Ok, let me qualify: the sound does not have *that* much oomph, it has enough oomph. But this is also not the best choice of music for that purpose: if you want to show off oomph in the low mids, e.g., on low brass, other music by Bruckner will be better suited than this wonderful but lighter sounding 7th symphony (in particular this beginning of the first movement, in the dramatic development section of the movement there are some heavier sounds).
My concept of body and highs in orchestral sound is primarily informed by sitting in different seats in a number of different concert halls over decades. There is a wide range in that, both when it comes to body and to highs. When it comes to sound reproduction, it is informed by listening to several systems.
There is nothing to interpret in a video, the sound is the sound. If you really believe great concert hall acoustics are completely reflected in a phone video: what can I say?
Mike Lavigne once brought up an excellent point (I am paraphrasing): it appears that sometimes video enthusiasts hear not the actual sound of the video but their memory of the sound recorded on the video, from which they fill in while listening to the video.
I have found a similar phenomenon when listening on cheap TV audio to an orchestra. Seeing the orchestra playing on the TV screen makes you fill in the concert hall sound from memory and it can seem to sound so good, but when you close your eyes and concentrate on the actual sound from the TV it's much worse. It takes discipline and analytical effort to concentrate on the *actual* sound, rather than allowing your mind to reinterpret it.