They know now. I went through it with them a few years ago.They did, and still do when you hit particular resonant frequencies; neither Graz nor the installer were ever able to nail down why, but it wasn't due to the ribbons or surrounds being bad per se.
The fun thing is the same track would make the Caliper and Diva buzz, but not the Duetta.
Then other tracks would make the Duetta buzz but not the Caliper or Diva.
Nothing would make the Full Range buzz.
Fun times.
Who is going to step forward to blow up their Alsyvox with a signal generator at resonance to test the theory? Knowledge has no price tag.The truth is it is quite narrow band in both the ribbon and bass panels. Until the foam deteriorates or the foil separates from the kapton. Then it just gets wider and wider band.
I am pretty sure you could trip an Alsyvox up the same way. It's just physics.
Me too. If we get a pair of Alsyvox in the UK, it might be possible.I would LOVE to do a shoot out with Pilium vs Audionet
I didn't see where anyone said that Audionet was cold??? Maybe I missed it.Me too. If we get a pair of Alsyvox in the UK, it might be possible.
BTW I wouldn't call Heisenbergs cold - far from it.
I just think Alsyvox are new kids on the block. Let's see what they are saying saying about them in 25-30 years.Who is going to step forward to blow up their Alsyvox with a signal generator at resonance to test the theory? Knowledge has no price tag.
Wiith Leonardo that has been in development and then introduced as the predecessor to Alsyvox, but the same overall design has only been in existence since 1994. Not sure if that qualifies as a "new kid on the block"?I just think Alsyvox are new kids on the block.
Post #1040, but on re-reading, think it is "could" misspeltI didn't see where anyone said that Audionet was cold??? Maybe I missed it.
Yes, I think he just missed spelled “could”….typoPost #1040, but on re-reading, think it is "could" misspelt
All amplifiers are great…just some are greater than others…I personally think that Audionet, CHP, Soulution, Boulder, Gryphon, DartZeel etc are all GREAT AMPLIFIERS. I will put Pilium up against any of them and feel that the $100K Hercules monos will compete with any of the mentioned $200K monos as well as being a bit more "liquid" sounding. But that's my personal opinion. Owners of all of the mentioned amplifiers I am sure would have a different opinion.
It's great to have so many choices for all to enjoy!
They know now. I went through it with them a few years ago.
A tape measure, a wavelength to frequency calculator plus a signal generator are tools to confirm it.
The truth is it is quite narrow band in both the ribbon and bass panels. Until the foam deteriorates or the foil separates from the kapton. Then it just gets wider and wider band.
I am pretty sure you could trip an Alsyvox up the same way. It's just physics.
Lets not forget the ribbon travel is up to 20mm with Alsyvox, most panels are half of that. Still, if you play a pipe organ at its lowest frequency, REALLY LOUD, you might get the ribbon to hit maximum excursion.
No we will not bet at CAF. We just did the Chicago and Seattle shows. With the five US Rhapsody locations which are now available for Alsyvox auditions, we have plenty of focused visitors so the shows don't seem as important for us right now.Color me sad. No Alsyvox at CAF 2022. Say it aint so.
Bill, it is maths and physics.This was with brand new Graz ribbons and foam on all the speakers in question - it was right after redoing my Caliper Signatures because I thought the old ribbons/foam were causing the issue, and the rest of the Apogees were tested at the ribbon installer's home (Rich Murray at True Sound Works.)
I've never, ever heard it on the Alsyvox; for the Calipers and Diva it was normal listening levels (not even loud), triggered by the french horn on Carpenters' track Superstar.
For the Duettas it was the opening harp notes on Beth Nielsen Chapman's Faithful Heart.
Neither causes an issue on the Botticelli.