Introducing the LampizatOr Poseidon DAC

[SeagoatLeo]

That's great. Are the more reasonably priced Sylvania 5687-GB Gold Brand Black Plates NOS or CFS 5687wa Black Plates, Grid gold, Copper Rods NOS tubes the same quality as the original Bendix 6900 which generally run EXPENSIVE ($500-$2000 each)? I could try the Sylvania or CFS if it is sonically equivalent to the originals.

 

[Kreatif]

no they are 6900

it was Lukasz favorite for signal

Lampizator announcement: launch of our all new TOTL HORIZON DAC

Probably the least important thing to consider when auditioning new gear. As it was phrased so well in the movie Beauty and the Beast as well as Lukasz in an earlier post above ....."Beauty comes from within" Maybe that's why I listen with lights out so that I am not distracted by looking at the...

whatsbestforum.com

Thanks. So, still available?

 

[Kreatif]

I have a bunch of Bendix tubes which are unobtainium if anyone is interested. They are mint

I am interested Can you write me on email or in private, pls?

 

[kad75009]

Hello,
I'm a new owner of a Lampizator Poseidon. I'm delighted.
I have an Innuos Statement server.
I'm looking for advice on the USB cable.
Thank you.

 

[Mamon]

Hello,
I'm a new owner of a Lampizator Poseidon. I'm delighted.
I have an Innuos Statement server.
I'm looking for advice on the USB cable.
Thank you.

Sablon eva -Price/Sound quality.

 

[Socrates428]

Hello,
I'm a new owner of a Lampizator Poseidon. I'm delighted.
I have an Innuos Statement server.
I'm looking for advice on the USB cable.
Thank you.

I have the latest Sablon, along with a handful of other in the $1-2k range with my Poseidon (and other great dacs), and I easily prefer this USB from Audio Sensibility. Of course, YMMV, as cables are very system dependent/personal preference.

 

[LampiNA]

Hello,
I'm a new owner of a Lampizator Poseidon. I'm delighted.
I have an Innuos Statement server.
I'm looking for advice on the USB cable.
Thank you.

I can make the strong recommendation for Final Touch Audio, either the Callisto or, if budget allows, the SiNOPE. We frequently show with Innous (as recently as the South West AudioFest last week actually...) and use this between our devices as the best we've heard.

 

[marty]

I thought I’d share a recent experience I had with the Lampi Poseidon DAC. A few months ago, I had to return my Horizon 360 to Lampizator for some modifications. Fred Ainsley was kind enough to lend me a Poseidon he had on hand so I wouldn’t go into music withdrawal. I’m based in NJ and Fred is on Long Island which was a nice convenience as it’s a reasonable drive by car which allowed for an easy pick-up and no need for an expensive shipping service. Since I have an Olympus server, I was able to use the Taiko XDMI output (via a special KBL cable) to drive the Poseidon. Since the Olympus is not yet widely available, I am probably one of only a few who have experienced the Poseidon/Olympus combo using the XDMI cable. Fred was very generous in allowing me to use the Poseidon for about a month, so I think I have a good handle on its performance.

If you have or are considering a Poseidon and have an Olympus with the XDMI, you will be absolutely delighted with this combination. Sonically, I was extremely impressed with the Poseidon/XDMI linked Olympus. Value wise, the Poseidon/HDMI is off the charts. The obvious question to ask is- does it sound as good as the Horizon360? Honestly, nobody should expect the Poseidon, at about half the price of the Horizon, to sound equivalent. The better question to a consider is not if it sounds “as good”, but rather, is it as musically compelling and satisfying? The answer is unquestionably yes. The main differences between the units are mainly the degree of refinement that the H360 provides, which shouldn’t surprise anyone. But in the Poseidon, what Lampi has done is provide an astounding DAC that offers an extremely high degree of sonic equivalence magic at about half the price of the H360. In my book, that’s a hell of an accomplishment. Put another way, I certainly didn’t go into musical withdrawal while my Horizon was off my shelf for a month as the Poseidon is a superb instrument that is so musically compelling, that any craving for more was just not present. There isn’t a genre of music that the Poseidon doesn’t do well. In fact, very well. Put more directly, I didn’t feel I was missing much of anything while my H360 was in service. The Poseidon is just eminently satisfying and damn good.

