Thanks very much, Brad. Really helpful.Edit: 11.5 cm exactly...just measured it.
Thanks very much, Brad. Really helpful.Edit: 11.5 cm exactly...just measured it.
Looks great! Is this powering both drivers? I’ve heard it doesn’t make a difference: multiple power supplies vs one, just curious.Hi,
This is a very nicely made variable solid state supply to start me off. Depending how this goes, I can see an all out Tungar in my system. I didn’t want to commit too much budget on it (yet) in case it doesn’t work out.
Below you will see internals:View attachment 94271
Looks great! Is this powering both drivers? I’ve heard it doesn’t make a difference: multiple power supplies vs one, just curious.
Is it constant voltage or current, or unregulated?
Yes, I think I was the one who forwarded that comment about fighting the voicecoil, which came from a small Japanese transformer/power supply company.
I went with a WVL supply which I’m very happy with -- huge difference vs the constant voltage lab supplies I was using. I believe Wolf uses constant current for low voltage. The argument against fighting the voicecoil is an argument against constant voltage supplies.
What is your gap to the floor now?So the build has been progressing. Fitted feet and lower side trim together with various internal bracing pieces. Finishing the whole thing in blond dewaxed shellac with a French polish. This process is slow and laborious but it is more or less universally accepted from luthiers that shellac provides the best tone out of all the finishes. For me it was this or oil / wax. Definitely no polyester, lacquer or acrylic allowed on this one lol.
Fortunately the carcass has a removable back plate so I can test a few tweaks to back loaded horn geometry and length. I simulated a new model this week that on paper is even flatter with more extension so will try that out too.
Here is morning sun shining in on the first few coats of shellac. From here it will be levelled and repeated over many coats using French polishing. For the eagle eyes, you can see some through tenons on the side there. They didn’t need to be “through” but I quite like the detailing myself.
View attachment 94883
So the build has been progressing. Fitted feet and lower side trim together with various internal bracing pieces. Finishing the whole thing in blond dewaxed shellac with a French polish. This process is slow and laborious but it is more or less universally accepted from luthiers that shellac provides the best tone out of all the finishes. For me it was this or oil / wax. Definitely no polyester, lacquer or acrylic allowed on this one lol.
Fortunately the carcass has a removable back plate so I can test a few tweaks to back loaded horn geometry and length. I simulated a new model this week that on paper is even flatter with more extension so will try that out too.
Here is morning sun shining in on the first few coats of shellac. From here it will be levelled and repeated over many coats using French polishing. For the eagle eyes, you can see some through tenons on the side there. They didn’t need to be “through” but I quite like the detailing myself.
View attachment 94883
What is your gap to the floor now?
Yes, slanted in the back and widest at the bottomThe Odeons have a backward rake?
+1 looking great inside and out Bill. They’re looking real purposeful. Love the detailing on them as well, just noticed the way you’ve braced the feet, it all looks so nice! Great stuff.Wait a second, I see sunshine and green grass. Surely this photo wasn't taken in the UK. Whose speakers are these ... really?!
Very beautiful all around, Bill.
Wait a second, I see sunshine and green grass. Surely this photo wasn't taken in the UK. Whose speakers are these ... really?!
Very beautiful all around, Bill.