I actually don't think it is very clear . I had to read it a few times to figure out what he is saying and what is trying to be accomplished.
Turns out what he is saying may make things worse, not better. Let me explain.
What he is trying to do as Folsom correctly explained, is to take advantage of one of the leads in the input transformer leaking more into the chassis than the other, say through proximity or construction. That by itself can be a good thing. As Folsom again correctly says, if there is such kind of "polarity" then it is best resolved by changing the wires internally. I doubt that high-end equipment makers would leave this stone unturned but maybe some do.
The reason this can be beneficial is that if the source equipment has higher ground potential than your target (say between pre and power amps) then that current flows from source to destination in unbalanced (RCA) connection causing 50/60 Hz originated hum. So it seems that lowering the leakage in every gear would be a good thing but it is not. Read again what I said: what flows is the differential between equipment which will never be zero. So what you want to do is to get that differential to be the lowest, not the individual leakage voltage. If you measured the first gear and it is at say, 50 microvolts and the second at 60, and then you swapped leads and got one to 30 and the other to 10, you are worse off. In the first case the differential was 10 microvolts, the second, 20. So you doubled the voltage which then doubles the leakage current and doubles the hum.
The biggest issue here is that almost all of our equipment comes with three prong cables. Swapping the hot and neutral with a cheater plug requires eliminating the ground which takes away the safety redundancy in your equipment. Should one in a million chance thing happen with the hot lead coming loose and touching the chassis, and said gear is connected to other gear that is grounded, lots of things could short out and cause fire, etc. And if all of them are floating, now you could electrocute yourself.
A better solution than any of this -- assuming there is a problem -- is to use balanced connections. Then it doesn't matter what the chassis voltage is.
I agree with everything except balanced being better and chassis voltage not mattering in balanced equipment. Balanced is not better in home systems for various reasons we've discussed, IME the potential benefits of balanced do not manifest in home systems and you're left with an overly complicated system that cancels even-order distortion and not odd, so it sounds dry and mechanical in comparison. Also, the gear never treats each phase exactly the same resulting in more distortion. A properly setup single ended system is FAR better for a home system imo.
BTW, I have ~105 dB midrange horns, you can stick your head inside and hear nothing and that's with three pieces of SET amplification all connected using unshielded, single-ended RCA cables. Using balanced gear in a home system is trying to fix a problem that doesn't exist and making things worse in the process.