A few miscellaneous comments. First, the thing is built very well. Yes, its lighter than the H360 most likely due to more modest transformers, but it’s very solid. In fact, to be honest, I was surprised that since it came with a substantial aluminum top plate, it actually had less spurious vibrations than my copper top Horizon. I didn’t see that coming and it was an unexpected perk. Next, I can’t say enough about the stock tube set that Lukasz provides with the Poseidon. While many of us have spent a long-time optimizing tubes for their Horizons, my sense is that for the Poseidon, any buyer can have great confidence that the factory supplied tubes are a “set it and forget it” affair. Lukasz did the work. Take advantage of it. I was particularly impressed by the Svetlana 5Y3 rectifier that can easily be found for about $18 each. (I bought 2 although paradoxically, they don’t work as well in my H360 as they do in the Poseidon. Not sure why, but who cares? In the Poseidon, they're outstanding and allows the Poseidon to show off the excellent dynamics that it’s capable of achieving.) Bottom line, it's just so nice to find a great tube sounding products that sounds great with stock tubes. No uber tubes are needed.

The attraction of the Poseidon using a good USB cable is obvious, but it simply must be said that once you use the XDMI link, the performance was elevated beyond my expectations (and is similar to what I found with the H360). For me, the biggest benefit was the clarity and transparency of the top end, which has what one might call analog qualities that simply cannot be reproduced by using a USB or AES/EBU connection. It delivers sound with the ease that is very reminiscent of real instruments. It is truly fortunate that Lukasz has taken advantage of Emile’s proprietary XDMI link to offer this commercial opportunity at such an approachable price. This, in my view, is the raison d’etre for acquiring this remarkable technology. Yes, I know in Taiko land, the built-in XDMI enabled DAC board is all the rage, but if you are committed to a tube DAC for whatever reason (overall system sound etc. or you just like to watch your electronics glow in the dark), the XDMI connection is a genuine revelation. That Lampi managed to enable this in an excellent sounding DAC at the price of the Poseidon, is a genuine accomplishment.

In high end audio, one thing that becomes apparent to every hobbyist who has done this for a few years, is that there is always something better out there (although not nearly as many as the reviewers would like you to believe). But when something comes along that delivers incredibly good music reproduction as the Poseidon/XDMI link does at this price, I doubt you will be spending your listening time wondering what you are missing by not buying one of those $350K server/DACs that are now becoming more abundant. Many listeners will simply not need more than the Poseidon or may seek to invest elsewhere (such as their room) to gain the most sonic improvement and enjoyment for the buck. One thing is for certain. The Poseidon with the built-in XDMI link is a very impressive plug and play product right out of the box.

 

[SeagoatLeo]

I thought I’d share a recent experience I had with the Lampi Poseidon DAC. A few months ago, I had to return my Horizon 360 to Lampizator for some modifications. Fred Ainsley was kind enough to lend me a Poseidon he had on hand so I wouldn’t go into music withdrawal. I’m based in NJ and Fred is on Long Island which was a nice convenience as it’s a reasonable drive by car which allowed for an easy pick-up and no need for an expensive shipping service. Since I have an Olympus server, I was able to use the Taiko XDMI output (via a special KBL cable) to drive the Poseidon. Since the Olympus is not yet widely available, I am probably one of only a few who have experienced the Poseidon/Olympus combo using the XDMI cable. Fred was very generous in allowing me to use the Poseidon for about a month, so I think I have a good handle on its performance.

