Munich HighEnd 2024

[please forgive my poor English]

Yet another polarizing topic?
Who wears the "appropriate" length ? (of skirt, I mean; you, pervs, were thinking about those long horns, weren't you?)

hFRFvQW.png
You need a long skirt to hide a DRAGON ! :eek:
 
  • Like
Reactions: Alrainbow
You could use 'bass-bin style' cabs (folded, scoop, w-bin etc.), though preferably not if the highest fidelity infra and sub bass is desired. The mid bass section of Kevin Scott's Vox series is based on the old Vitavox Oracle:

View attachment 131250

Obviously, a real infra bass horn (length: 7 m, with a mouth of 2.5 x 2.5 m) is highly impractical.

Whats the response delay vs mains ..?
 
Ok so you need proper subs ..

I wanted and got quick & musical subs and although they are not the last word on subterranean bass, like on my WAAR system, they go low and deep enough, and they do not muddy-up the mid-bass.
 
Not my gig , Never heard one sound like real bass ever , definitely HT thunder bass ready ..!

There’s a reason for the Box :)
where your box subowoofer runs out of steam, 4x 15"AE really start.
the only ones that can keep up are the jl audio 12/13 AE 7 drivers, they goes under 20 hertz but you need 1 kwatt amps.(box sub)
 
Last edited:
I wanted and got quick & musical subs and although they are not the last word on subterranean bass, like on my WAAR system, they go low and deep enough, and they do not muddy-up the mid-bass.

IMG_0919.jpeg

Enough said.
 
Whats the response delay vs mains ..?

None, if done correctly, but it's often time consuming and sometimes virtually impossible
(using passive solutions).

As for the LV Vox mid bass: it's a 'leaky' horn cab, so there's a mix of direct and horn-loaded output. In theory not exactly ideal/optimal, but there are some tricks to work around/mitigate potential problems.
It's more logical to use an 816/817 style cabinet like GIP does for the 9700A.
 
Last edited:
IMO playing all types of music is important however EDM etc. as a steady diet is only hiding so as to not expose the systems faults. Drum records and sound effects and for what I call ping pong music just doesnt show anything real. Realistic sound and scale are very important to me. A Sax the size of a semi truck, a violin larger that a garage door, a vocal I could drive my SUV through as major turnoffs. If I wanted to purchase a Public Address system and put it in my back yard and sit 100 yards away I would but I don't.
How do some of these products fare in the real world? Can they work in a home listening room? Shows do like to show the bizarre and unusual that's fine.
My last thought again if you cant set it up properly how is the public supposed to get what you are showing?
Totally agree, Elliot.

Large scale symphonic music to test separation, lack of dynamic compression, and scale (the sound should swell, growing larger and not just louder). Well recorded concert grand piano for testing weight and lifelike balance of attack, sustain and decay. Solo cello for testing tonality. Well recorded male and female vocal for testing midrange purity. Organ works for testing the bottom octave power and resolution.

EDM and most jazz sounds good on most systems, including PA style rigs. Nothing wrong with these musical choices but they are very safe.
 
I am sure they do. Regardless, practically any speaker can benefit from subwoofers.
An interesting comment! I haven't had any success in integrating a subwoofer in any of my systems so far but I expect you are right. Perhaps it is two that are necessary? And it probably isn't even about more bass, lol!
 
My XPE speakers are perfect .
Sure I can add a bit more resolution like in the latest smaller model .
For the rest i wont change a thing .
The dealer where my small speakers are , likes them a lot .
Of course selling a unknown design is not easy

You dont like my speakers which is obvious .
Fine with me , good luck write whatever you want :cool: :)

I surely can upgrade my digital with either a WADAX or Metronome .
For the rest its all fine
XPE I am not familiar with them. I own customized speakers that are not readily available like most big brand speakers so I think I know where you are coming from. Just back from Munich and I heard some wonderful speakers but many despite the price and hype I would not favour.
 
Totally agree, Elliot.

Large scale symphonic music to test separation, lack of dynamic compression, and scale (the sound should swell, growing larger and not just louder). Well recorded concert grand piano for testing weight and lifelike balance of attack, sustain and decay. Solo cello for testing tonality. Well recorded male and female vocal for testing midrange purity. Organ works for testing the bottom octave power and resolution.

