during the first hour or so. Of course, there can be all sorts of things causing the changes I hear, but over time and doing this procedure multiple times, over years with different Pass Class A amps, I hear a certain consistency of change. Then, alternatively, when I turn on my amps, then leave the room for a couple of hours and only then reenter and start to listen to an LP, I don't notice these same changes. I conclude that certain things I am hearing are a result of the amps stabilizing. If I turn on my system and play music while I am in a different part of the house doing something else, then when I return, I do not notice the changes taking place. I only notice them if I start to listen to my amps while they are cold. In other words, these changes do not occur simply during the first our of listening. They only occur if the amps where cold and then warm up while I am listening.
AJ, you mentioned that you have members in your audio club in Florida who own Pass amps, and my model in particular. Have you asked them if they notice this change during warm up? If they say yes, do you then badger them for proof of why they think it is the amps and not something else in their systems? Do you behave the way you do on this forum when you interact with people in person about their systems?
If I have the interest, this Winter, I will turn on everything and let the music play while out of the room. I will then come in, turn off my amps, and leave the room again. After 30 minutes or or so, when the amps are cold, but the rest of the system is still playing, I will turn the amps on again and listen to the music as they warm up. I think, though I am not certain, that this will more or less isolate the performance of the amps. I will then see if I can hear the same kinds of changes taking place as the amps warm up. If I do, I think that I will have eliminated most other factors in the system as possible causes of the sound changing. This is about as far as I am reasonably willing to experiment on this topic in my home given my interest level, abilities and resources.
Or, I may not go to this effort, because I may be skiing instead of sailing and would rather just listen to music.
Here is another example: When I play an LP, especially during the cold, dry, winter New England months, I notice something different during the first side or two of the LP. The sound changes in different ways. Rather than soundstage and presence improving with the amps, I notice dynamics with my analog front end improve after a bit of playing. I think, though again, I can not be certain, that the cartridge suspension is loosening up slightly so that I hear a more natural, dynamic sound. The amps, remember, have already been on for a few hours and have reached a stable operating temperature, but the cartridge is still somewhat cold, and perhaps the suspension is a bit stiff. Here too, I have the interest to study this more closely, I could turn the turntable on so that it is spinning, but not play the cartridge. That would eliminate that a possible source of the changing sound.
Regardless of whether you believe me, think I know this, or believe this, or think this, I will not be able to prove it to you or anyone else. However, as long as I have this same system, I will continue to turn my amps on and play a few LPs before I sit down to do any critical listening with my friends. Otherwise, I just do what is convenient. I do like rituals also, and that may explain a bunch of why I do this, but it doesn't explain why I hear the changes. I do think that Audio Science can explain why I hear these particular things.
I am simply trying to approach this in a reasonable way based on what I hear, and what I read, and hoping to better understand what is happening. I'm sorry if I can't prove any of this to you. At this point, it seems that whatever I write causes a line by line response from you. I think you are just trying to have some fun at my expense and prove something to someone who may be reading this. And that is fine, but it does not help the discussion very much to be so argumentative. And it does not help my efforts to learn something from this thread.