Emre,
I've just checked you have Soulution amplification. Maybe one of their players could outclass the competitors because of a synergy with the rest of your set-up...
I've heard wonderful things about the Burmester 069, owned by a friend of mine. Burmester is a brand I respect a lot. Honestly, I think that, at that level, the differences in digital front-ends should be really narrow...
I would hold out on any purchases and wait for the new product now that will happen in October.
Jadis is the sound that I have found offers the best long term listening and they will be offering an update on the tubed processor and a new xport. Its called the Calliope. I have a pic of the unit, its very nice design.
Emre,
I get the impression, I might be late on your question, and might be in a wagon of PD-users ;-)
I personally use a Wadia S7i. This is the gear Wadia themselfs consider the top one box solution, that would be the direct answer to your question.
There is more to this: The S7i uses the Stream Unlimited transport, which is otherwise only used - correct me if I'm wrong - in the Soulution 740? I have heard Soulution amps but not their digital frontend, nevertheless I could imagin that Wadia could give some added texture to your amplification.
I myself use Berning ZOTL Pre and ZH230 with Berning, so I certainly can vouch for this effect.
Of course, only Redbook - I personally can easily discard SACD, however, the usb input is until further notice limited to 24/96! You might not hear the difference, but you hear it, when a high res FLAC file does not get read ;-)
I have complained to them, and they said its coming.
Still, in pure numbers, PD wins..
Not only would i recommend the Wadia, but more so the GNSC version. It is really good. I have no affiliation, so can easily say: Give them a call.
All the best to your search. Egidius
I've been following this thread, and been tempted to suggest the E.A.R. Acute III, which I own. But I've also heard in friends systems which I know quite well, both the Playback Design and Lindemann, and frankly, although I've not heard them in the same systems, I'd say they're the better CD players / DACs.
But I've recently been tube rolling in the EAR and settled on a Siemens PCC88 in the first filter position accepting signal from the internal dac chip, and Dutch Amperex 6dj8 for the buffer, output tube. All the stereotypes IMO, are spot on regarding the Siemens 'sound', resolving, spacious, extended... and not a bit of warmth. But changing the output buffer tube from an EH6922 to that Amperex has left me gobsmacked. For me, subjectively, this is the best digital I've heard.
Tim de Paravicini has done his customers a great favor by segregating the tubes by function and not by channel, and facilitating the use of both 6922/6dj8/ecc88 tubes as well as the far less dear 7dj8/pcc88 by powering the filaments via a constant current source.
FWIW,
Paul
As much as I fully respect Tim's E.A.R. gear, I prefer my tubes in my pre, not my source. But that is only my opinion.
I will say, i have compared my Zanden DAC to the Scarlatti full deck, Emm, Esoteric X01SE, and Wadia 7-series. The SCarlatti was the best of the lot in terms of delivering an effortless sound with seemingly everything in tact and organized. Zanden & Wadia next, then X-01 and Emm CDSA tied (imho). But i keep my Zanden because i enjoy the music more than with any of these...that said, i go thru tube pre but then into SS and ultimately into Wilsons...so i suppose one could say that once i have the signal from the Zanden/pre which i like...then from that point forward in the chain, i seek transparent-to-source equipment. In fact, contemplating Boulder 2060 amp over my Gryphon Antileon specifcally for this reason.As much as I fully respect Tim's E.A.R. gear, I prefer my tubes in my pre, not my source. But that is only my opinion.
I will say, i have compared my Zanden DAC to the Scarlatti full deck, Emm, Esoteric X01SE, and Wadia 7-series. The SCarlatti was the best of the lot in terms of delivering an effortless sound with seemingly everything in tact and organized. Zanden & Wadia next, then X-01 and Emm CDSA tied (imho). But i keep my Zanden because i enjoy the music more than with any of these...that said, i go thru tube pre but then into SS and ultimately into Wilsons...so i suppose one could say that once i have the signal from the Zanden/pre which i like...then from that point forward in the chain, i seek transparent-to-source equipment. In fact, contemplating Boulder 2060 amp over my Gryphon Antileon specifcally for this reason.
You have excellent taste in gear, I must say. If you get the chance to listen, the Wadia S7i Statement from The Great Northern Sound Company, is a giant leap forward in sound quality. I also use a tube pre with SS amp (Concert Fidelity and Burmester).
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