Well I put that Sinatra record on my eBay search/email notification. Hopefully a NM copy will show up. There is one copy at VG+...that will not work for me
I can't comment on the original, but the MFSL reissue sounds really fine IMO. I just played it the other day as a matter of fact. My Mom is visiting and when she heard it she asked if I could turn it up a bit! Haha!
I use the DVD-A when I want to attract women into my room at CES![]()
Christian: if memory serves, the early pressings have the tricolor label and a photo of Frank as part of the graphic. It really was Frank's world.... Hell, he owned the label before it got sold to Warners. I must have a dozen copies, but I'm not sure all of them are early. If I have an extra early copy, I'll just send you one. Give me a few days to dig through the piles....Well I put that Sinatra record on my eBay search/email notification. Hopefully a NM copy will show up. There is one copy at VG+...that will not work for me
One of my favorite rock bands is the English group Supertramp.
Crisis? What Crisis?(1975) and Even In The Quietest Moments(1977) were very successful follow-up albums, and as good as Wish You Were Here and Animals was for Pink Floyd's Dark Side of the Moon. C??/WC? is my favourite Supertramp album actually. I should mention that Supertramp was much more successful in Canada than the U.S., and were very early supporters of the band.After that hit, the band moved to Hollywood (traitors!!) and failed again with the next couple of albums.
One of my most memorable concerts ever was Supertramp, summer of '83 at Earls Court. The sound was phenomanal and the video was just as wonderful, incredible show! Thinking back now I got to see many of my teen and young adult idols at great venues during the 4 years I lived in the UK, I stopped going to rock concerts in the US, basically because of crappy sound quality, Madison Square Garden anyone?
david
I went to Imperial College, and lived in a bed-sit that was a long walk from Earls Court - went a couple of concerts there, but missed Supertramp. The Hammersmith Odeon was a smaller, better-sounding venue IIRC.
I prefer Hammersmith Odeon too, think I saw Clapton there but its too small for mega bands like Supertramp… All this is bringing back good memories, went hunting for my rock lps today which I haven't listened to in at least a couple of decades.
david
Check out Crime and Crisis at the BBC. When I first heard it, it brought back floods of memories of being at the Hammersmith Odeon. This was a live BBC broadcast of the Supertramp concert, and bootlegged on cassette and tape. The 40th Anniversary Crime of the Century boxset has a double LP of it, but IMHO sounds better but doesn't capture the atmosphere as well.
One of my all-time-favourite Live albums was recorded in 1966 in the Copa Room of the Sands Hotel in Las Vegas. Holding no more than 500 people, it was an intimate venue. Guests sat close ringside - and the sound was exemplary. The Copa hosted many, many of the biggest names in showbiz, including Lena Horne, Judy Garland, Marlene Dietrich, Tallulah Bankhead, Louis Armstrong and Nat King Cole.
This particular album features Frank Sinatra, the Count Basie Orchestra and Quincy Jones. It was Sinatra's first live album to be released, and what a corker it is!! Featuring most of Sinatra's most recognizable tunes, the music is fabulous and the sound is fantastic. With Count Basie at the piano, this is an album that has a swing that will get your foot tapping. Quincy Jones as conductor keeps the flow while allowing every performer to feature. Sweets Edison on trumpet has numerous solos that sometimes startle, sometimes caress your ears.
Unfortunately for the music collector, the popularity of this album makes it difficult to find a good copy. There were a huge number of pressings in 1966 when the album was released. Most of these have been played so often that they aren't in good condition. The Mobile Fidelity re-mastered reissue is not IMHO worth the $250 that most sellers are asking for. One of my friends put it best when we did a quick comparison between a 1966 first press and the MoFi. "Listening to the first press is like looking through a dirty window at Frank Sinatra and Count Basie jiving. Listening to the MoFi is like looking through a pristinely clean window, but you are looking at a colorized B&W movie of Frank and the Count performing. NOT the same!!"
The best issues to look for is the original 1966 first press gatefold - these have the white bars on the top and bottom, and there is no WEA logo on the record label. The DVD-A is also a very good buy for those without a turntable. Nevertheless, there is a very good reason to get the LP even if you don't own a turntable - the album won the Grammy for Best Album Notes in 1966. Here's a sample:
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