I hoped late 1980s type digital "glare" had been vanquished long ago? I think you may be focused on the more obvious sonic indicators of a digital recording? I am focusing on the perhaps subtle one I have always judged by.
I am talking about a subtle "dryness" which for me has always been the telltale of a digital recording of vocals versus an analog recording of vocals. Not all digital recordings have this dryness.
I'm just listening to it now on my speakers. It's not bad. The sound is a little dull, not very dynamic - soft and easy to listen to. Maybe that's what they were striving for?
I'm just listening to it now on my speakers. It's not bad. The sound is a little dull, not very dynamic - soft and easy to listen to. Maybe that's what they were striving for?
I think most "girl with guitar" vocals sound like this. These particular sonic attributes are not what I'm talking about. These sonic attributes to me are not indicators of digital recording.
The main indicator of digital recording of vocals to me is the dryness sensation.
I think most "girl with guitar" vocals sound like this. These particular sonic attributes are not what I'm talking about. These sonic attributes to me are not indicators of digital recording.
The main indicator of digital recording of vocals to me is the dryness sensation.
I think most "girl with guitar" vocals sound like this. These particular sonic attributes are not what I'm talking about. These sonic attributes to me are not indicators of digital recording.
The main indicator of digital recording of vocals to me is the dryness sensation.
In my system i can always hear the difference on drums, analog recorded drums mostly have a "rightness" to them, most digital recorded drums have a little drum machine sound to them.
I just listened to "Church". Ok, maybe the vocals could appeal to some, but I just found the whole thing a little bland and repetitive. Just my opinion of course.
I really don't know how to describe it except by that word. Listen to Amanda McBroom's voice on Growing up in Hollywood Town for an example of not dry.
"Dryness" is less natural, less "breath of life," less like a live human singing to me in my room, and more like listening to a human voice processed by electronics which strips out from the sound of the voice some of the naturalness and organic-ness.
To my ears Boulder amplifiers sound "dry" and Jadis amplifiers do not sound "dry."
Sometimes the real pearls are hidden on the tracks you listen to to get to the hits. Not that Lovett ever had real hits, it's his mastery of so many types of music that intrigue me.
I really don't know how to describe it except by that word. Listen to Amanda McBroom's voice on Growing up in Hollywood Town for an example of not dry.
I just listened to that track on Qobuz, and I can't say that I am terribly impressed with the recording of her voice. It is certainly recorded differently, and her voice is sweet, but I can think of many albums which have better recorded vocals. Check out Nat King Cole at the Sands, or Jimmy Witherspoon's Roots for two examples that come to mind...
I just listened to that track on Qobuz, and I can't say that I am terribly impressed with the recording of her voice. It is certainly recorded differently, and her voice is sweet, but I can think of many albums which have better recorded vocals. Check out Nat King Cole at the Sands, for an example that comes to mind...
I do not know the sonic attributes you are going by which get baked into "better recorded vocals." I explicitly offered that album to you only as an example of not "dry."
I do not know the sonic attributes you are going by which get baked into "better recorded vocals." I offered that album to you only as an example of not "dry."