You know, I started this thread after reading the best cartridge thread that a new member started. I thought it was an interesting topic and that we would discuss the very idea of some audio products rising above the rest and perhaps even standing the test of time to remain or become examples to hold up and serve as inspiration to others.
When you find it difficult to describe the gear and only talk about the music and the listening experience, you know something is right.
A common knock on audiophiles from non-audiophiles, particularly from musicians, is that the audiophile is focused more on hardware, numbers, and sound, and much less on music. It does seem difficult for many here to talk about music, - I sense that from the lack of such talk, certainly in this thread. Thus what you say in your qoute may never happen.
The forum name (What's Best...) is a lure not an answer. Those working from a fixed routine will say you can have
your best but are not allowed
the best because it does not speak for us. Archetypic systems and components lack the requisite equity; assessing merit comes from a hierarchy of audio despots and is to be shunned. Truth for many comes from something called "analytically valid experience." (Don't you wonder how that is different from what Jimi talked about? I don't either.)
Perhaps 'Best' is not a way to talk about what you describe in your quote -- perhaps best is kind of an adjectival category mistake. It is pure ranking that is devoid of content. When you speak of standing the test of time and being an example, that approach may yield insight. Queen for a Day is a dead-ender.
Consider something that has fallen out of favor in the Twentieth Century (perhaps because of so much war), namely aesthetics and the idea of Beauty -- one of those things that is of ultimate value. I'm not at a point of suggesting beauty as replacement for best; but as something whose consideration may give us ways to explore talking about what you're after. Augustine asked: "
whether things are beautiful because they give delight, or whether they give delight because they are beautiful." His answer was the latter.
If we go back to the 18th Century where I lived for several years, you find views that 'beauty is in the eye of the beholder' or 'beauty is defined by a process of judgement, it is not a feature of a thing judged beautiful'. Subjectivism.
If we work further back to the classical world, we find Beauty as an objective ideal. Plato clearly finds Beauty in the realm of the Forms, it is not about a result of observation. Aristotle finds beauty in what is observed, from characteristics of the object - not as a product of observation. Features such as symmetry, order, proportion may be characteristics of a beautiful thing -- not unlike natural sound embodying certain features. The idea of Beauty (or Goodness, or Justice) becomes meaningless as an ideal if it is simply a matter of taste. This leads some to the notion of 'disinterested' judgement absent the puree of personal feeling.
Back in the wally world of audiophiles the mundane leans heavily. As an exercise perhaps we can talk about the ideal turntable or the ideal cartridge. Not in a formless loosey goosey way but in terms of actual turntables and cartridges. What would an ideal turntable be -- answers need to reside in the real world -- for example, 'inertialess' is not an answer. To what extent does turntable X participate as an ideal turntable? Can our notion of an ideal turntable hold up over time? We cannot count on future technologies not yet invented. What does an ideal turntable bring sonically? We cannot say that it makes music that sounds like the experience I have in the concert hall -- we cannot turn reproduction into reality. Can talk of ideals substitute for talk of best?
Edit: redundancy