I received my GG. Don't even have speakers to listen to it. Distro tested it but not on 242s, so will have to get it to some local audiophile's when I get the time. Funnily enough I seldom visit audiophiles local to me
Would like to seek opinions... there is a hybrid silver copper duneland cap offered and I wonder if this may be a good upgrade. Any comments?
Congrats, Ked.I received my GG. Don't even have speakers to listen to it. Distro tested it but not on 242s, so will have to get it to some local audiophile's when I get the time. Funnily enough I seldom visit audiophiles local to me
Lukasz just announced this on his Facebook page:
One of the rarest tubes in current production - KR242. And the most expensive too. The main quality factors are: directly heated cathode, dual zirconium getters, great Telefunken design improved upon by KRON in Czech Republic. This tube is relatively small, very powerful, with high micro and macrodynamics. It makes lazy and boring systems jump to life like the adrenaline injection did in Pulp Fiction movie to Uma who OD'd. It is particularly suitable to balanced Big series DACS from Lampizator because it has the smallest heater current from all DHT tubes so it wont stress the heater PSU. Currently the waiting time for the next manufacturing slot is 1 year but we bought the entire stock to make tons of money this time around.
Sujay, you reading this?
For me macro dynamics concern the orchestral works with many instruments.Can someone be kind and tell me what the difference is of micro and macro as used please. I have an idea but would love to read it.
Thanks
Sujay, you reading this?
Will get tomorrow from Lukasz a pair of KR PX4 , 242 had to much gain for me. Despite of that , only good things - transparency, speed , dark background and micro and macro dynamics.
Lukasz says PX 25 have the same gain as 242 but are suitable for the same settings as 300B whilst 242 work with those of 101D. In my setup with very efficient speakers I think PX 4 will be the best match with KR 5u4g Lampi Edition.
I can understand why you hear that
A 300 b is a weighed tube as such is a bit slower more tuby in sound. Between faster 300b like the px25 are fast and yield more micro details. Now 101d is very fast and also much thinner more details but for me lacks enough weight to be musical. I used them for classical music that is complex and from afar it makes it closer
The other tubes I do not own