Steve, I have a set of CS 1.5M (which have been release when … late 2021?) under my Extreme which I quite like. Thought about upgrading maybe to the Ultra TTs (released January 2023) some time. And now there is yet another iteration?! As good as the Center Stage footers are, I find this a rather inflationary product cycle rate for footers! … or are they placed above the 2M ans TTs or really intended for loudspeakers (only)?I just recently changed the footers under my Extreme. I exclusively use Center Stage Ultra TT under alll of my components. Under the Extreme there was a huge uptick in sound quality from the previous version of Center Stage 2m. Several weeks ago Joe released the first update to his LS series (loud speaker footers). Joe sent me a set to evaluate as these are a completely different design than his previous footers as they are rounded on the bottom. They have auto balance and are also adjustable up or down by 1/4".
He only sent one set and these were for smaller speakers. I asked Joe if he minded that I try this set under the Extreme. He said to go for it and promised me that I would be more than surprise. Suffice it to say these new feet under the Extreme has brought the greatest change in my digital sound. I will have more to say about the new LS Ultra 2.25 footers They are killer under the Extreme and gone are the issues of placement under the fenestrated bottom of the Extreme.
Below are some photos of these new feet
These are LS series, designed for speakers!!!Not for under electronics BUT I said why not and I was gobsmacked. FWIW pricing on these IIRC is less than the Ultra TT so for me it is a win win. The Ultra TT was designed to replace the 2M and they are spectacular under the Extreme. It's just that these LS Ultra 2.25 designed for smaller speakers are spectacular under the Extreme. FWIW, I have a total of 80 ultra TT's under all of my electronics. When I swapped out the Ultra TT's under the Extreme for the LS Ultra 2.25 I could hear the difference immediatelySteve, I have a set of CS 1.5M (which have been release when … late 2021?) under my Extreme which I quite like. Thought about upgrading maybe to the Ultra TTs (released January 2023) some time. And now there is yet another iteration?! As good as the Center Stage footers are, I find this a rather inflationary product cycle rate for footers! … or are they placed above the 2M ans TTs or really intended for loudspeakers (only)?
Ok, thanks for the clarification. That means they could potentially have the same positive effect under your other electronics as well. I‘m happy to hear your experiences, especially, if those footers would be less costly than the Ultra TTs/2Ms.
…. now that ball shaped look is yet another thing. But heck, if it sounds great!
Christiaan posted a three-part series with his impressions of various footers and stands earlier in the thread. The Search function at the top of the page should turn them up without too much problem.Good day everyone. Any footers recommendation for Extreme Server ?
I am not sure if it has been discussed before. The thread is so long and I have short memory span ;-)
I met Ted 4 years ago when he and Emile took a trip across the pond and visited me, Mike Lavigne and Rhapsody Audio. I found Ted to be a young, extremely bright person who was an entrepreneur in his own little way. I enjoyed picking his brain as he knew how to make money with some of his online offerings. The taiko team truly is a bunch of amazing people who have customer service as their number one priorityReceived my router the other day via my dealer.
Missing wifi antenna... investigate - DHL tape says, repacked ..huge customs sticker says, security inspection. Customs opened and went through contents... ugh!
Emailed support and not 10 minutes later Ted is replying back. Within an hour there's a plan send to me a antenna.
This was roughly 10pm his time on a Friday night.
Thank you Ted and the Taiko team.
Mn
For those of you who have talked to Ted, here a a few photos of Emile and Ted when they visited. IIRC Ted was still a teen ager when he visited or early 20's at the most, but he told me ways he discovered to earn money on line and after spending a few days with him , I can tell you this kid is going to go farI met Ted 4 years ago when he and Emile took a trip across the pond and visited me, Mike Lavigne and Rhapsody Audio. I found Ted to be a young, extremely bright person who was an entrepreneur in his own little way. I enjoyed picking his brain as he knew how to make money with some of his online offerings. The taiko team truly is a bunch of amazing people who have customer service as their number one priority
@ctydwnwhew. coming off another couple hour Taiko high. Have close to 4.5 days on the Router and Power Distributor running through 'default' (and only XDMS). I have noticed maybe an incremental improvement since that initial euphoric evening, but I'd say 90% was already there out of the box. Not a drop from Taiko wifi since first connection.
What has amazed me most is that I thought with the Router and PD... ok, going to get lower noise floor and hear more detail (another finger movement across the guitar strings or voice in the crowd)... but that has not been the main effect (maybe a touch of that). I fully suspect there is a lower noise floor but the audible signs are in the tonal density, saturation, imaging, soundstage (especially in my case the depth), confident delivery and lack of fatigue.... and not necessarily further nuanced detail. This is actually a much more desirable result to me. I dare say the full network 'bundle' (switch, router and PD) is as transformative as the Extreme itself. But of course one would not be possible without the other.
Ready to try the alternative filters tomorrow as my wife heads out on work trip. Again, thanks, enjoy and take care.
I started out first with the unfiltered ports of the DCD powering the Taiko router and switch while I plugged in load resistors into the two Default ports and Alt 1 and Alt 2. Only after I had about 125 hours of burn-in completed did I start trying different DCD ports to power the Taiko switch and router.@ctydwn
do I remember that you used "unfiltered" ports on the DCD first? I am interested how you compare unfiltered to "default" alt1 and alt2
Has anyone done this comparison
I started out first with the unfiltered ports of the DCD powering the Taiko router and switch while I plugged in load resistors into the two Default ports and Alt 1 and Alt 2. Only after I had about 125 hours of burn-in completed did I start trying different DCD ports to power the Taiko switch and router.
The attributes I'd assign to the Taiko router powered by unfiltered ports are greater clarity, greater ability to hear deeper into the mix, enhanced sense of natural color and timbre, and increased dimensionality.
When I started experimenting with the Default and Alternate ports I could quickly hear that my preferred port combinations removed any residual edginess or hardness, improved dynamic pop and swing, and expanded dimensionality, particularly depth, even more.
With a non-optimum combination of filters the impression was of a flatter, greyer presentation, less interesting and lively. The optimum combination for XDMS and Roon brought back the impact, color, life and emotional involvement.
View attachment 119526
Steve Z
Maybe I'm missing the point but did you compare unfiltered to alt1, alt2 and defaultI started out first with the unfiltered ports of the DCD powering the Taiko router and switch while I plugged in load resistors into the two Default ports and Alt 1 and Alt 2. Only after I had about 125 hours of burn-in completed did I start trying different DCD ports to power the Taiko switch and router.
The attributes I'd assign to the Taiko router powered by unfiltered ports are greater clarity, greater ability to hear deeper into the mix, enhanced sense of natural color and timbre, and increased dimensionality.
When I started experimenting with the Default and Alternate ports I could quickly hear that my preferred port combinations removed any residual edginess or hardness, improved dynamic pop and swing, and expanded dimensionality, particularly depth, even more.
With a non-optimum combination of filters the impression was of a flatter, greyer presentation, less interesting and lively. The optimum combination for XDMS and Roon brought back the impact, color, life and emotional involvement.
View attachment 119526
Steve Z