Few folks have the chance to hear their rigs in a room specifically built for audio reproduction. The point of this thread is to discuss what the optimal acoustical space would be for a full range system. Important aspects include everything involved in playback performance, sans nothing.
I have heard less than stellar systems pull of things with the reproduction that it shouldn't have had the right to pull off, while at the same time I have heard systems that should have every right to pull off everything well that just didn't quite cut the cake and left the listener quite disappointed.B
We all know [I would hope by now] that everything affects everything. I have looked at Micheal Greens Room Tunes and have dabbled here and there with learning about room acoustics and the correction thereof. Well, what about building a room that corrections are kept to a minimum?
If you were to start from absolute scratch, knowing what you know, what would you build for the best possible sound reproduction that wouldn't need room correction?
I have heard less than stellar systems pull of things with the reproduction that it shouldn't have had the right to pull off, while at the same time I have heard systems that should have every right to pull off everything well that just didn't quite cut the cake and left the listener quite disappointed.B
We all know [I would hope by now] that everything affects everything. I have looked at Micheal Greens Room Tunes and have dabbled here and there with learning about room acoustics and the correction thereof. Well, what about building a room that corrections are kept to a minimum?
If you were to start from absolute scratch, knowing what you know, what would you build for the best possible sound reproduction that wouldn't need room correction?