The noise/vbration floor has to be finite. All these product have to have a cumulative finite effect.
where exactly on the gear did you apply it
Nice amp and I own the Sanders Sound version. Dimfer, did you consult Roger before you did this in order to get his opinion of the AVM product or to ascertain any effect upon the warranty? How did you determine that it had made an improvement in SQ?...here's the picture of the Innersound ESL ES300... not nice to look at, but it worked in my opinion...
I think if minute vibrations is a major obstacle that stands in the way of great SQ, the whole design and manufacturing process needs re-evaluated from the ground up. I'm not sure how effective an after thought may be at solving a problem that needed dealt with during the design and testing stages.
Unfortunately, this is too true.... but many designers will not implement something that they think will not affect the sound if they don't measure for it. As an example of how minute vibrations can affect a piece of gear, try putting something like a DAC upside down and listen to it. Of course, do not do this to a CD transport or turntable.
The sound will obviously change - on some, it will sound better, on others, it will sound worse. This is because the internal minute vibrations will change - the transformer, capacitors, etc. will be hung upside down. I've even tried this on a tube amp.
Nice amp and I own the Sanders Sound version. Dimfer, did you consult Roger before you did this in order to get his opinion of the AVM product or to ascertain any effect upon the warranty? How did you determine that it had made an improvement in SQ?
/Ken
Does the Supersonic Stabilizers bring us back to the VPI Magic Bricks? Maybe the magic behind the Magic Bricks was their mass.
Personally, I will stay far away from the Blue Goo. No one is going to want to repair gear that has been "treated" with this crap. Has anyone studied the long-terms effects of this goo on circuit cards, signal traces, and solder joints? I should also point out that the resale value of any gear treated with Blue Goo is probably somewhere close to zero which is also about the amount of electronic knowledge of the average person that is "painting" the insides of their gear most probably.
AVM can be easily peeled off leaving no residue. I was gifted a bottle by Dimfer himself a few years back and have used it exclusively for small signal tubes in my tube phonostages. They are impervious to tube heat so I see no reason for it to be melting anywhere else. I've no measurements to back what I'm going to say next but AVM is better than the two types of dampers that I'd been using prior in dealing with microphonics. I didn't paint the town blue because I was afraid that the AVM might cause components to keep heat in. Other than tubes I would apply AVM to transformers. However, all my transformers are already potted at the factory so I see no potential benefit in coating their casings.
My comment about AVM and Foil e.g. "That's all?" is not a knock on AVM or Foil but rather that these are things that aren't exactly rocket science to do. So if this is the trade secret of TUC, well, it's not exactly a secret. Internal vibration damping is a common thing now, so common that it isn't even mentioned at all by marketing departments or if they are they're just mentioned in passing.
Again given the stance DS takes, we will never know. With respect to those that have had good experiences with TUC, more power to you guys. You took the risk and got the rewards you were after. How could that ever be a bad thing? For those that don't want to make the leap of faith, I honestly can't blame you. 100% buy back guarantees may be enough assurance for some people but apparently not all.
As for me, I'd just be more comfortable working with someone I could discuss options and definitely would not work with someone who "shows me the hand". On my side of the world one likely gets shown the fist in return. I suppose you can say the asian lack of litigiousness is a major factor in why we are so often polite to a fault
Jack