I promised to write up my experience with my new Bokrand AB-309 tonearm, so here it is. After receiving the arm, I made an independent arm pod out of solid hardwood and installed M8 inserts at the bottom for three heavy duty steel feet. For the headshell, I use the Ikeda IS-2 with my Ikeda 9TT cartridge. Installation was straightforward using my Acoustic Systems SMARTractor tool. I aligned the cartridge with the Loefgren A / Baerwald IEC geometry. The tonearm is very well made, and the only things it has skimped on are the little conveniences. The VTA is adjusted by loosening a screw on the arm pillar and lowering the arm manually, like an SME 3012. Many expensive high end tonearms have calibrated, repeatedly adjustable VTA. There are aftermarket arm collars with this function buyers can use, but I don't adjust VTA with every record, so this is not a problem for me. I find that there is very little clearance between the arm lift and the arm tube. If I adjust the VTA to be level with a modern heavy record, playing thinner records will cause the arm tube to touch the arm lift. I therefore have to lower the arm to allow enough clearance with the thinnest records, but I have not noticed any tonal change when playing the heavy records and so this is fine. The counterweight is also rudimentary, relying on one or two brass weights fixed by tightening a screw on the side. My cartridge/headshell combination weighs 28 grams, and the larger weight by itself is already sufficient but it reaches pretty much the end of the stub. Dialing in the correct VTF if a matter of trial and error. The 3012 is more convenient in this respect with the little rider weight allowing finer and more repeatable adjustment. The Ikeda headshell allows azimuth adjustment with a larger screw that clamps tight the titanium connector and a smaller side screw that applies friction to the connector. I still have not worked out the best way to use these. Tightening either screw first causes the headshell to rotate, and it is a matter of estimating how much it will rotate and try to compensate for this. The azimuth adjustment of the tonearm is therefore very welcome. There is a small screw just behind the connector collar. Loosening it allows the headshell to rotate, and tightening it keeps the alignment fixed. No more trial and error ! My tonearm has continuous pure silver wiring from the headshell connector to the XLR connectors. The XLR plugs are wider than the clearance of the tonearm collar, which means if I want to remove the arm while leaving the collar attached to the arm pod, I need to desolder the XLR plugs. As my preamp also has Lemo sockets, I might change the plugs to Lemo.
On first impression, this set-up has very low distortion, due to the arm geometry that greatly reduces tracking error. The bass sounds more solid and reaches deeper than my 3012. The top sounds airy and there is good imaging and rock solid stability. The initial impression is very positive indeed. I will continue to assess the sound with more LPs. I have the 9Mono on my 3012 and the 9TT on the Bokrand. I will leave it this way for at least a while since the performance of the Bokrand has been excellent so far.