If you have or are considering a Poseidon and have an Olympus with the XDMI, you will be absolutely delighted with this combination. Sonically, I was extremely impressed with the Poseidon/XDMI linked Olympus. Value wise, the Poseidon/HDMI is off the charts. The obvious question to ask is- does it sound as good as the Horizon360? Honestly, nobody should expect the Poseidon, at about half the price of the Horizon, to sound equivalent. The better question to a consider is not if it sounds “as good”, but rather, is it as musically compelling and satisfying? The answer is unquestionably yes. The main differences between the units are mainly the degree of refinement that the H360 provides, which shouldn’t surprise anyone. But in the Poseidon, what Lampi has done is provide an astounding DAC that offers an extremely high degree of sonic equivalence magic at about half the price of the H360. In my book, that’s a hell of an accomplishment. Put another way, I certainly didn’t go into musical withdrawal while my Horizon was off my shelf for a month as the Poseidon is a superb instrument that is so musically compelling, that any craving for more was just not present. There wasn’t a genre of music that the Poseidon doesn’t do well. In fact, very well. Put more directly, I didn’t feel I was missing much of anything while my H360 was in service. The Poseidon is just eminently satisfying and damn good.

A few miscellaneous comments. First, the thing is built very well. Yes, its lighter than the H360 most likely due to more modest transformers, but it’s very solid. In fact, to be honest, I was surprised that since it came with a substantial aluminum top plate, it actually had less spurious vibrations than my copper top Horizon. I didn’t see that coming and it was an unexpected perk. Next, I can’t say enough about the stock tube set that Lukasz provides with the Poseidon. While many of us have spent a long-time optimizing tubes for their Horizons, my sense is that for the Poseidon, any buyer can have great confidence that the factory supplied tubes are a “set it and forget it” affair. Lukasz did the work. Take advantage of it. I was particularly impressed by the Svetlana 5Y3 rectifier that can easily be found for about $18 each. (I bought 2 although paradoxically, they don’t work as well in my H360 as they do in the Poseidon. Not sure why, but who cares? In the Poseidon, they're outstanding and allows the Poseidon to show off the excellent dynamics that it’s capable of achieving.) Bottom line, it's just so nice to find a great tube sounding products that sounds great with stock tubes. No uber tubes are needed.

The attraction of the Poseidon using a good USB cable is obvious, but it simply must be said that once you use the XDMI link, the performance was elevated beyond my expectations (and is similar to what I found with the H360). For me, the biggest benefit was the clarity and transparency of the top end, which has what one might call analog qualities that simply cannot be reproduced by using a USB or AES/EBU connection. It delivers sound with the ease that is very reminiscent of real instruments. It is truly fortunate that Lukasz has taken advantage of Emile’s proprietary XDMI link to offer this commercial opportunity at such an approachable price. This, in my view, is the raison d’etre for acquiring this remarkable technology. Yes, I know in Taiko land, the built-in XDMI enabled DAC board is all the rage, but if you are committed to a tube DAC for whatever reason (overall system sound etc. or you just like to watch you electronics glow in the dark), the XDMI connection is a genuine revelation. That Lampi managed to enable this in an excellent sounding DAC at the price of the Poseidon, is a genuine accomplishment.

In high end audio, one thing that becomes apparent to every hobbyist who has done this for a few years, is that there is always something better out there (although not nearly as many as the reviewers would like you to believe). But when something comes along that delivers incredibly good music reproduction as the Poseidon/XDMI link does at this price, I doubt you will be spending your listening time wondering what you are missing by not buying one of those $350K server/DACs that are now becoming more abundant. Many listeners will simply not need more than the Poseidon or may seek to invest elsewhere (such as their room) to gain the most sonic improvement and enjoyment for the buck. One thing is for certain. The Poseidon with the built-in XDMI link is a very impressive plug and play product right out of the box.