EDM and most jazz sounds good on most systems, including PA style rigs. Nothing wrong with these musical choices but they are very safe.


That's a well-founded argument Skywalker.

I looked up SGR and immediately came across this picture:

1715906199712.png

and thought: nice cone with, sure enough, a foam surround.

"Instead of following the market trend towards increasingly more rigid cone materials in an attempt to push resonances out of the audible band, we attacked the problem in the time domain using our proprietary paper cone formulation which has a higher stiffness to damping ratio than all known woofers. The result is a woofer with stored energy dissipation which rivals some of the very best tweeters! Never before has bass sounded this fast and articulate."

Marketing speak containing a rare amount of veracity.
 
Last edited:
Mastersound PFF 100 monoblocks are the ones to seek out imho.... Amazing reliability as well, not just for a tube unit, but in general for any amplifier, provided their bias is checked regularly.Sadly the company just jacked up their price to around 45 000 Euros , or 50 000$ in US, which is pity, as these sold for around 25-30 grand in US just two years ago. Some of the best amps around.
I didn't find my MasterSound Compact 300b to be special! Perhaps the higher priced ones are? Reliable, as far as your own experience or do you have some statistics to back your comment up?
 
The room clarysis had was nice .
FM room is nice too.

From the smaller rooms the one with the symmetrical angled backwall is nice too .
Room 117.
With the indian speaker company / air tight.
Nice speakers nice sound ( for a SET)
RETHM

Probably my favourite SET so far air tight
Both the FM and Clarysis rooms sounded very good.

Hifideluxe actually had quite a few good sounding rooms/ product, the above stood out.

Thumbs up to FM Acoustics for also providing a very professional presentation and great musical selections! Many exhibitors should visit FM and take some notes as to how to present their product!
 
where your box subowoofer runs out of steam, 4x 15"AE really start.
the only ones that can keep up are the jl audio 12/13 AE 7 drivers, they goes under 20 hertz but you need 1 kwatt amps.(box sub)

You must be kidding , you expect a dipole to have more bass output and less distortion than a tuned box ..!

Hahahaha :)
 
Yes, indeed. Incidentally, I found the sonic presentation a little - well, let me say: minimally - over-emphasised. By that I mean the treble in particular. This would definitely be a system that you could get to sing well and better at home. However, I also missed low bass. But even that could possibly be remedied.

Unfortunately, I haven't listened to the others you mentioned.
The FM room was better in 2022 with their bass pedestals!
 
That's a well-founded argument Skywalker.

I looked up SGR and immediately came across this picture:

View attachment 131260

and thought: nice cone with, sure enough, a foam surround.

"Instead of following the market trend towards increasingly more rigid cone materials in an attempt to push resonances out of the audible band, we attacked the problem in the time domain using our proprietary paper cone formulation which has a higher stiffness to damping ratio than all known woofers. The result is a woofer with stored energy dissipation which rivals some of the very best tweeters! Never before has bass sounded this fast and articulate."

Marketing speak containing a rare amount of veracity.

Actively tri-amped SGR speakers (using SGR’s own amplifiers) have been my reference for close to 20 years. I am yet to hear anything, at any price, which makes me want to change. The bass section of this system (a collaboration between Michail Barabasz and Stuart Ralston) is very much the foundation and the initial reason for my purchase decision.
 

About us

  • What’s Best Forum is THE forum for high end audio, product reviews, advice and sharing experiences on the best of everything else. This is THE place where audiophiles and audio companies discuss vintage, contemporary and new audio products, music servers, music streamers, computer audio, digital-to-analog converters, turntables, phono stages, cartridges, reel-to-reel tape machines, speakers, headphones and tube and solid-state amplification. Founded in 2010 What’s Best Forum invites intelligent and courteous people of all interests and backgrounds to describe and discuss the best of everything. From beginners to life-long hobbyists to industry professionals, we enjoy learning about new things and meeting new people, and participating in spirited debates.

Quick Navigation

User Menu