Amp Stand for Heavy Amp on Wood Floor?

I don’t understand the concept of objectively over-damped.

Question for those who find that Sorbothane results in an overly-damped sound: Is there anything objective behind this conclusion? Or is the conclusion simply another subjective sonic preference (which would be perfectly okay)?

Putting the question another way, how do you know that the Sorbothane is doing something detrimental to the sound, and that you are not simply preferring the sparkle of excessive resonance when you remove the Sorbothane?
Does it matter if Sorbothane is doing something "objectively" detrimental to the sound if I don't like the sound of it in my system? Is there something "objective" behind all of your sonic preferences? Who decides for me what "excessive resonance" is?
 
It's been a long time since I used any Sorbothane. After trying it a number of times in a number of places, I just threw it all out. That was at least 15 years ago. As I recall, what I heard each time was a warm, soft, mushy sound with leading edges rounded off. I would not have described it as "over-damped" but rather as excessively colored.
I had the very same experience with Sorbothane.
 
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Not "obviously" at all. Sounding "over-damped" and being over-damped are two different things. Some audiophiles (yours truly included) just use "over-damped" as a convenient descriptor for the relative softening of dynamics I sometimes hear when Sorbothane is used directly under a component.
You can see how that might introduce confusion!

When I am told that the addition of a damping device caused the system to be 'over damped' in some fashion (and not in a good way) I am always careful to point out that its impossible to over-damp and very easy to introduce a coloration.
 
You can see how that might introduce confusion!

When I am told that the addition of a damping device caused the system to be 'over damped' in some fashion (and not in a good way) I am always careful to point out that its impossible to over-damp and very easy to introduce a coloration.
The term comes from the world of room acoustical treatment where overuse of absorption softens dynamics and deadens the sound. It is simply applied in common use to describe the similar softening/deadening that some people (including a number of WBF posters) have experienced with Sorbothane. Not a technically correct use but an understandable one I think.
 
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My Rowland Coherence II, model 8 amps and Klyne 7 phono stage had Sorbothane balls and discs to be placed upon.
I had a few aftermarket Sorbothane thingies, too. Räke jumbo feet and others.

In all their applications in my system
imo Sorbothane made the sound too soft, too warm, too much lacking in dynamics, leading edge, expression, drama.

All this was more than 15years ago.

Cheers, Ulrich
 
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The only place sorbothane has ever worked for me was inside an old altec 1570b amp. Some wires attached to one of the transformer were jambed up against the case. I was concerned about vibration and voltage leak so I placed some small strips of sorbothane between them to make space. My sense was a reduction in noise. I have also used it to reduce rattle and audible vibration noise from chassis frames to good effect. It has never worked placed under something supporting the weight.
 
It's like Whack-a-Mole.

It looks that way but it's just more clickbait.

Here's the 2020 version of the same game:

For 200 pound, tower-style, tube amplifiers with native rubber feet, how would you suggest they be placed on the listening room floor (wood flooring over concrete slab)

.... chatter ....

If a tube amp is sitting between the speakers on Sorbothane, what is the Sorbothane doing, possibly, other than converting vibration into heat before the vibration rattles the tubes, no? How can that not be unambiguously good?

I was initially being polite in encouraging an alternative to Sorbothane if an elastomer of some type is called for. I find it no good under any circumstances in hifi and much more often than not, its usage is deeply deleterious to musical fidelity. And yes, it will also suck life out of the dynamic vitality of non-source components placed on it.

... chatter...

So as those above have said: stay far, far away from Sorbothane. ... If @213Cobra decides to make "Anything But Sorbothane" T-shirts, I'll gladly wear one to the next audio show I attend.

.... chatter .....

Okay! You win! No Sorbothane anywhere!

Fast forward to 2022 ...

Does anyone make an amp stand the heart of which is a thick and broad layer of Sorbothane between two plates of some kind?

Rinse ... Repeat, etc.
 
