Wait a sec... Was the CD recorded with Qsound?
Yes, the copy I have says it was recorded with QSound
Wait a sec... Was the CD recorded with Qsound?
Wait a sec... Was the CD recorded with Qsound?
Hello,
I purchase a fair bit of music on a monthly basis, mostly from one of the few remaining brick and mortar music stores left standing in my area. I should mention that I only purchase " Used" CD's. I specificly target CD's created prior to Y2K or thereabouts because IME they seem to be the only ones left that haven't been "Remastered" (more like molested).
On occassion I also purchase downloaded "HiRes" versions of the same Redbook stuff I already own. I haven't quite figured out why I continue to do this because in 9 out of 10 times the older Redbook version always sounds better, by a fairly big margin.
I get that an artist would be interested in making additional profits on an otherwise dried up album but in almost every case, IME, in doing so they sell out to the grubby mits involved in funding the "Remaster" who insist on crushing the original dynamics to oblivion just to please the new generation listening to the music via Beats headphones and .MP3 files.
Yes, I'm one of those "Audacity cowboy's" and Foobar Dynamic Range meter fans because,once again, IME the measurements don't lie. I've yet to hear a recording that measures worse than the orignal and actually sound better.
WTF is wrong with these people! Once all the good versions of these albums dry up all hope will be lost. My hope is that there will be no shortage of old stuff anytime before I cease to exist which was sold off by the younger generation that already owns a downloaded copy from I-Tunes.
What are your thoughts on this?
When you say "redbook" are you talking a physical cd vs a hi res file? Honestly, seem to prefer a physical cd over a higher res file. I agree lots of variables here...but more often than not...a physical cd/sacd wins out. I have a pretty nice transport..so maybe that's part of it...but maybe you're hearing the same....
All my old Classic Rock CDs from the 80s are crap when it comes to sound quality. ...Only from the late 90s that things started to improve in that department.
More fun and pleasure is to be acquired from my older LPs of the eras before. ...The 70s were real bad (disco music). ...The 80s were pure crap (CDs).
The real soul when it comes to music is from today, right now (Adele and Patricia and Cassandra and Holly ;-) ). ...And the older stuff from the 50s and 60s remastered by the real master artist music re-mixers. ...Billie Holiday, John Coltrane and Chet Baker.
Classical music wasn't well recorded on LPs in the seventies (the ones I had). ...And it was even worst on CDs in the eighties.
Interesting, it seems our musical tastes are complete opposites. Your listed "Crap" is the stuff I treasure most
I have a good number of these and thought they all were so much better than redbook until I got the stevi wonder albums. They sound dull and dirty ... Very strange as most of the single layer SHM-SACD are great. That's runs counter to my expirance with standard SACD, to me they are often a waste of time, great for multi channel maybe but that's it imo.
Well the shm SACD says they master them specially from the original tapes. But they sound bad don't they...redbook stevi is much better.
Blizzard I have a question for you, I used to have a esoteric k03 that could upsample redbook to dsd but it always sounded bad, why was this? As your always going on about upsampleing ?
O
I have 'songs in the key of life' in front of me, this is the album I was referring too but Also disappointed with talking book.
"Dsd transferred from analogue master tapes by Ellen fitton at universal mastering studios"
Stevie Wonder "Songs in the key of Life" are a case in itself. The remastered CD is horrendous, very bright. The SHM-SACD is the complete opposite, it lacks HF extension, but at least it's warm and pleasant (to a point). One can safely say the SHM-SACD is not just a simple "upsample from PCM", it's more like a new transfer with lots of tinkering to reduce the HF glare.
For records like this, it's vinyl all the way. For $20 you can get a minty double vinyl that will beat any digital version out there.
If there was lots of tinkering, it wasn't direct to DSD. It means it was PCM first. Unless it wasn't really sourced from the masters.
In case you don't know, you can tinker in the analog domain...
Well it's not from the master tape anymore then, it's from an edited copy of the master tape.
You can run the master through subtle (and not-so-subtle) EQ. And it'll still be "from the master tape".
You can run the master through subtle (and not-so-subtle) EQ. And it'll still be "from the master tape".