I avoided writing earlier, but I believe I was the one who first let PeterA and Al M know that Ian's CAT preamp was highly veiled and colored. I don't think they believed me at first, but apparently they eventually did. The system's sonic signature became quite obvious to me very quickly, and Ian and I took the preamp out within half an hour or less. Basically, it presented the music in a euphonic and veiled way - "fake news" if you will - and all the information came back in a more realistic way when we took it out. However, digital was somewhat thin, and I attribute that to DACs just not being able to drive amps directly. Analog was much better - after gain there was adjusted much higher - but in the end, that also left me wanting more, and for example, I liked Steve Williams' ZYX set-up over Ian's; I am also no longer a fan of unstabilized pivot arms, and I think Ian's is one of them. I believe he'd be better served with a different (and better) arm. But the sheer fact that we had to increase phono gain significantly (12dB?!?) tells me those amps just can't be properly driven directly from sources.
FWIW, I get the same detailed but thin sound from my digital driving my Spectrals - and all Spectrals I've ever had - direct, because simply put, the 1mA DAC output is just not enough.
At the end of the day, I can see why Ian is still looking for a truly transparent preamp that can drive his CAT amps, though I have not heard the DartZeel. Bottom line for me: I just could not stand the coloration and masking of detail of his CAT preamp, and just to give an example, I pointed to specific information missing, like triangle hits, and I believe I had also pointed to solo piano being all over the place. Perhaps the tubes were bad, but I can only judge what I heard. But I can attest to the CAT amps being really good, and I suspect they sound better now.
PS: I HATE Ken's writing style, and I base this on many emails I have seen over the years with others.
Tasos, I believe you when you say that Ian’s preamp did not sound great! It confirms to me that something was very wrong with his particular unit! The Legend preamp sounds better than any of Ken’s amps...when it is working correctly. Ken has always voiced his amps around his preamp...the preamps are generally known to be the work horse of the whole system. So, the fact that the amps sounded better without the preamp tells me that not only was the preamp faulty, but that the whole system must be skewed to sound incorrect in some manner with that particular preamp in place.
Too bad that a return of the preamp to Ken was apparently not undertaken, because I think none of this thread would be under discussion if it was. Personally, I have never heard a bad sounding CAT preamp, and I have heard many....and of course, as you know, I utilize a heavily modded version myself. Naturally a faulty unit can occur occasionally with any electronics, which is why it is nice to have the factory there in case you need them. Unfortunately, I strongly suspect that this preamp was never allowed to show what it can do...
I avoided writing earlier, but I believe I was the one who first let PeterA and Al M know that Ian's CAT preamp was highly veiled and colored. I don't think they believed me at first, but apparently they eventually did. The system's sonic signature became quite obvious to me very quickly, and Ian and I took the preamp out within half an hour or less. Basically, it presented the music in a euphonic and veiled way - "fake news" if you will - and all the information came back in a more realistic way when we took it out. However, digital was somewhat thin, and I attribute that to DACs just not being able to drive amps directly. Analog was much better - after gain there was adjusted much higher - but in the end, that also left me wanting more, and for example, I liked Steve Williams' ZYX set-up over Ian's; I am also no longer a fan of unstabilized pivot arms, and I think Ian's is one of them. I believe he'd be better served with a different (and better) arm. But the sheer fact that we had to increase phono gain significantly (12dB?!?) tells me those amps just can't be properly driven directly from sources.
FWIW, I get the same detailed but thin sound from my digital driving my Spectrals - and all Spectrals I've ever had - direct, because simply put, the 1mA DAC output is just not enough.
At the end of the day, I can see why Ian is still looking for a truly transparent preamp that can drive his CAT amps, though I have not heard the DartZeel. Bottom line for me: I just could not stand the coloration and masking of detail of his CAT preamp, and just to give an example, I pointed to specific information missing, like triangle hits, and I believe I had also pointed to solo piano being all over the place. Perhaps the tubes were bad, but I can only judge what I heard. But I can attest to the CAT amps being really good, and I suspect they sound better now.
PS: I HATE Ken's writing style, and I base this on many emails I have seen over the years with others.
The DAC was either the Yggy or the Vivaldi 2.0, which I no longer care for, both in Ian's system or at Goodwin's. It presents music in an unnatural way. I was told that Ian has now sold the Vivaldi.
The DAC was either the Yggy or the Vivaldi 2.0, which I no longer care for, both in Ian's system or at Goodwin's. It presents music in an unnatural way. I was told that Ian has now sold the Vivaldi.
The DAC was either the Yggy or the Vivaldi 2.0, which I no longer care for, both in Ian's system or at Goodwin's. It presents music in an unnatural way. I was told that Ian has now sold the Vivaldi.
Thanks. I only asked because the output sections of both DACs are very different - technically commenting on interface between DAC and other components is futile unless we know what we are addressing. If the Vivaldi 2.0 presented the music in an "unnatural way" IMHO you should blame the system/room, that was not able to handle the information and dynamics presented by this DAC.
I blame the Vivaldi 2.0 - and no volume setting was satisfying enough. This audition was about 3-4 months ago. It might have been the Classe CDT-1 transport, but this transport sounded good with the Yggy.
If the Vivaldi 2.0 presented the music in an "unnatural way" IMHO you should blame the system/room, that was not able to handle the information and dynamics presented by this DAC.
That is such a funny comment, Francisco. Not being "able to handle the information"? Your armchair criticizing of a system with outstanding resolution that you have never heard is hilarious.
And just for the record, I do not think the Vivaldi presents the music in an unnatural way (what I hear does not meet my standards for such a fundamental negative claim). Satisfied?
I agree about private emails.
Thread has been sanitized.
Should have let the post remain. The quoted email was not asked to be removed by it's author. There were no personal attacks in the email or nothing egregious. (...)
However after reading the technical thread on "the other" forum I feel I now understand why some people can prefer the Yggy on their systems - nothing wrong with such preference. BTW, I only looked at the graphs, I did look into the debates ... I often do the same on Stereophile measurements ...
Nothing related to volume setting. Transports and tweaks can help, but are not essential. However after reading the technical thread on "the other" forum I feel I now understand why some people can prefer the Yggy on their systems - nothing wrong with such preference. BTW, I only looked at the graphs, I did look into the debates ... I often do the same on Stereophile measurements ...
I think it should go the reverse way - when we want to share private emails we have to show evidence that the author was asked for and granted permission of quoting him. As usual YMMV!
Should have let the post remain. The quoted email was not asked to be removed by it's author. There were no personal attacks in the email or nothing egregious.
"Sanitizing" posts presents dangerous ground Steve.
I think it should go the reverse way - when we want to share private emails we have to show evidence that the author was asked for and granted permission of quoting him. As usual YMMV!
The noise floor was audibly excessive compared to every other DAC I've ever heard, and it created a "tape hiss" sound. The lack of a black background was never, in my opinion, a worthwhile tradeoff for enhanced microdetail resolution. It also had the effect of pushing microdetails too forward, i.e. a lack of nuance and finesse. Yggy2 might improve upon this particular problem, from what I've read.