I'll make a public confession, I've never been so nervous/anxious/unsure about a direction in audio, as I am in considering tape.
I have recently been considering a paradigm shift to horns, and much of what I've heard pushes my pleasure centres, but there are so many reasons putting me off, from lack of home trial, to tube noise issues, and I'm calm in my decision not to follow.
Similarly, I'm likely to turn down an uber tt upgrade. I'm getting such brilliant performance from my giant killer rig, and there are steps I can take to maxx it out further (Symposium Acoustics Quantum Signature shelf and Spiers And Robertson air table), that again the need to go eg GP Monaco or Saskia is abated.
I'm intrigued by DSD, and x2, x4, and a GG is under consideration, but I remember that I can get 99% of the classical I want on lp - and the other 1% on tape LOL. And my Eera Tentation cdp is so adept at rbcd, again the drive to go GG even just in ripping pcm or upscaling to dsd is not compelling.
Upgrades i will go for are a move up in my tubed linestage, and the new Zu flagship spkrs when they're finally released - these can happen, but no rush.
BUT...tape is as a concept totally compelling, and depite the lack of material, i'm struggling to turn away from it, nowhere near as easy as my other refusals.
Anxiety is partly related to it's very inpenetrableness as a journey, cost/benefit ratio - but it's more mental, a feeling that the chasm between the apex of sheer analog joy to the reality that there's an almost fetishistic quality of "club membership" is enormous, and the whole enterprise doesn't feel entirely sane. A sense of extravagance for extravagance sake.
I hear what your saying. It's just like owning a vintage 1955 Mercedes Gullwing. Might not preform as well in any department as the new SLS AMG GT, but the feeling of driving one just can't be replicated.