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The idea I like about these things are how was the setup during the design stage. That goes all the way what wire were the amps voiced with? what interconnects what power cords also what vibration control.
 
An update for my system. I recently purchased Aries Cerat Ianus Essentia amplifiers. As a result, I needed a new amp stand/rack system. I have a super unusual L-shaped cavity where the components need to fit which is an issue due to space.
After doing a lot of research and reading a ton on WBF, I decided to go with an Adona Rack. Paul from Adona was super to work with especially given my unique requirements.
I purchased a modular system. I am functionally blind and even I was able to put it together without instructions. The component stand is made of high-quality material and is very solid. I no longer need the 18 isolation pods I was using before so that cleans everything up. I am very happy with my Adona Rack system!
 

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That’s wonderful! Congratulations!
 
I’d welcome any thoughts on a DIY stand for my Pathos InPol Heritage on oak floor.

Current thinking is two IKEA APTILIG bamboo boards with Herbie’s Giant Dots between them and Herbie’s Giant Gliders between the floor and bottom board for ease of movement and further isolation.

I don’t want to break the bank on amp footers at the moment and so am thinking to keep Pathos footers or use OREA Bronze underneath amp.

I realize there are much more effective and costly approaches but this is where I am at the moment.

. Also thinking one or two 1-1/8 granite slabs instead of the bamboo but I’ve read conflicting comments about granite.

TIA for any thoughts or suggestions.

122BBB0F-58EA-4793-A0BA-A57C7FEE28DE.jpeg
 
I’d welcome any thoughts on a DIY stand for my Pathos InPol Heritage on oak floor.

Current thinking is two IKEA APTILIG bamboo boards with Herbie’s Giant Dots between them and Herbie’s Giant Gliders between the floor and bottom board for ease of movement and further isolation.

I don’t want to break the bank on amp footers at the moment and so am thinking to keep Pathos footers or use OREA Bronze underneath amp.

I realize there are much more effective and costly approaches but this is where I am at the moment.

. Also thinking one or two 1-1/8 granite slabs instead of the bamboo but I’ve read conflicting comments about granite.

TIA for any thoughts or suggestions.

I placed this post on this thread quite a while back:

https://www.whatsbestforum.com/threads/amp-stand-for-heavy-amp-on-wood-floor.32014/post-833701
 
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I’d welcome any thoughts on a DIY stand for my Pathos InPol Heritage on oak floor.

Current thinking is two IKEA APTILIG bamboo boards with Herbie’s Giant Dots between them and Herbie’s Giant Gliders between the floor and bottom board for ease of movement and further isolation.

I don’t want to break the bank on amp footers at the moment and so am thinking to keep Pathos footers or use OREA Bronze underneath amp.

I realize there are much more effective and costly approaches but this is where I am at the moment.

. Also thinking one or two 1-1/8 granite slabs instead of the bamboo but I’ve read conflicting comments about granite.

TIA for any thoughts or suggestions.

View attachment 105791
Interesting and timely post. I've just installed a dual-layer Aptitlig bamboo platform for placing under my Michell/SME V TT. I've found these cutting boards to be quite effective and afforable, so I'm going to play with some various configurations. Here's the mine as it's currently configured: the dual Aptitlig is resting on on the Sanus rack shelf on four Herbie's square Fat Dots, one at each corner. I've found the Fat Dots to be quite effective under when used under platforms, or between speaker cabinets and speaker stands as they provide damping with very good "mechanical grounding", per se. They also have enough "grip" due to their texture that they don't move or slide around once in place. Between the top and bottom Aptitlig platform, I've placed an HRS Nimbus Coupler at each corner. I've found these to be excellent under components when used in conjunction with the Nimbus spacers, but as I don't require the spacers for the components in my current set-up (my Constellation Inspiration integrated, for example, already uses the HRS Nimbus couplers as it's footers), it freed up some Nimbus couplers to try out in this configuration experiment.
Dual-layer-Aptitlig.jpg


One of the things I'm going to do is take some measurements using a vibration sensor (there are a number you can get that work with iPhone) and measure their ability to damp vibration using my home-made "slide hammer thing-y" as the device imparting the vibration. The slide hammer is merely a bolt with a socket placed onto it's shaft that I place on the rack and drop from a fixed height to impart vibration onto the rack both repeatibly and reproducibly (it's being able to make repeatible & reproducible measurements that provide statistical power). It's similar to what Norm Varney uses to measure vibration in some of his videos.

