You sound a little tipsy hereas a result of the gz480 I washable to get photos of the Philco NOS 1946View attachment 73428
Fortunately I don’t drink. I was tired and posting with my iPhone. I’ve found autocorrect plus fat fingers on a thin keyboard is usually not a good thing wrt typosYou sound a little tipsy here![]()
Auto correct is your worst enemaFortunately I don’t drink. I was tired and posting with my iPhone. I’ve found autocorrect plus fat fingers on a thin keyboard is usually not a good thing wrt typos
Well - I guess we can accept you officially into the Lampi tube rollers clubDoes this little experiment officially qualify me as a tube roller![]()
The gz480 is a powerhouse. As stated I am not a tube roller but this tube is like nothing I have ever heard. Clarity, dynamics. and 3D soundstage are big upticks. Ss things stand this gx 480 is now my rectifier of choice. I do believe that the TAS driver has also served to helpHow have you distinguished between the effects of the GZ480 and the other changes you made at the same time? You described the Philco as warm, to which I would agree from a 1948 sample I picked up. To the extent you can tell given the other changes, would you say the same of the 480?
It is not on the warm side at all. Sorry for no reply after 3 pages. The gz480 is top to bottom superb bit not warm like the Philco. The dynamics on it are beyond any 5u4g that I have heard ( I haven’t heard many). Although this tube is not inexpensive it’s cost is dwarfed 3-4 fold by the $1000 tube that many here call the holy grail. I’m not prepared to spend that. The output tubes in my amps are $950 each. They need to be replaced every 12-18 monthsSteve, when I asked you about where the Philco stood on the neutral to varying degrees of warmth scale, three pages passed before there was an answer. I would be grateful to get a direct answer to the second question, about whether or not the GZ480 is on the warm side, like the Philco. The answer is of operative interest to me. Thanks,
I’m betting you’d like the tube. It’s pretty dramaticThanks for clarifying. Disappointing. I’ve noticed that there seems to be an inverse relationship with components between the kind (or level) of sound characteristics you’re describing and even a modest degree of warmth, at least up to a certain price level that I’m able to work at. I’ve wondered if there’s a technical reason for this or if it has to do with development costs, or ...?
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