You’re the King Mike, -couldn’t have said it better myself, haha?my designer was Chris Huston. Chris did design in lots of extra bass traps, telling me at the beginning that it's not possible to know how much bass trapping might be needed, but that it's much easier to remove them than to add them later. over a 10 year period i did one by one eliminate all of those traps, except for the -4- floor to ceiling traps along the rear wall. the other design concept was retaining energy, which the room surely did. all diffusion, minimal absorption. in the end i needed to add surface cloth treatments to fine tune the room after i evolved enough myself to know where i was going.
i had no big bass hump at the beginning. and i did not have an acoustician assist, my room was ground up designed by Chris and built to spec within a 1/4" by my contractor, including the structural details. but it was in a separate building from my home, a room within a room. lots of interaction between my contractor and Chris including a visit mid project.
the bones of the room were perfect. i do have a drop ceiling with large recesses which i have treated with added diffusion. but these recesses are symmetric, and are part of why my bass is so smooth.
rooms do need to get lived in and adapted to the chosen evolving system. rooms with large speakers and lots of live-ness don't hatch fully grown, they grow up into what they become. my room is oval, it's sealed, and it's totally symmetric. rooms that are living areas first, and listening rooms second maybe have compromises in that single-minded ness, but make up for it in lifestyle appeal. no one right way to do it.
i'm sure over time Ron will minimize the sonic effect of his ceiling imbalance one way or another.
/ Jk