Not sure how it does answer the XLR-RCA potential Lloyd as you are still converting, the only way to be sure is to keep the component-path completely RCA or XLR tbh, but anyway fingers crossed this helps to resolve the issue
Cheers
Orb
CheersSome audio equipment manufacturers reverse the use of pin 2 (properly the normal input) and pin 3 (inverting input). This reflects their own previous usage before any standard existed. Pin 1 is always ground, and many connectors connect it internally to the connector shell or case.
Although covered in AES48-2005 and in AES54-3-xxxx, there is still some disagreement on the best way to handle the usage of pin 1 at both ends of a cable, particularly with respect to the cable shield, the connector's shell, signal ground, and a third cable conductor connected to pin 1, which may (or may not) be connected to the shield. The main controversy is whether the shell of the connector should be connected to pin 1 or the shield, or left floating.
AES standards mentioned above recommend that shells of cable-mounted connectors should never be connected to pin 1 or the shield, because inadvertent contact of the shell with another grounded surface while in use can create unwanted current paths for fault current, potentially causing hum and other noise. On the other hand, equipment containing active circuitry should always have pin 1 connected to the conductive enclosure of the equipment as close as possible to the point where the signal enters the enclosure.
The argument centers around the radio frequency shielding provided by the shell of the connector, which may be reduced if it is left floating. An alternative solution is to connect the shell to pin 1 and the shield through a small value capacitor, providing RF shielding but allowing very little audio-frequency current to flow. This capability can be built into a fixed jack or a cable terminated with XLR connectors
Thanks for the advice...i will make sure that the Audio Tech knows it is for the Gryphon Antileon...and put the onus on him to ensure it is wired properly. Given my non-existent technical knowledge, i would hate to try to find out, get it wrong, and have him wire it improperly. i will make sure he knows the amp...and also ask him which configuration...so i know if i ever change amps. thanks again.OK. Now I get it. Sorry, I've been extremely busy of late, and haven't kept up with all the discussions - still, be sure that when your tech attaches the XLR to your SE cables, that he shorts the right pin because some European gear has pin 3 +ve instead of pin 2 +ve.
Hi Fernando,Not sure Lloyd, but I will stick more to the fact of using the XLR converters above other potential causes of the buzzing.
I am still not sure though Lloyd, there are a fair amount of differences between both cables such as impedance spec of the preamps and power amps,voltage,design use of pin 1-2-3,shielding-chassis ground implementation,etc.
Any mistakes or differences may have some strange affect on either audio product.
Even going straight XLR I experienced the same issue as you did with buzz but for me due to the design of the XLR cable, and yet the issue did not seem to be noticable for those using different amps - now this was an amp manufacturers by one of the most recognised top pro amps for Europe, who also manufacturer consumer equipment based on same design.
All their pro gear works and is intended with XLR, and yet there was this issue caused by the cable, which strangely did not cause as much issue for some other audio companies.
Motto is; it cannot be taken for granted that doing this will exclude the RCA-XLR setup, but fingers crossed that the issue is resolved and it is the Neutrik
Cheers
Orb
yes, and more importantly. i disconnected the Gryphon from the system overnight...let it rest...turned it on...and it came back. Again for maybe 5 seconds in about 5 hours of playback...but its still there.