Hopefully before tariffs, says the Canadian.Me too. Hurry please @Superdad![]()
Hopefully before tariffs, says the Canadian.Me too. Hurry please @Superdad![]()
None of this addresses why you repeatedly offer opinions on products with which you have no experience.The UK's QSA (fuses) dealer, Futureshop, is 10 minutes from my home and wouldn't do a QSA loan or blind test, and I'm a long time customer. I did ask the QSA cable guy about a loan and he said I needed to buy i.e. import and pay 20% tax that I would never get back, even if I returned the product, and trust him for a refund. I only buy from UK businesses, we have good consumer protection.
I despair when I read attribution of essentially analogue characteristics of sound reproduction to error-checked coded packet data sent over a network. I thought this had been put to bed a long time ago and that the issue with networking is not the data, but electrical and EMI/RF noise that the hardware might bring with it.
And if not, maybe that means I get mine sooner.Hopefully before tariffs, says the Canadian
I do use those cables, I’ve used them for years.None of this addresses why you repeatedly offer opinions on products with which you have no experience.
I just don't understand how anyone can believe that an ethernet cable made to specification can have any material impact on sound quality.
I just don't understand
You don’t have to read—or comment. If this topic frustrates you so much, feel free to move on.I despair when I read
What you think you learned 45 years ago is hindering how you think about this now.If you didn't have guaranteed data integrity, there modern world would not exist in its current form. Hardware issues are another matter. I learned this 45 years ago, I just don't understand how anyone can believe that an ethernet cable made to specification can have any material impact on sound quality.
I know a little about Shunyata. I went to a talk/demo by the owner/designer Gabriel at a local dealer. I bought some of their power products because of a poor power mains configuration, before rewiring the house, which fixed everything. I had a Hydra Alpha and some of their power cables. I did try a Shunyata ethernet cable, but returned it. It was in a different system to my current system.I was able to easily pick up the sonic differences between a stock, cheap yellow E cable that came with an Auaralic Vega G1 years ago, compared to another el cheapo $14 E cable I had laying around from Amazon.
Long story short, I now have a Shunyata Omega, Alpha and Venom. I can tell you with full confidence that If I didn't hear a big difference? I sure wouldn't have even given any thought at all about spending that amount of coin.
As the rig has progressed, the current cables have really held up to where the system performance level has risen to. No regrets.
Tom
I just don't understand
@ssfas you’re in the Best Audiophile Switch thread—have you even noticed? Instead of contributing anything relevant, you’re just spouting the same tired anti-audiophile rhetoric that ignores real-world comparisons. We get it: you don’t believe cables matter. But this thread is for those who actually listen and evaluate, not those who dismiss everything based on outdated assumptions. If you're not here to engage in meaningful discussion, move on and let the rest of us continue without the constant derailment.I know a little about Shunyata. I went to a talk/demo by the owner/designer Gabriel at a local dealer. I bought some of their power products because of a poor power mains configuration, before rewiring the house, which fixed everything. I had a Hydra Alpha and some of their power cables. I did try a Shunyata ethernet cable, but returned it. It was in a different system to my current system.
There is no point arguing about subjective sound. You can look at the technical aspects of the cable, which in the professional world is all that matters.
Shunyata have a base cable for £250. The next one up simply changes from Belden to Telegartner connectors. The retail cost of the difference is £10, Shunyata add £100 to get to £350. They then add an external common mode choke (+£300) and then a second one (+£250). There should be common mode noise rejection inside your streamer, usually in the socket. I also use an inline filter from EMO Systems. https://the-ear.net/review-hardware/shunyata-research-venom-delta-alpha-sigma-ethernet-cables/
There is a change from 24 to 22 AWG. I think the AQ Pearl is 22 AWG, Supra is 23 AWG. It does not add to cost. It does make crimping connections easier. There is stuff about cross-talk, but that is part of CAT cable technical specification, with which Belden cable complies. They go on about impedance matching the wire, but the most important aspect of this is the plug connection.
The Telegartner plug this is classic audiophilia. Telegartner themselves explain that the purpose of the plugs is to facilitate quick and easy repair. It has nothing to do with transmission performance or shielding. I use Telegartner on one long cable that runs under a floor and behind a wall, so cannot be replaced. On factory-terminated cables that can be easily replaced, standard connectors are fine. They just don’t look very audiophile. They do have a disadvantage in that they can’t fit in to Ubiquiti access points, which are very widely used (I use 5 of them).
What is left is that both Shunyata and QSA say they have propietary cable frying processes, KPIP and MMT respectively. Their ability to manipulate molecular structures using their big secret … enough said.
This from Telegartner’s product brochure:
View attachment 146198
There is no point arguing about subjective sound. You can look at the technical aspects of the cable, which in the professional world is all that matters.
Nelson Pass said:Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not.
We have no way of knowing that the connector is the only difference. Also the material cost isn’t the only contributor to the selling price. A change in connectors will bring a change to assembly. That could mean additional labor costs if the cable is terminated by hand or additional machining costs if the termination is automated. Those costs need to be factored into the selling price.Shunyata have a base cable for £250. The next one up simply changes from Belden to Telegartner connectors. The retail cost of the difference is £10, Shunyata add £100 to get to £350.
I m really interested in this comment as I am considering this upgrade. Was the jump really that big?The upgrade to bring my REF10 to SE120 level improved the sound quality more than just adding the clock in the first place.
Yes, but I should mention that I got a double whammy as both my DAC and my ER are fed from the clock. It really did seem to be a more significant step up than adding the clock in the first place. Also better clock cables can bring nice improvements. I moved from the Shunyata Delta V2 to the Sigma V2 on my DAC. Not subtle.I m really interested in this comment as I am considering this upgrade. Was the jump really that big?
Yes. Slightly oversized but left over fuse from my amp went into it. I can't recall which SR fuses they were - it was either the older Red or Black series. There was a slight uptick but I didn't come away thinking that the price of new fuse(s) would be justified. [It takes two fuses though not sure if both are needed, but I filled both slots as I happened to have two.Had you changed the fuses in the IEC input at all?
One of the issues I have with WBF is that folks get so totally off topic and the threads become so long that I would have to devote my life to keeping up with all the totally off topic comments. Also, there are so many comments that a good topic comes and goes too fast, swamped by mostly irrelevant off topic comments that folks make that have some ax to grind. I think the question was concerning switches. The reason I love McIntosh engineering so much is that when McIntosh solves an engineering problem, it is generally very cost effective and elegant. I personally think McIntosh switching is the best in the industry.Here is the thing. We are not in the professional world. We are in a hobby where listening (subjective sound) is exactly what members are here to discuss. Last anyone checked, no one is here listening to measurements. They are listening to sound. Here is a quote from a well respected industry insider. You may know of him -
That said, it has been requested by multiple members of the forum that we get back on topic. It is unfair to the members who subscribe and click onto this thread, to continue reading old and outdated arguments that are completely off topic from the best audiophile switch. You are more than welcome to continue your views about the technical merits of an E cable here on the WBF, but we do ask you to create another thread specific to that topic elsewhere, and in the appropriate section of the forum. Thank you.
Tom
Great idea: start the thread!Thanks @wbfteam!
Oh boy, recent contributions make me believe this thread has passed its expiry date. Instead of just debating which switch is best, why not discuss how to best integrate network components for optimal sound? After all, there’s common agreement that it’s not about the integrity of the digital stream itself, but everything else that influences the result.
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