So grief is a funny old thing. My sometime partner lost her nephew in a car crash two years ago, they were very close , it was devastating for her. In her grief she didn't want to hear any music, just to be quiet. On the other hand, after a quiet week, i couldn't wait to play music again. It wasn't that i had finished grieving, far from it. In the music i played, profound lyrics would find me and speak to what was on my mind. I was encouraged to be grateful, to celebrate my friend's life, to be thankful for knowing him. I felt the sublime content from a life well lived, without regrets. He was always with me, we went everywhere together, never left at home unless he chose to be. Could i have done anything better? Maybe we could have climbed a few more mountains, lockdown took us from our stride and kept our adventures local. But there's no head of steam there. We lived a wonderful life and so i have no regrets. Ziggy's memory is a blessing. As for living in silence, nope, not me. Music has truly helped me to cope, and continues to do so.
Admittedly i did go through a bad stage of not wanting to get out of bed. Asleep he was present in my dreams, awake he was absent. It was my other beastie, Wolfgang the border collie who forced me to get up, have a routine, go for walks, because he was just as upset as i was. I don't know where I'd be without him.
So as this was happening, i was trying to put together an audio system for my dad. I was leaning toward an all- MBL setup, the 126 speakers plus matching integrated amp and cd player / streamer. Coincidentally, the Absolute Sound ran an article covering speakers in that price bracket, which i read and forwarded to my dad. (I'm not sure he ever looked at it).
The article included a dipole speaker made by Wolf Von Langa, the Son. I readily concluded that if i were specc'ing my own system at that price point, it would be built around a pair of the field coil, dipole Sons. And then the Munich show, where many esteemed audiophiles concluded the WVL room had the best in show sound. So now i wondered, what were the bigger brother models like, the ones that might compete with my own speakers?
And so it began...?
It turns out that the big WVL speakers, known as the Audio Frame range, appear to have been designed with someone like me in mind. As in, they were dipoles that do bass.
I'm a believer in the 'if it looks right...' school of thought, and on paper and in the flesh, these certainly appeared to be 'dipoles that do bass'.
So i searched for a UK distributor, all i got was the name of two stores who carried the Son, but not the Audio Frame range. One of them, Nintronics, i have an existing relationship with, having bought my Esoteric Grandioso G1 clock from them. Had a chat with Roger Taslaq, the main man, to try and narrow down which model might be right for me. Fairly soon i contacted WVL directly in Germany to get some guidance.
The two models that appeal are Chicago and Berlin.
Chicago features two 15 inch field coild drivers per channel in open baffle configuration, above which is a dipole field coil silk - paper midrange and and AMT dipole tweeter.
The biggest in the range, Berlin, has an additional bass driver stacked on top of horn loaded mids ands tops. They both look capable of moving large amounts of air.
So there's my dilemma; go for the dipole, or go for the biggest and horn loaded.
Having written to Christine Von Langa i received the advice that, given my love of dipoles, Chicago would be the one for me.... assisted by their horn loaded subwoofers, Wagyu.
But the obvious course of action was to get myself down to the factory in Southern Germany, where i could listen to both and make up my own mind.
So. Two pairs of 15 inch, field coil drivers providing dipole bass. (Three pairs in the case of Berlin.) Plus dipole mids and tweeter with Chicago, horn loaded upper frequencies with Berlin
I've never experienced dipole bass; both of my Alon open baffle speaker experiences were underpinned by either 10 or 12" drivers in a sealed box, with just the mids and tops in dipole configuration. Plus the Chicago featured field coil midrange drivers- I've never experienced that, nor an AMT tweeter. And horn loaded subs.
For the first time in a month, i was leaping out of bed in the morning.
So, two questions. One esoteric, one practical.
Does this make me a shallow materialist?
And should i take my 2160 along with me to the audition?
?