Munich HighEnd 2024
- Thread starter redandgold
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Homogenous? I don't understand what you mean by that word in the above.
In an audio context I see 'homogenized' used -- carrying over a sonic characteristic from record to record. But what is 'homogenous' as a characteristic in the sense that coherence is a characteristic? Maybe you were thinking of a different word?
Homogenous? I don't understand what you mean by that word in the above.
In an audio context I see 'homogenized' used -- carrying over a sonic characteristic from record to record. But what is 'homogenous' as a characteristic in the sense that coherence is a characteristic? Maybe you were thinking of a different word?
Homogeneity in drivers. Not sounding like 3 or 4 speakers. Similar to coherent.
A bit like Diesis with a narrow baffle OB design and horn tweeter. The MTM is different and will give a different dispersion pattern but...cool...
What a weird brand name though.
Interesting...
why don't you write with your *real name* and we can have a discussion about what you experienced.
Give me a call
Are you a business professional? Or an enduser?
Best Regards
Michael
These videos make the differences between rooms clearer than most:
Taken with Samsung S24ultra.
Taken with Samsung S24ultra.
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These videos make the differences between rooms clearer than most:
from listening, the videos are recorded in stereo...
Salute?
I've asked the youtuber what he used, will update if I hear back.
Wow.
First, you don't write with your "real name" either, which is Michael Kromschröder:
Michael Kromschröder (@klangloft) • Instagram photos and videos
931 Followers, 353 Following, 342 Posts - See Instagram photos and videos from Michael Kromschröder (@klangloft)
www.instagram.com
Second, you don't disclose your industry affiliation (mandatory on WBF), which is:
KlangLoft // Ihr HiFi Studio mit Leidenschaft zur Musik und Technik
In der freundlichen, einladenden Atmosphäre des KlangLoft warten individuelle Produkte mit echter Manufakturqualität auf Sie. Bei uns finden Sie ausschließlich Produkte, die wir mit Leib und Seele verkörpern. Eine einzigartige Auswahl an High-End und HiFi.
klangloft.de
As I can see from your website, you are an Aries Cerat dealer, so you have an agenda.
Third, I don't like the threatening mafioso undertone of your post:
"why don't you write with your *real name* and we can have a discussion about what you experienced.
Give me a call"
Seriously, Michael?
So, why don't you answer your own question for yourself:
"Are you a business professional? Or an end user?"
Al
PS: By the way, Marty is an end user. You would know that were you a frequent participant on this forum, rather than just jumping in when it's in your "business interest".
If you had taken the time to read any of Marty's posts from Munich, you would have understood exactly his vantage point...
i will echo comments from @Al M. and @John T and mention that @marty is well known to members of this forum. your inference he is somehow hiding behind a first name only is insulting and bad form. we do have a few here who are anonymous and certainly that subject is open for comment when it comes up. but that is a member's right to do if they like and then take the heat.
you, OTOH, have 8 total posts here and this is your first post in 4 years. you obviously took no time to investigate Marty before you judged him. you are not helping your brand. but we are an understanding group, and i hope you can figure out a more win-win way to proceed. you would not be the first industry member to take offense at something posted here. and then figure it out going forward.
"The member has left the forum !"
The essential knowledge about stars and the cosmos was acquired long before telescopes (as we know them) existed.
Munich High End Show 2024 Full Report! - Soundnews
Alas, the eardrum-melting Munich High End Show 2024 has come to an end. The Weißbier taps have run dry, the scent of bratwurst and worn socks has faded, and those unruly Germanic winds have ceased to tingle our Eastern European beards. But the auditory experiences we had there will linger in our...
soundnews.net
I have been going to the Munich Show every show since 2009 and I do think there has been progress in the sound over the years. Although the rooms seem to be quite challenging for many (most) exhibitors and I do believe it can't be that easy. Some rooms clearly easier than others of course.
i think I probably subconsciously give exhibitors a benefit of the doubt in my ratings for the show difficulties - perhaps I should not.
This year my favourite rooms (in no particular order) were the ones below. I do wish exhibitors would be a bit more judicious in their music selection and refrains from only (or mostly) playing safe music. It would make assessment easier. At least for me. All the rooms I visited at least three times and sometimes there were improvements from my first visit.
Rooms that I liked (or mostly liked) the most based on Saturday and Sunday viewings:
Magico + Pilium + Wadax
Kharma + MSB
VTL + Wilson
Göbels + Pilium
Kaweroo! +Ypsilon
MBL (better than last year)
Magico + MSB (better than last year)
Magico + Wadax + Audio Research (I think those were the amps)
Thrax
Raidho + Chord
Zellaton + YS
Rockport + Absolare (although last year better with bigger Orion)
Vienna + CH (Vienna are perennial overachievers I think)
Smaller Steinheim (dont remember the amps. Was better than Darzteel and Nagra with bigger Stenheim).
Cessaro and Cabasse were the best horns. Did not go see Avantgarde at the show since I saw the premier of Mezzo only a couple of months ago in Portugal. Horns are not my cup of tea.
Alsylvox seemed good if you like planars (also not my cup of tea).
Living Voice + SJS was okay, but were better last year. Really impacted by loud playing from ESD next door.
AudioNec + Dartzeel were good in the show. Probably the best room with Dartzeel.
Borressen T5 looks like a cracking speaker despite room not being an easy one.
So there was plenty for me to enjoy. This is why I keep coming back!
Pedro
i think I probably subconsciously give exhibitors a benefit of the doubt in my ratings for the show difficulties - perhaps I should not.
This year my favourite rooms (in no particular order) were the ones below. I do wish exhibitors would be a bit more judicious in their music selection and refrains from only (or mostly) playing safe music. It would make assessment easier. At least for me. All the rooms I visited at least three times and sometimes there were improvements from my first visit.
Rooms that I liked (or mostly liked) the most based on Saturday and Sunday viewings:
Magico + Pilium + Wadax
Kharma + MSB
VTL + Wilson
Göbels + Pilium
Kaweroo! +Ypsilon
MBL (better than last year)
Magico + MSB (better than last year)
Magico + Wadax + Audio Research (I think those were the amps)
Thrax
Raidho + Chord
Zellaton + YS
Rockport + Absolare (although last year better with bigger Orion)
Vienna + CH (Vienna are perennial overachievers I think)
Smaller Steinheim (dont remember the amps. Was better than Darzteel and Nagra with bigger Stenheim).
Cessaro and Cabasse were the best horns. Did not go see Avantgarde at the show since I saw the premier of Mezzo only a couple of months ago in Portugal. Horns are not my cup of tea.
Alsylvox seemed good if you like planars (also not my cup of tea).
Living Voice + SJS was okay, but were better last year. Really impacted by loud playing from ESD next door.
AudioNec + Dartzeel were good in the show. Probably the best room with Dartzeel.
Borressen T5 looks like a cracking speaker despite room not being an easy one.
So there was plenty for me to enjoy. This is why I keep coming back!
Pedro
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Ummm...not really. In fact the James Webb is teaching us that we didn't know very much.
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