Yes, I am definitely a subjectivist. I always remain interested in measurement, however, if only to hopefully one day establish exactly what it is that makes sound appealing to me subjectively, but in terms of measurement. Unfortunately, having correlated measurements and subjective experience for decades now, I haven't really found any direct and repeatable relationships between measurements and what I hear, apart from obvious things such as frequency response bumps, etc. You can show me a theoretically poorer jitter plot, for example, versus a "better" one, but I might prefer the sound of the poorer one because of the particular frequencies and levels of jitter involved. Some frequencies don't harm my listening experience like others do. It is precisely the same with noise. When I got the PSP X-Dither module, it enabled me to experiment with dither noise at the 24 bit level. You'd never imagine noise so far down could produce an audible result but it does. I grew to prefer as flat a noise floor as possible. The more noise that exists at high frequencies, the more I dislike what that does for violin sound. The more noise that exists at low frequencies, the more that effects the pace, timing and clarity of the presentation. And yet we are talking about noise levels that even at their very worst, are far, far below the threshold of audibly in their own right. In any event, better just to keep the noise as evenly distributed and as flat as possible in my opinion.