Tim, thanks for spending time with me last weekend in Seattle and glad you liked the music (no Nils Lofgren for sure...)
I'm laughing at the voodoo reference because it's often used to describe Zellaton sound. Tough to describe..., I get it. Because of Zellaton wide-band technology and uniform hand made in house drivers (as opposed to the ubiquitous outsourcing and resultant matching of different drivers), the speakers have a ribbon or electrostatic transparency but with the added benefit of incredibly wide and open dispersion which can account for the spatial experience you had. In addition, the open baffle in top rear of the Plural's allow the mids and highs to soar. It's a very beautiful and immersive psychoacoustic which in the end is just natural sound, really. Burmester brought their top of the range 159 monoblocks/175 turntable and I finessed the presentation with Schnerzinger accoutrement..., certainly helped the cause. Both sets of Plural's and Emotion's sold at the show so you were not alone in appreciating what they do
I'm laughing at the voodoo reference because it's often used to describe Zellaton sound. Tough to describe..., I get it. Because of Zellaton wide-band technology and uniform hand made in house drivers (as opposed to the ubiquitous outsourcing and resultant matching of different drivers), the speakers have a ribbon or electrostatic transparency but with the added benefit of incredibly wide and open dispersion which can account for the spatial experience you had. In addition, the open baffle in top rear of the Plural's allow the mids and highs to soar. It's a very beautiful and immersive psychoacoustic which in the end is just natural sound, really. Burmester brought their top of the range 159 monoblocks/175 turntable and I finessed the presentation with Schnerzinger accoutrement..., certainly helped the cause. Both sets of Plural's and Emotion's sold at the show so you were not alone in appreciating what they do
