From what I was told, only Prima Luna and VAC has the true auto bias circuitry. There will a a light to indicate a bad tube and no need to get a matched pair, just replace bad tube.
A manual bias amplifier does not have to have trimpots. Sometimes manufacturer/designer calculates the impedance required for the circuit based on tube’s general characteristics and installs a resistor for each tube instead of an adjustable pot. I believe jadis PA 100 is designed like that. this kind of design is more like a manual bias cause it’s manually set in the factory and you need to change the resistor in order to change the bias. That’s a better approach in terms of purist circuit design but it has a major down side. You need to use perfectly matched pairs or quads that will behave same while they age which is almost impossible to accomplish. Most probably that’s why it has a fuse for each tube. If one of them ages differently and goes bad due to factory set constant bias, it triggers it’s fuse and saves the circuit. IMHO regarding it’s circuit design it can be called constant bias amplifier.
On the other hand a normal manual bias amplifier has pots to adjust bias according to changing conditions such as line voltage, tube age and characteristics.
Auto bias measures cathode current/plate voltage etc and regulates it automatically using a dedicated circuit which I couldn’t see in PA 100.
From what I was told, only Prima Luna and VAC has the true auto bias circuitry. There will a a light to indicate a bad tube and no need to get a matched pair, just replace bad tube.
So that's another one. User friendly.The VTL Siegfried amplifiers had true auto bias controlled by a microprocessor . This circuit also makes tubes diagnostics and disconnects a faulty tube before it damages the amplifier.
Some older amplifiers had auto bias using a feedback operational amplifier circuit in an integrator configuration, with a time constant of a few seconds.
Although it is true that many amplifiers strictly do not need tubes with matched plate current, IMHO they should be matched for trans-conductance in push pull pairs. Do we want our sinusoidal signals distorted with one half of it having higher amplitude than the other?
Your most thorough explanation goes in line with folks at the DIY forum regarding biasing of the Jadis Orchestra...Appreciate your reply greatly to say the least!!!!A manual bias amplifier does not have to have trimpots. Sometimes manufacturer/designer calculates the impedance required for the circuit based on tube’s general characteristics and installs a resistor for each tube instead of an adjustable pot. I believe jadis PA 100 is designed like that. this kind of design is more like a manual bias cause it’s manually set in the factory and you need to change the resistor in order to change the bias. That’s a better approach in terms of purist circuit design but it has a major down side. You need to use perfectly matched pairs or quads that will behave same while they age which is almost impossible to accomplish. Most probably that’s why it has a fuse for each tube. If one of them ages differently and goes bad due to factory set constant bias, it triggers it’s fuse and saves the circuit. IMHO regarding it’s circuit design it can be called constant bias amplifier.
On the other hand a normal manual bias amplifier has pots to adjust bias according to changing conditions such as line voltage, tube age and characteristics.
Auto bias measures cathode current/plate voltage etc and regulates it automatically using a dedicated circuit which I couldn’t see in PA 100.
I totally agree on using tubes with matching trans conductance for push pull pairs but also matching plate current makes your life easier. When using strong NOS tubes it may go out of biasing range depending on the biasing circuit design.Although it is true that many amplifiers strictly do not need tubes with matched plate current, IMHO they should be matched for trans-conductance in push pull pairs. Do we want our sinusoidal signals distorted with one half of it having higher amplitude than the other?
Looking at the patent, https://patents.google.com/patent/US8749310 , we can find it includes a control loop - this could mean some kind of feedback, something that could upset a few WBF members. Unfortunately the patent does not explain how it is applied.Stumbled into this info re biasing of the VAC amps, it's patented so it should be one of a kind in the industry.
I must be so crazy about its sound to put up with such poor and misleading nomenclature of their specs. And now I remember somewhere in a review, the Jadis 200 mono blocks I had in the 90s, was stated to have a power output of 160w but the reviewer tested it around 130w. And here I am after 30 years giving them another shot.Assume the worse scenario in case of French
And so with a PS Audio Power Plant P12, it is confirmed that the output of this PA100 is really what it's tag indicated - 300w. The owner's manual is wrong in stating it is 500w. One gets to wonder why this brand has attracted so many followers with with erroneous detail, me included. LOLMore 'contradictions'. Owner's manual says 500w per unit (when it's not even a mono amp) and my actual unit's back marks it as 300w. Which to believe? View attachment 88915 View attachment 88916
Bewitchingly musical sound....And so with a PS Audio Power Plant P12, it is confirmed that the output of this PA100 is really what it's tag indicated - 300w. The owner's manual is wrong in stating it is 500w. One gets to wonder why this brand has attracted so many followers with with erroneous detail, me included. LOL
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