Nearly there, Frank... It is not "at most" 9N, some are lower than that. The math says for a single-tone input the maximum (highest) spur is 9N dB down, so most are actually a little lower. The rest you have right.
Orb, somebody with a better psycho-acoustics background will have to address SNR vs. SFDR, but I will comment that we can pull out signals below the noise floor, and that includes distortion so would argue SFDR can in fact be important in audio as in other applications.
Again agree with you Don
My point was specific to the 16 bit signal that only has a boundary range of 96db when converted using the formula of linear value to decibels.
In this case, on a very good 16-bit replay system - CD (say with S/n around 110dba), it might be worth explaining how the signal is below the noise floor for CD.
Although more on topic is how interesting the spur can change with frequency.
Cheers
Orb