You might be right if we compare original monos to original stereos. But comparing original to a well made reissue? I'm not so sure. Only a direct comparison would reveal the truth.
You might be right if we compare original monos to original stereos. But comparing original to a well made reissue? I'm not so sure. Only a direct comparison would reveal the truth.
It finally arrived and I will play it shortly, but I have a question. I am not sure of this is a 33 or 45 RPM pressing. No where on the Highfidelityla.com site does it mention the speed, not are there any markings on the jacket and vinyl as to what it is. The copy I have is definitely the 200-gram Clarity Vinyl, which I thought was 45RPM. Seems very odd this would not be indicated.
It finally arrived and I will play it shortly, but I have a question. I am not sure of this is a 33 or 45 RPM pressing. No where on the Highfidelityla.com site does it mention the speed, not are there any markings on the jacket and vinyl as to what it is. The copy I have is definitely the 200-gram Clarity Vinyl, which I thought was 45RPM. Seems very odd this would not be indicated.
I've listened to more of these excellent test pressings and they do sound wonderful. I have not heard them directly compared but these pressing stand on there own very nicely so far. I don't own many of the originals of these pressings. The ones that appeal to me musically will probably end up on my LPs to purchase list.
www.elusivedisc.com is advertising that they've "found" some 45RPM 200g pressings of several Living Stereo titles. Just in case anyone is interested....
www.elusivedisc.com is advertising that they've "found" some 45RPM 200g pressings of several Living Stereo titles. Just in case anyone is interested....
I agree, shallow and flat sounding with distortion caused by tape overload (ORG). The tape hiss is even more prevalent. We all agreed that the Classic Records 45 ruled the day by a large margin. Same thing with Dukes' Jazz Party, while good sounding with org, Classic's is a far better version.
I agree, shallow and flat sounding with distortion caused by tape overload (ORG). The tape hiss is even more prevalent. We all agreed that the Classic Records 45 ruled the day by a large margin. Same thing with Dukes' Jazz Party, while good sounding with org, Classic's is a far better version.
Why do you think that is so? Same engineer on both and Bernie made a number of significant changes to his mastering system.
As far as the new RCAs to top the originals, they must do four things in my mind:
1. No loss of information
2. Give us the wonderful string tone of the originals
3. Get the low end from the tapes that the originals lacked
4. Especially get the ambience and upper octaves that the CR lacked.
I have no idea, but the sound differences were very clear to Bill Demars and myself. Even our friend Joe who is not that familiar with the music could hear it. Looks to me, ORG are not as good as Classic Records when we talk the same title and rpm. Also, I have yet to hear a shaded dog original sound better or even come close to a pristine Classic Records reissue at 45 rpm.
I have no idea, but the sound differences were very clear to Bill Demars and myself. Even our friend Joe who is not that familiar with the music could hear it. Looks to me, ORG are not as good as Classic Records when we talk the same title and rpm. Also, I have yet to hear a shaded dog original sound better or even come close to a pristine Classic Records reissue at 45 rpm.
Guess we'll just have to disagree there for exactly the same reasons outlined above especially the string tone and sense of hall. (In fact pretty much all reissues lose that sense of space of the original.) I should also add and Witches Brew is the best example, that CR boosted the low end too much.
Just this weekend compared this Sibelius VC 45 rpm with the original shaded dog (10/11S) and again no contest. The 45 rpm was just plain boring.
Guess we'll just have to disagree there for exactly the same reasons outlined above especially the string tone and sense of hall. (In fact pretty much all reissues lose that sense of space of the original.) I should also add and Witches Brew is the best example, that CR boosted the low end too much.
Just this weekend compared this Sibelius VC 45 rpm with the original shaded dog (10/11S) and again no contest. The 45 rpm was just plain boring.
If you love shaded dog, you love record surface noise and pops. Shaded dog's that look NM play VG. VG doesn't work for me. NM or go home save for a VG+ mono record.
If you love shaded dog, you love record surface noise and pops. Shaded dog's that look NM play VG. VG doesn't work for me. NM or go home save for a VG+ mono record.
Christian stop changing the subject. We were talking sound quality-period. And actually I was lucky and started buying the RCAs, Mercs 35 years or so ago so most are in good shape. Nowadays YMMV and agree if surface noise is an issue go with the reissue. Also perception of surface noise is a function of playback gear and electronics. For instance records that have no right to sound good do on linear tracking arms.