My thoughts concerning the stock tubes are the same. Especially when I plug in my analog into the Poseidon as the pre-amp. Are you using the Poseidon as the pre-amp or are you sending the DAC signal to a separate pre-amp? I find that even playing CDs through either the SPDIF or AES cables the highs and bass are phenomenal. When you use the Horizon, is it through a separate pre-amp or directly into your amps?

 

[marty]

My thoughts concerning the stock tubes are the same. Especially when I plug in my analog into the Poseidon as the pre-amp. Are you using the Poseidon as the pre-amp or are you sending the DAC signal to a separate pre-amp? I find that even playing CDs through either the SPDIF or AES cables the highs and bass are phenomenal. When you use the Horizon, is it through a separate pre-amp or directly into your amps?

I bypassed the preamp sections of both the Poseidon and the H360 and rely on my 727 preamp for gain to my amps.

 

[Lobster]

I thought I’d share a recent experience I had with the Lampi Poseidon DAC. A few months ago, I had to return my Horizon 360 to Lampizator for some modifications. Fred Ainsley was kind enough to lend me a Poseidon he had on hand so I wouldn’t go into music withdrawal. I’m based in NJ and Fred is on Long Island which was a nice convenience as it’s a reasonable drive by car which allowed for an easy pick-up and no need for an expensive shipping service. Since I have an Olympus server, I was able to use the Taiko XDMI output (via a special KBL cable) to drive the Poseidon. Since the Olympus is not yet widely available, I am probably one of only a few who have experienced the Poseidon/Olympus combo using the XDMI cable. Fred was very generous in allowing me to use the Poseidon for about a month, so I think I have a good handle on its performance.

If you have or are considering a Poseidon and have an Olympus with the XDMI, you will be absolutely delighted with this combination. Sonically, I was extremely impressed with the Poseidon/XDMI linked Olympus. Value wise, the Poseidon/HDMI is off the charts. The obvious question to ask is- does it sound as good as the Horizon360? Honestly, nobody should expect the Poseidon, at about half the price of the Horizon, to sound equivalent. The better question to a consider is not if it sounds “as good”, but rather, is it as musically compelling and satisfying? The answer is unquestionably yes. The main differences between the units are mainly the degree of refinement that the H360 provides, which shouldn’t surprise anyone. But in the Poseidon, what Lampi has done is provide an astounding DAC that offers an extremely high degree of sonic equivalence magic at about half the price of the H360. In my book, that’s a hell of an accomplishment. Put another way, I certainly didn’t go into musical withdrawal while my Horizon was off my shelf for a month as the Poseidon is a superb instrument that is so musically compelling, that any craving for more was just not present. There wasn’t a genre of music that the Poseidon doesn’t do well. In fact, very well. Put more directly, I didn’t feel I was missing much of anything while my H360 was in service. The Poseidon is just eminently satisfying and damn good.

A few miscellaneous comments. First, the thing is built very well. Yes, its lighter than the H360 most likely due to more modest transformers, but it’s very solid. In fact, to be honest, I was surprised that since it came with a substantial aluminum top plate, it actually had less spurious vibrations than my copper top Horizon. I didn’t see that coming and it was an unexpected perk. Next, I can’t say enough about the stock tube set that Lukasz provides with the Poseidon. While many of us have spent a long-time optimizing tubes for their Horizons, my sense is that for the Poseidon, any buyer can have great confidence that the factory supplied tubes are a “set it and forget it” affair. Lukasz did the work. Take advantage of it. I was particularly impressed by the Svetlana 5Y3 rectifier that can easily be found for about $18 each. (I bought 2 although paradoxically, they don’t work as well in my H360 as they do in the Poseidon. Not sure why, but who cares? In the Poseidon, they're outstanding and allows the Poseidon to show off the excellent dynamics that it’s capable of achieving.) Bottom line, it's just so nice to find a great tube sounding products that sounds great with stock tubes. No uber tubes are needed.

