NOMaybe your DAC is making poor recordings sound good.
NOMaybe your DAC is making poor recordings sound good.
So why do some recordings sound good on most digital players and some only sound good on high end players?
Take a look at my thread, as I have also come to the conclusion that the mastering process has the most overall impact on sound quality, regardless of medium:
Re-Mastering Your High-End Audio System
George, in reading all your posts it is very apparent to me that you are still stuck in the 80’s, at the advent of digital with Sony and Phillips. Most of what you write is very dated. You speak of sampling associated with PCM, but not a single word on Direcr Stream Digital.
Have you listen to current state of the art digital playback lately? I’m not talking about dCS, or MSB, or Wadax. I’m speaking of the T+A SD3100HV or DAC200 dacs feed 512x48 native DSD or 1024x48 DSD from HQPLAYER?
Take a look at the Signalyst website and learn about the digital filters and modulators that have been developed and used in HQPLAYER to not only extract low level information and increase perceived resolution of digital recordings but to also address some of the issues found in digital files. HQPLAYER is powerful enough to allow you perform your own convolutions.
It is a great new digital world today and it’s time for you to leave the 80’s in the past.
This reminds me of how top quality film in static photography did, possibly still does, have more resolution than digital backs.
So why do some recordings sound good on most digital players and some only sound good on high end players?
100% wrong Conclusion
your idea will change 180 degrees if you listen to digital filter in a high performance system.
Digital Technology at it's highest quality has good objective measurements but the question is :
1) what measurements?
2) how those measurements are related to our hearing system?
I can not answer the question "why Analog is better to my ears?"
I just have some limited experience that I can list the result :
1) overally I prefer Analog
2) best digital playback comes from high quality AAD format not any kind of digital processing
George, in reading all your posts it is very apparent to me that you are still stuck in the 80’s, at the advent of digital with Sony and Phillips. Most of what you write is very dated. You speak of sampling associated with PCM, but not a single word on Direcr Stream Digital.
Have you listen to current state of the art digital playback lately? I’m not talking about dCS, or MSB, or Wadax. I’m speaking of the T+A SD3100HV or DAC200 dacs feed 512x48 native DSD or 1024x48 DSD from HQPLAYER?
Take a look at the Signalyst website and learn about the digital filters and modulators that have been developed and used in HQPLAYER to not only extract low level information and increase perceived resolution of digital recordings but to also address some of the issues found in digital files. HQPLAYER is powerful enough to allow you perform your own convolutions.
It is a great new digital world today and it’s time for you to leave the 80’s in the past.
I have tried to keep up the best I can regardless of my advanced stage of brain cancer.
I heard the Wadax with DSD256 just over a month ago. It was impressive (for digital), but it ultimately lacked inner detail.
Digital remains essentially the same underneath, regardless of all the tricks to make it sound better. But DSD holds promise, especially if we can get the bit rate high enough.
George, I’m deeply sorry to hear about your health issues.
It would be worth your while to find out what real State of the Art digital playback is about today.
This forum (AudiophileStyle) is the most worse forum I have ever seen, it is full of wrong informationAudiophileStyle
Thanks for your condolences
I looked at it for awhile. But what put me off is all of the expensive gadgets required to make it sound acceptable.
This forum is the worse forum I have ever seen, it is full of wrong information
It doesn’t sound acceptable, it sounds phenomenal. It is the best digital playback available today.
This is actually a good analogy, but I'm going to go the other way. I have my own darkroom, do plenty of formats from 35mm with nice Leica glass all the way to 8x10". I have prints of mine in a few public and private collections. This is to say I know the medium to a fair extent.This reminds me of how top quality film in static photography did, possibly still does, have more resolution than digital backs. Similar subject IMO.
But yes, I can see how 'kind' distortions, artefacts and even tape hiss can do strange things to our auditory system. I have no idea medically why, I am relaying just what I can hear. Anyone have any other theories on why?
No that forum is full of computer geeks who have little interest in music and run by a guy who hates vinyl. Didn't you learn that already?Amir, you want to be a know it all but the more you post the more it is evident that your knowledge is very limited. There are some extremely knowledgeable users on that forum. Some of those users also participate on this forum. Keep an open mind and learn something new today.
The demonstrations I heard does sound like a pinnacle for digital. But the amount of time, money and effort it would take to get it going is too much for me at this point.
No that forum is full of computer geeks who have little interest in music and run by a guy who hates vinyl. Didn't you learn that already?