I don't think a new venue would help the situation much. So you get good power. How much of a difference does that make? It is not like someone is going to custom design acoustic spaces for each setup.
Here is the thing guys (industry guys that is). Life is hard in showing equipment and getting positive feedback. No one says it isn't. But it is immaterial because it runs foul of Amir's second rule of business (first one was that businesses have no obligation to be fair). Your problems are not customer's problems!
Customers look to reviews to help them avoid bad purchases. Nothing is worst than spending a ton of money only to find out someone else knew it was no good. They look to reviews to tell them the zeros. And inversely, the heros. They want the answer. It is not customer's problem that it is hard to get to these answers or even impossible. This is what your customer desires.
I give the same talk to my employees all the time. We recently sourced a bunch of super expensive product from a company and installed them at customer site. One by one they started to fail. The product is from a major, major company. One that you would never expect to put out such faulty product. But faulty product they produced. We did some digging and identified the problem to be that of the manufacture. Right there I stopped the conversation with: what are we doing to do to fix the situation at the customer? That they could care less that this was someone else's issue. They look to us to deliver reliable goods and don't want to hear our sorry story of why we couldn't get there. We better focus on the solution and get it done.
It is a tough thing to live by but it is the right thing. We have to delight our customers. And I don't know how we do that by not talking about bad products, not deliver on the best sound in our demos, etc. People go to great expense and effort to come to these shows and they rightly demand and want the best demo the product can deliver. Likewise, we better let the news get out on forums, good, bad or different. Earlier I quoted the Stereophile negative review of Mark Levinson amp that I actually like. It needed to be said and we better volunteer it.
Now, are we going to be perfect at this? No. But it is our job to get as close as we can. We don't get an "out" by explaining how tough our job is. It is what we get "paid" to do and do well.
Yes, I am sympathetic. I always tell people there is no harder business than audio hardware industry. But we better cry on each other's shoulders and not our customers. Likely they have disposable income for such great products because they didn't ask their customers to sympathize with them.
If you are going to object, let me remind you of my first business rule again: business is not about fairness .
That's exceptionally bare-bones, and there is no way you could get enough people to agree to this, even if you could find people with money to fund this.
Think on it realistically for a while.
1. Where would you cite this? China would be the obvious place (in revenue terms), but inaccessible for a lot of the rest of the world. The High-End Society in Germany might find a venue, but they already have a success in the M.O.C. in Munich and would probably not change venues readily now. The US seems to have lost any kind of audio enthusiast momentum in the wider market, and the cost of land in the UK would double or even treble the costs if it were to be anywhere viable
2. Most of the biggest manufacturers would struggle to absorb this kind of financial hole in their marketing budgets required to make such a venue. My plucked out of the air cost was basically about twice most of these companies annual worldwide events cost in one hit, as an upfront cost before the place would be constructed... and they'd still need to find the money for those annual worldwide events
3. My big issue with audio shows is most of them are practically invisible. Munich gets the numbers because it's advertised across Germany and is especially advertised on posters, billboards, buses, S-bahn and U-bahn commuter trains, taxis, and local radio in Munich - that's reaching a nearby population of 1.3m over and above the audio enthusiast rank and file. If you build a specialist venue, you either need to build it very close to a similar major city (in which case the costs would rocket) or it stays preaching to the converted
4. $10m might seem a trivial sum for an industry, but when many of the brands in the audio industry would consider a turnover of $2m to be a bumper year, it's not that trivial.
5. That plucked out of the air figure didn't take taxes, rateable value, land value (and land required for parking), management and other 'walking overheads', promotion, advertising, maintenance, lighting, HVAC, electricity, legal costs, and so on into account. But let's continue plucking - $8m-$10m to build, $500k per year for the overheads. As a bare minimum. Double that if it were in the places it needed to be in order to make it viable, for an industry that mostly has to club together to spend $10k on a room.
6. Yes, if you built such a thing with the patronage of the biggest and best brands you could possibly make this happen. But it would mean those rooms were immediately booked up in perpetuity by those wealthy 'patrons' wanting their pound of flesh for their expenditure (and who would blame them?) and all that would entail is an even greater 'them and us' division between audio's Big Names and the rest. Would you want to go back to the same event year after year to see the same few dozen brands? Would you be happy in knowing if their special place was a success, they would never bother showing up anywhere else, turning all the other events into 'small beer' events?
Edit: You see, it's not "uninterested in finding a solution", it's "we've explored a hell of a lot of options already". In the same way there was the AAHEA in America, there is The Clarity Alliance in the UK, and I was its first chairman. We threw a lot of different ideas at a lot of different walls, and not a lot of it stuck.
Perfect post! Right on, Amir.
If you are going to object, let me remind you of my first business rule again: business is not about fairness .