The attraction of the Poseidon using a good USB cable is obvious, but it simply must be said that once you use the XDMI link, the performance was elevated beyond my expectations (and is similar to what I found with the H360). For me, the biggest benefit was the clarity and transparency of the top end, which has what one might call analog qualities that simply cannot be reproduced by using a USB or AES/EBU connection. It delivers sound with the ease that is very reminiscent of real instruments. It is truly fortunate that Lukasz has taken advantage of Emile’s proprietary XDMI link to offer this commercial opportunity at such an approachable price. This, in my view, is the raison d’etre for acquiring this remarkable technology. Yes, I know in Taiko land, the built-in XDMI enabled DAC board is all the rage, but if you are committed to a tube DAC for whatever reason (overall system sound etc. or you just like to watch you electronics glow in the dark), the XDMI connection is a genuine revelation. That Lampi managed to enable this in an excellent sounding DAC at the price of the Poseidon, is a genuine accomplishment.

In high end audio, one thing that becomes apparent to every hobbyist who has done this for a few years, is that there is always something better out there (although not nearly as many as the reviewers would like you to believe). But when something comes along that delivers incredibly good music reproduction as the Poseidon/XDMI link does at this price, I doubt you will be spending your listening time wondering what you are missing by not buying one of those $350K server/DACs that are now becoming more abundant. Many listeners will simply not need more than the Poseidon or may seek to invest elsewhere (such as their room) to gain the most sonic improvement and enjoyment for the buck. One thing is for certain. The Poseidon with the built-in XDMI link is a very impressive plug and play product right out of the box.

Hi @marty, what's not fully clear to me: have you been able to compare Poseidon over XDMI vs. Horizon 360 over XDMI?

 

[Golum]

@marty glad our findings are matching albeit mine not with xdmi

 

[marty]

Hi @marty, what's not fully clear to me: have you been able to compare Poseidon over XDMI vs. Horizon 360 over XDMI?

Yes, running XDMI for both Olympus and Poseidon

 

[SeagoatLeo]

I bypassed the preamp sections of both the Poseidon and the H360 and rely on my 727 preamp for gain to my amps.

Well, I heard the original Horizon and it doesn't have nearly as engaging pre-amp section as the Poseidon (I heard it with a separate pre-amp and the Horizon was unbelievably super dynamic). The Soulution 727 is a highly articulate and transparent sounding pre-amp. I am more interested in a warmer, more organic sound like the Poseidon (which works great with analog inputs but everyone appears to recommend a separate pre-amp for the DAC), possibly the Westminster Labs Quest which is said to have a warmer, more organic sound. I suspect that the choice is very system dependent.

 

[shadowlight]

I thought I’d share a recent experience I had with the Lampi Poseidon DAC. A few months ago, I had to return my Horizon 360 to Lampizator for some modifications. Fred Ainsley was kind enough to lend me a Poseidon he had on hand so I wouldn’t go into music withdrawal. I’m based in NJ and Fred is on Long Island which was a nice convenience as it’s a reasonable drive by car which allowed for an easy pick-up and no need for an expensive shipping service. Since I have an Olympus server, I was able to use the Taiko XDMI output (via a special KBL cable) to drive the Poseidon. Since the Olympus is not yet widely available, I am probably one of only a few who have experienced the Poseidon/Olympus combo using the XDMI cable. Fred was very generous in allowing me to use the Poseidon for about a month, so I think I have a good handle on its performance.

If you have or are considering a Poseidon and have an Olympus with the XDMI, you will be absolutely delighted with this combination. Sonically, I was extremely impressed with the Poseidon/XDMI linked Olympus. Value wise, the Poseidon/HDMI is off the charts. The obvious question to ask is- does it sound as good as the Horizon360? Honestly, nobody should expect the Poseidon, at about half the price of the Horizon, to sound equivalent. The better question to a consider is not if it sounds “as good”, but rather, is it as musically compelling and satisfying? The answer is unquestionably yes. The main differences between the units are mainly the degree of refinement that the H360 provides, which shouldn’t surprise anyone. But in the Poseidon, what Lampi has done is provide an astounding DAC that offers an extremely high degree of sonic equivalence magic at about half the price of the H360. In my book, that’s a hell of an accomplishment. Put another way, I certainly didn’t go into musical withdrawal while my Horizon was off my shelf for a month as the Poseidon is a superb instrument that is so musically compelling, that any craving for more was just not present. There isn’t a genre of music that the Poseidon doesn’t do well. In fact, very well. Put more directly, I didn’t feel I was missing much of anything while my H360 was in service. The Poseidon is just eminently satisfying and damn good.

