Not all....never mind. I'll just say that I beg to respectfully differ....but on a completely separate thread. This thread IMO, isn't worth it.
Tom
Tom
The money back guarantee should quiet a lot of skepticism and fencing. But sometimes people would rather fence on-line in theory than audition at home in practice.2. The money back guarantee. Don't like it? Send it back.
No; the particular output impedance and the particular input impedance of the two components being connected can affect the resulting sound.If a cable brand is open and neutral, won’t that be the case in all systems?
Natural? Open? To what definition?Is that true? If a cable brand is open and neutral, won’t that be the case in all systems?
Your question begets another set of considerations. If a cable (or component) delivers its characteristics across all systems, isn't that a homogenizing effect? The effect may be positive or not depending on the characteristic. Your examples of 'open and neutral' seem like positives whereas others such as 'warm' or 'faster' may be or not so much. Likewise for emphasis in some part of the frequency range.
I will speculate that the cable that has less characteristic sound allows more differences to be heard across recordings. One of the issues I have with audiophile cables is that they aim at their own characteristic sound to differentiate their brand from others.
I agree with this. Some "tweaks" have a profound effect on noise floor. Even the best electronics need a little help.All true, but I said “world-class.” At the end of the day, when you have your speakers perfectly placed, when you have the right electronics driving your speakers, when you’ve got the right cables for your system, when everything is dialed in, when you’ve got your acoustics just so, adding the right tweaks makes an absolutely massive difference that can’t be achieved through any other means. This is my experience.
Please tell us the exact system circumstances and comparison methodology in which you personally auditioned Shakti stones and concluded they do not make a difference in the sound of the system.But this thread was not just about cables, it was about other ways of ripping off the customer. Remember these?:
Shakti stones
Please tell us the exact system circumstances and comparison methodology in which you personally auditioned Shakti stones and concluded they do not make a difference in the sound of the system.
Instead of listening to this lengthy pseudo-scientific drivel all one needs to do is to listen to different PCs in their own system.Lets skip over the sales patter and see what the experts I listen to says. As many believe that power cords are second only to speaker cables in sound quality, I humbly submit this for your enjoyment.
Power cords
Please tell us the exact system circumstances and comparison methodology in which you personally auditioned Shakti stones and concluded they do not make a difference in the sound of the system.
Nice trick, but let’s be real —it’s just a basic equalizer.Cable neutrality, musicality, resolution, they are all system-dependent. It’s also why I build tuning options into SR cables—not that they get into the “signal path,” but rather interact with the electromagnetic field around the cable. These options affect subtle but powerful changes where system compatibility and voicing are concerned.
This five year old video demonstrates tuning options for Synergistic Research cables.
see what the experts I listen to says.
Nice trick, but let’s be real —it’s just a basic equalizer.
At the price of an SRX, SRX XL or Galileo discovery speaker cable, you’re better off investing how are any Synergistic Research products
How are Synergistic Research products in any way a “basic equalizer”? The electromagnetic fields around our cables, components, power cords, and the ensuing interactions between these fields are largely responsible for system-dependent selection in terms of what will sound best in a system. These fields affect the sound of our systems, whether we like it or pay attention to it or not. That’s just basic scientific fact. What I do is engineer products that enable you to take control of random electromagnetic interactions, thereby creating synergy while overcoming negative externalities like brightness, tubby bass, lack of soundstage depth, and virtually all aspects of reproduced sound. The fact that our demonstrations at trade shows are getting dramatically better over the past few years is the result of continuous refinement of SR technologies.Nice trick, but let’s be real —it’s just a basic equalizer.
At the price of an SRX, SRX XL or Galileo discovery speaker cable, you’re better off investing in a real solution. High-quality room correction systems like Trinnov or Dirac deliver unmatched results, letting you customize the sound to perfection voicing while also addressing the acoustic issues in your room. That’s something no cable, no matter how expensive, can ever achieve.
How are Synergistic Research products in any way a “basic equalizer”? The electromagnetic fields around our cables, components, power cords, and the ensuing interactions between these fields are largely responsible for system-dependent selection in terms of what will sound best in a system. These fields affect the sound of our systems, whether we like it or pay attention to it or not. That’s just basic scientific fact. What I do is engineer products that enable you to take control of random electromagnetic interactions, thereby creating synergy while overcoming negative externalities like brightness, tubby bass, lack of soundstage depth, and virtually all aspects of reproduced sound. The fact that our demonstrations at trade shows are getting dramatically better over the past few years is the result of continuous refinement of SR technologies.
Ted Denney
Lead designer CEO Synergistic Research Inc.
Are you asserting that if a system has digital room correction, the effects of Synergistic Research products will not be audible or beneficial? Never mind the fact that Synergistic Research technologies are non-intrusive and not subtractive in the way digital equalization is. I’m curious if you’re stating that these competing technologies, which you purport to be superior, would render what we do unnecessary or perhaps inaudible. Are you asserting that digital equalization can achieve the same end result as Synergistic Research UEF and ULF broadcast and bias technology?Tedd,
Let me clarify where I’m coming from. When I referred to SR products as a "basic equalizer," I wasn’t dismissing the role of electromagnetic fields or the nuances they can introduce into a system. Rather, I was pointing out that their effect—be it through field manipulation, tuning devices, or cables—primarily fine-tunes the balance of the frequency spectrum or other perceptible audio characteristics. This isn’t fundamentally different from what high-quality room correction systems like Trinnov or Dirac achieve, albeit through different mechanisms.
The difference is scalability and versatility. Room correction systems address not only the interactions within the gear itself but also the most significant variable in any system: the listening environment. They tackle room modes, reflections, and time alignment issues, offering a level of precision and repeatability that external hardware or cables alone cannot match.
Synergistic Research has undoubtedly developed intriguing solutions for optimizing electromagnetic interactions. Still, as you’ve said, these are system-dependent tweaks. They excel within the context of the gear's interactions but don’t solve broader challenges that affect every listening space.
I listened to different PCs in my system and found no improvement over stock wire before listening to engineers explain why.Instead of listening to this lengthy pseudo-scientific drivel all one needs to do is to listen to different PCs in their own system.
That poor horse had died many times over long time ago.
The fact that our demonstrations at trade shows are getting dramatically better over the past few years is the result of continuous refinement of SR technologies.
I will speculate that the cable that has less characteristic sound allows more differences to be heard across recordings. One of the issues I have with audiophile cables is that they aim at their own characteristic sound to differentiate their brand from others.
I listened to different PCs in my system and found no improvement over stock wire before listening to engineers explain why.