First of all Peter is not alone in this position. We need to remember that behind the rooms are people. They put themselves into their equipment and their companies and this is their livelihood. Mean spirited posts on public forums can be hurtful and damaging. Honest, thoughtful evaluation done with respect is fine. This thread is about something different than that. We are all in this together. Postive feedback for the good guys can bring us all forward.
"If I want your opinion I will give it to you" - Mark R. Levin
For several years I was responsible for shows we did at McCormick place in Chicago. That was the printing industry, everything from computers to the printing press. We spent a great deal of time as a company making sure to the details that we presented to prospective industry partners and to the guests as well. Nothing was left to chance and we had back up plans. We polished our equipment, we polished ourselves and our presentations.
Frankly, despite others attempts for me to worry about exhibitors lack of preparation and care for their customers and all the reasons why, as an excuse, is an insult to my intelligence. And its an insult to the exhibitors, large and small that do properly prepare for the show and do impress their customers and do have rooms that we enjoy. Like Amir said, if you want to invite customers to your show and not just have a show to generate alliances and inter-industry relationships, you better start putting some friggin effort into your rooms. You all might be reminded, that despite your half inch thick metal front panels, and your gloss finishes and your finger pointing, you are in the AUDIO business.
Hearing lots of audio equipment is why I go to audio shows. I can ask a manufacture a question on the phone or email. I can party with my buddies in a way more interesting place than an audio show hotel. Sorry, you're REAL point of going to a consumer audio show might apply to the thousands, but not to me.
I don't think a new venue would help the situation much. So you get good power. How much of a difference does that make? It is not like someone is going to custom design acoustic spaces for each setup.
Here is the thing guys (industry guys that is). Life is hard in showing equipment and getting positive feedback. No one says it isn't. But it is immaterial because it runs foul of Amir's second rule of business (first one was that businesses have no obligation to be fair). Your problems are not customer's problems!
Customers look to reviews to help them avoid bad purchases. Nothing is worst than spending a ton of money only to find out someone else knew it was no good. They look to reviews to tell them the zeros. And inversely, the heros. They want the answer. It is not customer's problem that it is hard to get to these answers or even impossible. This is what your customer desires.
I give the same talk to my employees all the time. We recently sourced a bunch of super expensive product from a company and installed them at customer site. One by one they started to fail. The product is from a major, major company. One that you would never expect to put out such faulty product. But faulty product they produced. We did some digging and identified the problem to be that of the manufacture. Right there I stopped the conversation with: what are we doing to do to fix the situation at the customer? That they could care less that this was someone else's issue. They look to us to deliver reliable goods and don't want to hear our sorry story of why we couldn't get there. We better focus on the solution and get it done.
It is a tough thing to live by but it is the right thing. We have to delight our customers. And I don't know how we do that by not talking about bad products, not deliver on the best sound in our demos, etc. People go to great expense and effort to come to these shows and they rightly demand and want the best demo the product can deliver. Likewise, we better let the news get out on forums, good, bad or different. Earlier I quoted the Stereophile negative review of Mark Levinson amp that I actually like. It needed to be said and we better volunteer it.
Now, are we going to be perfect at this? No. But it is our job to get as close as we can. We don't get an "out" by explaining how tough our job is. It is what we get "paid" to do and do well.
Yes, I am sympathetic. I always tell people there is no harder business than audio hardware industry. But we better cry on each other's shoulders and not our customers. Likely they have disposable income for such great products because they didn't ask their customers to sympathize with them.
If you are going to object, let me remind you of my first business rule again: business is not about fairness .
Like it or not, the system and the equipment will be judged on the sound they make at a show. No amount of whining will change this.
For people in the industry, we really need to think about the younger music enthusiast that is just beginning to settle down... First of all, most of these folks have never heard a decent hifi system, ever. Next, if by chance they are introduced to a good hifi system and become interested in owning one, what is the upcoming purchasing experience going to look like? If we want to have a future manufacturing hifi equipment we might need customers and we will get more if we have good reviews and shows that are well advertised where the sound is somewhat representative of the ultimate potential of the equipment being shown.
This is truly a beautiful post and caps the thread.
Thank you, Myles.
This is the best post on the thread and the best post on WBF this year.
Great optics and insight from Dr. Astor.
My best,
Peter B.
Then we start brand new fresh, with brand new positive ideas? :b ...A better brand new subject in another brand new thread full of great new ideas.
...The very Best ideas.
Hearing lots of audio equipment is why I go to audio shows. I can ask a manufacture a question on the phone or email. I can party with my buddies in a way more interesting place than an audio show hotel. Sorry, you're REAL point of going to a consumer audio show might apply to the thousands, but not to me.
IMO this "show" part of the industry has clearly lost its focus, and so has those in it.
If only Audio had a reviewer writer with the eloquence, knowledge of the product, trust,integrity and writing skills of the late L J K Sekright
He WAS a great reviewer--alas none in our industry come close.
BruceD