Regarding Norm and his EVPs...historically, I've found Norm's EVPs to be the most effective vibration damping products. Here is the result of some studies I did measuring vibration as Imparted Power, RMS using the app, VibSensor, which unfortunately, is no longer available. The data was plotted in the statical analysis program, JMP, using their custom graphing function. Data shown in vibration in the Z Axis (vertical axis).

DVT%20vs%20Other%20footers.jpg


You can see that the stock Gungnir feet were pretty "Schiit-y" (no pun intended!), the Diversitech dense blue foam and rubber pads (DVT) had issues at 50Hz, and the Herbie's Tenderfoot passed some imparted vibration at about 30 Hz. The EVPs, shown in blue, smoked all the other footers, and by a long ways.

Anyhoo, I'm going to see I can find a similar app, and meaure how well the Aptitlig platform works with the HRS Nimbus couplers, Herbies Tenderfeet and my EVPs. Stay tuned...
 
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I’d welcome any thoughts on a DIY stand for my Pathos InPol Heritage on oak floor.

Current thinking is two IKEA APTILIG bamboo boards with Herbie’s Giant Dots between them and Herbie’s Giant Gliders between the floor and bottom board for ease of movement and further isolation.

I don’t want to break the bank on amp footers at the moment and so am thinking to keep Pathos footers or use OREA Bronze underneath amp.

I realize there are much more effective and costly approaches but this is where I am at the moment.

. Also thinking one or two 1-1/8 granite slabs instead of the bamboo but I’ve read conflicting comments about granite.

TIA for any thoughts or suggestions.

View attachment 105791
Photo shows DIY isolation platform supporting my floor mounted Pathos TT, made of two Corian boards (bamboo cutting boards should work fine) with Herbies Giant Dots between them. There are heavy duty adhesive felt pads under the platform so I can slide the amp easily. I have custom drilled (by Marigo Labs) Marigo Mystery Feet between amp and platform. At some point I will replace this platform with one from Wellfloat, but this works well enough that I'm in no rush.
 

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Interesting and timely post. I've just installed a dual-layer Aptitlig bamboo platform for placing under my Michell/SME V TT. I've found these cutting boards to be quite effective and afforable, so I'm going to play with some various configurations. Here's the mine as it's currently configured: the dual Aptitlig is resting on on the Sanus rack shelf on four Herbie's square Fat Dots, one at each corner. I've found the Fat Dots to be quite effective under when used under platforms, or between speaker cabinets and speaker stands as they provide damping with very good "mechanical grounding", per se. They also have enough "grip" due to their texture that they don't move or slide around once in place. Between the top and bottom Aptitlig platform, I've placed an HRS Nimbus Coupler at each corner. I've found these to be excellent under components when used in conjunction with the Nimbus spacers, but as I don't require the spacers for the components in my current set-up (my Constellation Inspiration integrated, for example, already uses the HRS Nimbus couplers as it's footers), it freed up some Nimbus couplers to try out in this configuration experiment.
Dual-layer-Aptitlig.jpg


One of the things I'm going to do is take some measurements using a vibration sensor (there are a number you can get that work with iPhone) and measure their ability to damp vibration using my home-made "slide hammer thing-y" as the device imparting the vibration. The slide hammer is merely a bolt with a socket placed onto it's shaft that I place on the rack and drop from a fixed height to impart vibration onto the rack both repeatibly and reproducibly (it's being able to make repeatible & reproducible measurements that provide statistical power). It's similar to what Norm Varney uses to measure vibration in some of his videos.