A few miscellaneous comments. First, the thing is built very well. Yes, its lighter than the H360 most likely due to more modest transformers, but it’s very solid. In fact, to be honest, I was surprised that since it came with a substantial aluminum top plate, it actually had less spurious vibrations than my copper top Horizon. I didn’t see that coming and it was an unexpected perk. Next, I can’t say enough about the stock tube set that Lukasz provides with the Poseidon. While many of us have spent a long-time optimizing tubes for their Horizons, my sense is that for the Poseidon, any buyer can have great confidence that the factory supplied tubes are a “set it and forget it” affair. Lukasz did the work. Take advantage of it. I was particularly impressed by the Svetlana 5Y3 rectifier that can easily be found for about $18 each. (I bought 2 although paradoxically, they don’t work as well in my H360 as they do in the Poseidon. Not sure why, but who cares? In the Poseidon, they're outstanding and allows the Poseidon to show off the excellent dynamics that it’s capable of achieving.) Bottom line, it's just so nice to find a great tube sounding products that sounds great with stock tubes. No uber tubes are needed.

The attraction of the Poseidon using a good USB cable is obvious, but it simply must be said that once you use the XDMI link, the performance was elevated beyond my expectations (and is similar to what I found with the H360). For me, the biggest benefit was the clarity and transparency of the top end, which has what one might call analog qualities that simply cannot be reproduced by using a USB or AES/EBU connection. It delivers sound with the ease that is very reminiscent of real instruments. It is truly fortunate that Lukasz has taken advantage of Emile’s proprietary XDMI link to offer this commercial opportunity at such an approachable price. This, in my view, is the raison d’etre for acquiring this remarkable technology. Yes, I know in Taiko land, the built-in XDMI enabled DAC board is all the rage, but if you are committed to a tube DAC for whatever reason (overall system sound etc. or you just like to watch your electronics glow in the dark), the XDMI connection is a genuine revelation. That Lampi managed to enable this in an excellent sounding DAC at the price of the Poseidon, is a genuine accomplishment.

In high end audio, one thing that becomes apparent to every hobbyist who has done this for a few years, is that there is always something better out there (although not nearly as many as the reviewers would like you to believe). But when something comes along that delivers incredibly good music reproduction as the Poseidon/XDMI link does at this price, I doubt you will be spending your listening time wondering what you are missing by not buying one of those $350K server/DACs that are now becoming more abundant. Many listeners will simply not need more than the Poseidon or may seek to invest elsewhere (such as their room) to gain the most sonic improvement and enjoyment for the buck. One thing is for certain. The Poseidon with the built-in XDMI link is a very impressive plug and play product right out of the box.

Let me know if you are looking to unload those Svetlana 5Y3 tubes. I have a Poseidon and I am in NJ

 

[respected_ent]

I recently heard my Poseidon with Bendix 5992 tubes with a Mullard GZ34 fat base rectifyer and the combination was easily the best I'd heard. The Bendix tubes took some of the harshness in the upper trebble off the GEC 6J5 tubes I've been using whilst maintaining the leading edge dynamics and overall musical coherence, whilst the Mullard recitfyer added a lot of useful separation and imaging to the sound.

Sadly, it seems that Bendix 5992s are something of a holy Grail tube.

I have a quad of Bendix 5992 tubes available. PM me if interested.