Well I haven't been able to create an AD/DA loop at 384/32 that was totally transparent.
Which expert said this and what equipment was he using?
Bruce,
I was saying that the format is equivalent in a broad sense, not that it is totally transparent. Searching better I found these old comments - sorry I though 2L were a poster of WBF, I see they were only being quoted http://www.whatsbestforum.com/showthread.php?9286-2xDSD-Smoke-and-mirrors-or-will-there-appear-better-masterings-on-it&p=165282&viewfull=1#post165282
We can also listen directly to the analogue output from the microphones. Digital eXtreme Definition is a professional audio format that brings “analogue” qualities in 24 bit at 352.8 kHz sampling rate. DXD preserves 8.4672 Mbit/s (3 times the data of DSD) per channel. This leaves headroom for editing and balancing before quantizing to DSD for SACD or PCM for Blu-Ray.
All audio formats on The Nordic Sound are sample rate converted from the same DXD master. Comparing them in our studio we find only subtle differences from DXD down to 192kHz and 96kHz. The obvious degeneration is from 96kHz down to 48kHz. We find DSD, as used in the SACD format, somewhat different in colour from PCM;
and http://www.whatsbestforum.com/showthread.php?5879-2L-new-offering-Hi-Res-FLAC-amp-Audiophile-Vinyl&p=91885&viewfull=1#post91885
Recording in DXD (352.8kHz/24bit) preserve analogue qualities to the digital domain.