"Mark Speak" is much easier to understand than Tom gobbledygook. Look, I later quoted your exact statement before you went off the rails. And the reality is all components actually contain analog circuits because even digital components have to convert the digital back to analog before it gets to your preamp. So if you want to stand on your statement "that there is no real advance in two channel high end analog gear in at least 20 years," then you are also damning the analog section of digital gear.
for me it would be the ability to definitively determine if a fully operational 20 year old component is audibly inferior to a modern component of relatively equitable price\performance.
I respectful disagree with your valuation of the improvements. As my opinion is supported mainly by subjective findings obtained through listening and reading about stereo reproduction, and most probably the systems and experiences I could refer do not mean anything to you, readers will have to rely on their experiences to appreciate the argument.
But I answered mainly to tell that IMHO we will never see real improvements looking at singe pieces of equipment - you must listen to properly assembled and optimized FULL systems in ADEQUATE rooms.
How can you even design something that has a 600 hour break-in period? You design and build a prototype and run it 24 hours a day for a month, then listen to it to see if it is any good??? (...)
McIntosh gear requires no break in time. It's not mentioned in their manuals. I looked up Gary's MC 601 amps owner's manual and nary a word was written about break in.
my apologies, my last post to you was entirely in jest. its a joke often used by comedian Stephen Colbert. i was poking fun at myself and anyone else who can get carried away and take these kinds of topics too seriously.
my apologies, my last post to you was entirely in jest. its a joke often used by comedian Stephen Colbert. i was poking fun at myself and anyone else who can get carried away and take these kinds of topics too seriously.
for me it would be the ability to definitively determine if a fully operational 20 year old component is audibly inferior to a modern component of relatively equitable price\performance.
Don't know what you mean by "definitively" and "relatively equitable price / performance" but I will cite my personal experience with Martin Logan speakers and Conrad Johnson preamps. I have owned both brands and have purchased various models thereof over the last twenty years plus. Suffice to say that the each successive model was clearly sonically superior to the previous.
And all the "lower end" models benefit from newer technology incorporated into the the "higher priced" selections within that brand for less cost.
With all due respect, I think you are very mistaken regarding your premise stated above.
Don't know what you mean by "definitively" and "relatively equitable price / performance" but I will cite my personal experience with Martin Logan speakers and Conrad Johnson preamps. I have owned both brands and have purchased various models thereof over the last twenty years plus. Suffice to say that the each successive model was clearly sonically superior to the previous.
And all the "lower end" models benefit from newer technology incorporated into the the "higher priced" selections within that brand for less cost.
With all due respect, I think you are very mistaken regarding your premise stated above.
equitable price\performance simply means that you are going to try and match the components as closely as possible in spec. pitting the a Krell KSA-100 against a modern flea amp and driving low efficiency speakers is not going to be a productive exercise. if both components are of similar performance and price (adj. for inflation), then if i think the 20 year old piece is not up to par with the modern piece in terms of its sound, thats definitely definitive for me. i'd love to get your feedback if you could do a demo of an older CJ pre and a comparable modern CJ pre.
equitable price\performance simply means that you are going to try and match the components as closely as possible in spec. pitting the a Krell KSA-100 against a modern flea amp and driving low efficiency speakers is not going to be a productive exercise. if both components are of similar performance and price (adj. for inflation), then if i think the 20 year old piece is not up to par with the modern piece in terms of its sound, thats definitely definitive for me. i'd love to get your feedback if you could do a demo of an older CJ pre and a comparable modern CJ pre.
Well designed audio gear, such as my Hafler gear, was already using polypropylene and polystyrene capacitors, and this is in the late 70's and early 80's. Just sayin.
And the Hafler stuff was total garbage. I oughta know. Couldn't wait to get rid of them. The worst of all and one of my all time worst audio purchases EVER-was the DH-500. One of the worst amplifiers I've ever heard. The Amber 70, as did practically every other amplifier of the day, kicked it in the a**. 500 watts? Sounded more like 2 watts. Total dreck.
What no secret notes passed around behind my back?
i'm saying i havent heard the results of that contest where i thought there was an appreciable difference. different yes, better no. i dont mean to discount your findings, and as i said earlier i know i need to expand my horizons, i havent been convinced yet.
Go back and read the thread again before posting. You're post has zero, zip, nada to do with the original question by Dingus.
Hafler did not have in the signal path. Cap knowledge was well established by the early 80's in audio design by real engineers vs tweeko designers. Never heard the 500, but my 450 watts sounds fine.
So you're calling Walter Marsh and Carl Jung tweako engineers? And major capacitor manufacturers like Rel Cap tweako engineers? And the military that uses most of these caps tweako engineers? Actually if you ever saw capacitors designed, wound and built, you could never say the above statement. But that's OK because we know that nothing has changed and improved in the last 20 years and all high-end audio designers are idiots. That's why leading speaker manufacturers have made significant inroads into improving their sound by going to new capacitor designs.
Oh forgot. The Haflers on the right speaker were also totally outclassed by an old Dynaco 70.