Regarding Norm and his EVPs...historically, I've found Norm's EVPs to be the most effective vibration damping products. Here is the result of some studies I did measuring vibration as Imparted Power, RMS using the app, VibSensor, which unfortunately, is no longer available. The data was plotted in the statical analysis program, JMP, using their custom graphing function. Data shown in vibration in the Z Axis (vertical axis).

DVT%20vs%20Other%20footers.jpg


You can see that the stock Gungnir feet were pretty "Schiit-y" (no pun intended!), the Diversitech dense blue foam and rubber pads (DVT) had issues at 50Hz, and the Herbie's Tenderfoot passed some imparted vibration at about 30 Hz. The EVPs, shown in blue, smoked all the other footers, and by a long ways.

Anyhoo, I'm going to see I can find a similar app, and meaure how well the Aptitlig platform works with the HRS Nimbus couplers, Herbies Tenderfeet and my EVPs. Stay tuned...
Wow re EVP. Possibly between the APTILIGS?
 
Wow re EVP. Possibly between the APTILIGS?

Interesting and timely post. I've just installed a dual-layer Aptitlig bamboo platform for placing under my Michell/SME V TT. I've found these cutting boards to be quite effective and afforable, so I'm going to play with some various configurations. Here's the mine as it's currently configured: the dual Aptitlig is resting on on the Sanus rack shelf on four Herbie's square Fat Dots, one at each corner. I've found the Fat Dots to be quite effective under when used under platforms, or between speaker cabinets and speaker stands as they provide damping with very good "mechanical grounding", per se. They also have enough "grip" due to their texture that they don't move or slide around once in place. Between the top and bottom Aptitlig platform, I've placed an HRS Nimbus Coupler at each corner. I've found these to be excellent under components when used in conjunction with the Nimbus spacers, but as I don't require the spacers for the components in my current set-up (my Constellation Inspiration integrated, for example, already uses the HRS Nimbus couplers as it's footers), it freed up some Nimbus couplers to try out in this configuration experiment.
Dual-layer-Aptitlig.jpg


One of the things I'm going to do is take some measurements using a vibration sensor (there are a number you can get that work with iPhone) and measure their ability to damp vibration using my home-made "slide hammer thing-y" as the device imparting the vibration. The slide hammer is merely a bolt with a socket placed onto it's shaft that I place on the rack and drop from a fixed height to impart vibration onto the rack both repeatibly and reproducibly (it's being able to make repeatible & reproducible measurements that provide statistical power). It's similar to what Norm Varney uses to measure vibration in some of his videos.

Regarding Norm and his EVPs...historically, I've found Norm's EVPs to be the most effective vibration damping products. Here is the result of some studies I did measuring vibration as Imparted Power, RMS using the app, VibSensor, which unfortunately, is no longer available. The data was plotted in the statical analysis program, JMP, using their custom graphing function. Data shown in vibration in the Z Axis (vertical axis).

DVT%20vs%20Other%20footers.jpg


You can see that the stock Gungnir feet were pretty "Schiit-y" (no pun intended!), the Diversitech dense blue foam and rubber pads (DVT) had issues at 50Hz, and the Herbie's Tenderfoot passed some imparted vibration at about 30 Hz. The EVPs, shown in blue, smoked all the other footers, and by a long ways.

Anyhoo, I'm going to see I can find a similar app, and meaure how well the Aptitlig platform works with the HRS Nimbus couplers, Herbies Tenderfeet and my EVPs. Stay tuned...
The 4" high density EVP's necessary to support the (90+ lb.) weight of a Pathos amp between two boards are $200 ea. x four which is roughly 10X the cost of the Herbie's Big Fat Dots. For me that takes it out of the DIY price range. I would opt instead for a Wellfloat platform or Delta footers.
 
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