Define better. Better at what? If it’s not sonic improvement then it not improved technology.Agreed. Better cabinet materials, better cabinet design, better spikes, better capacitors, Klippel at Magico, etc.
Define better. Better at what? If it’s not sonic improvement then it not improved technology.Agreed. Better cabinet materials, better cabinet design, better spikes, better capacitors, Klippel at Magico, etc.
Ron,(...) I have enormous respect for dCS' business model and engineering philosophy and technological prowess which results in exactly the sonic attributes they are aiming for. I, personally, just don't happen to care for the resulting sonic attributes.
The title of this thread is “Toward a Better WBF…” From many of the comments it seems it should be renamed, “Toward a Bitter WBF…”
How many friends have been lost in this thread? While I’m no saint in such matters, we’re better than this, aren’t we?
WTB is fine just the way it is - except for such fighting as in this thread.
Please let’s get back to discussing high-end audio!
Lee are you a lobbyist for wilson / DCS ?
Regarding alnico magnets this material has been in use since the 1930 s .
Please come with something better
Brad, you need to answer my earlier question on what specific things in my comment you objected to.Define better. Better at what? If it’s not sonic improvement then it not improved technology.
That's what I do, buy stuff that I think provides good value, regardless of price (while I am not willing to spend above a certain level). That explains why I have a DAC that costs only $2,2K, but a preamp that costs $15K. I think the expensive preamp is fully worth it based on its sonic performance. On the other hand, there is no reason for me to buy a more expensive DAC, since I have heard mine beat or equal others at 10 x the price. The sonic performance is fully worth feeding the $15K preamp. Of course, some people think my DAC is shit because the brand is called Schiit. They are too uptight to like the joke, and/or too uninterested to decouple the idea of sonic performance from purchase price and investigate along those lines.
That's the beauty of capitalism. The customer can buy either what they perceive as good value, or go for prestige and brand image and spend too much money compared to actual product performance. Meanwhile the market sorts itself out through all of that by free competition.
Lee, I don't know, so I merely asked a question and did not make a statement of fact!Has anyone lost any friends here?
(...) Have a look at the Maxx3 and have a look at the Alexx V. They are essentially the same speaker updated over 15 years inflated by 300%.
It's not me that is dishonest (...)
ALNICO magnets? How very 1930s of Wilson! My Lowthers, which are a 1930s design, use them and to better effect than Wilson.Yes. The company continues to evolve its drivers. The new midrange for the XVX uses Alnico magnets and is an improvement on the already excellent WAMM.
John Atkinson responded to the time coherency question when he said the Wilsons measure well on that dimension.
I do think there are many improvements in audio technology. I did not make any claims herein on vintage speakers or good analog playback except. I did claim that, based on my current understanding from talking to de Paravicini, that analog tape has an uniquely dense amount of musical information.
The title of this thread is “Toward a Better WBF…” From many of the comments it seems it should be renamed, “Toward a Bitter WBF…”
How many friends have been lost in this thread? While I’m no saint in such matters, we’re better than this, aren’t we?
WTB is fine just the way it is - except for such fighting as in this thread.
Please let’s get back to discussing high-end audio!
Many relative to what? Many Relative to the whole audiophile population…doubtful at best. I think the word you were looking for was some.Ron,
Why not the alternative formulation:
I have enormous respect for dCS' business model and engineering philosophy and technological prowess which results in exactly the sonic attributes many audiophiles are aiming for. I, personally, just don't happen to care for the resulting sonic attributes.
Again I quote Nelson Pass:
"Our real customers care most about the experience they get when
they sit down to listen to their music. We create amplifiers that we
like to listen to, on the assumption that we share similar taste."
I think WBF has a lot of things going for it…lots of serious audiophiles, loads of true experts, considerate forum ownership, and much thoughtful discussion. However, I think there is more than enough disagreeable and downright rude posts on some threads.
May I humbly suggest we try as a forum to do three things…? And I am guilty myself on these so there is much work to be done in my own posting as well.
1. Let’s respect different and unpopular opinions on sound quality. Don’t like MQA? That’s fine. It’s not doing great but on sonic attributes many of us hear improved quality. Let’s respect that. Don’t like a particular approach like SET/horns or drivers/solid state then let’s respect and learn from our different approaches.
2. Let’s think more about presenting a compelling argument. I think when we can reference experts or AES research, we learn more. I‘m smart enough to know I certainly don’t have all the answers. Far from it. It seems to me that audio is actually a very complex and fast-changing subject.
3. Let’s think more about the impact of system setup. I think this subject is covered pretty well here but my thinking is that understanding the listener’s space and setup may account for some of the sonic differences that people report here. I don’t mean to dismiss anything that’s not a fancy listening room as many have constraints due to expensive city apartments, wife acceptance factor, etc. I heard some fancy rooms with poor setup and lousy sound.
Is this a reasonable request, or am I off base?
likely the most significant aspect of volume and the Wilson pricing is that the cost of building their most expensive speaker, and the every other speaker in the top part of their line-up is not nearly as different as the retail price. so if they are selling lots of top of the line, that's quite lucrative. not saying that more drivers and chassis don't cost more to build, but not what the price differences are.Just a thought on Wilson pricing:
I don't think economies of scale work for their product - that is the idea that producing more brings the cost down. In many speakers the drivers are the most significant contributor to the cost. In Wilson speakers, I would expect the drivers to be a small fraction of the total manufacturing bill. What you are paying for is luxury cabinetry which is extremely labor intensive for both the cutting machines and the craftsmen. I cannot see how doubling the output would reduce the end pricing.
It’s fashionable on WBF to hate the manufacturers and think that nothing is new. I am not buying it in either case.
When people call other liars I don’t see that as being “civil.”Although this thread has gone totally off topic (onto pricing and Wilson), I think it has been pretty civil and unpersonal. Some of the comments have also made me chuckle, which is one of the reasons I like reading the forum.
I must have missed that oneWhen people call other liars I don’t see that as being “civil.”
Out of interest what thoughts inspire this statement?
Loudspeaker design now has software modelling support, useful measuring techniques, several different cone materials at hand (including hard ceramics - "diamonds", AMT, ribbon, etc).
(Whether or not you consider the sonic result an improvement is another matter.)
Many relative to what? Many Relative to the whole audiophile population…doubtful at best. I think the word you were looking for was some.
Agreed. Better cabinet materials, better cabinet design, better spikes, better capacitors, Klippel at Magico, etc.