Hi Loheswaran,
There are many variables when it comes to tts or anything else for that matter which you need to categorize and quantify values properly to reach the right conclusions. First we need to identify the value we're after, i.e what do we mean about better bass. In my case and for the types of music I listen to the overriding value is "Natural", balance is as important as realism here. Some people like their bass tighter, louder and want to get hit in the gut with it all the times so their idea of better bass is very different, its important to understand this. The next is category, the quality of DD bass vs other types is price dependent. Here we have a tiny group of tables considered to be the pinnacle of the art, outside a couple the best competing DD tables cost a fraction of the price of these tables. The DD technology seems to be a limiting factor at this level but if you look at it within a different price category, DD can have the upper hand. So clarification is important, please consider my comments limited to a narrow category and specific personal value.
I don't know where you live but it may be more cost effective to purchase a working EMT 950 than refurbishing one specially if you have to crate and ship it long distance, they're priced very low today,way below their sonic abilities.
david
David, would you make a distinction between DD and other non belt technologies, like idlers and direct rim drives?
I ask this because if you feel the speed hunting servos of DDs like the GP Monaco, Rockport Sirius, Brinkmann Bardo, Technics SP10 etc are a limiting factor, this wouldn't apply to idlers and rim drives like my Salvation, Saskia, Lencos, Garrard 301/401, where the speed is "set and forget".
In my tt, the torque is high, the platter weight is high, the speed is set and chequed w/a strobe, and there is no feedback mechanism to alter drive based on what the platter is doing. The designer could never get a feedback servo to work w/out squeezing the life out of the sound presentation. Only when he perfected a 100% analog/non servo feedback system, matching exteremely high torque to high platter mass, did he manage to get secure speed stability w/full analog bloom of sound. And I do believe he has suceeded because the sound is in equal measure: detailed, neutral, transparent, propulsive, nuanced, tonal and textured.
Do you have time for this kind of approach?
As a result, I do believe tt's should not just be categorised as: belt OR servo-controlled dd, but belt OR servo-controlled dd OR non servo-controlled idler/rim.