It most certainly is the result of tweaking electronics. Because if I don't do that then I don't get good sound, and I certainly don't get some nice illusions ...
Frank
Frank
If I can't get Wilson speakers to disappear I won't be happy
Hey! I said we'll let it go ...
Pictures??? Design first, some construction second, pictures a distant third! I need to toss ideas around, juggle conflicting requirements, and get some feedback from you lot. So, on my last point in the previous post, any comments?
Frank
Thanks for your thoughts, Tom ...Frank, only one thought from me, get yourself an equalizer or a pre-amp with a tone control and use it, since your ear/brain interface is locked into the idea that electronics is the controller, then add a controller...a tone control. I will remind you of a post in another thread where you rightly talked about noise being down or any signal including music being down more than say 80db you will not hear it......yet you claim you hear these huge imperfections in electronics......
The huge difference, its the speakers and the room....think huge level and frequency response distortion levels Frank. Why do you persist that it is electronics,?.
Perhaps with your HTIB there is something nasty about the electronics and speakers and of course it is not up to high fi standards at any significant volume level.
Good Luck in the future and have fun.
Tom
Nice thought, but finances certainly won't stretch to that. I was thinking more in a demo situation, at a dealer say.don't you have to get them to appear first before you make them disappear. Which model Wilson's were you planning on getting
I know Nicholas Bedsworth has a pair of Imola Red Sasha's for sale. Perhaps you can contact him
Which is why I mention the Status Quo album so often. This makes the job of assessing power capabilities of systems so easy: it is quite startling to hear even well regarded monster amps begin to collapse at quite moderate levels using this CD as a measuring tool ...I'd be perfectly happy if you came up with something as good as the HK 990, which is rated at only 150 watts RMS, but doesn't even flinch in the face of a 4-ohm load.
Tim
Nice thought, but finances certainly won't stretch to that. I was thinking more in a demo situation, at a dealer say.
Frank
Then again, I might astonish a few people here, and actually demonstrate that I do know a thing or two about electronics. Unlike some American universities, here in Australia you do need to have some real knowlege and ability to get a degree ...I can see the headline now, "Hi-Fi shop burns to the ground after customer brought in a home-made amplifer and switched it on."
Unlike some American universities, here in Australia you do need to have some real knowlege and ability to get a degree ...
Frank
Plinius? Perreaux from NZ was the big name in the early 80's, one of the first to go big with the Hitachi MOSFET output stage concept: later on they went off the boil a bit, lost their way as many companies do ...Not from Australia, but Plinius out of New Zealand has been making audio equipment since 1980.
Rich
Made a mistake not adding a smilie to that post, which I know Mark has an aversion to ... so I'll try and compensate for that now:Rats, a 30-year career shot to heck because I got my degrees in the wrong country...
As for denigrating others: "You don't have to put out another's candle to make your own shine brighter." - William Adam (famous trumpet player/teacher)