Naim Statement

Jazzhead

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Company Blurb

Performance First Engineering

After the initial concept stage Naim’s engineering team put practical considerations aside for a moment, to envision the design in free space with complete creative freedom. This allowed them to identify the optimum position for each element of the design. First and foremost this maximises performance from the vital electronic design, which can make or break an amplifier. It also allowed them to identify the best materials and components, which all add their own unique character depending on how they react to electromagnetic radiation, heat, mechanical stress and voltage.

Statement’s radical new vertical form grew out of this experimentation. The heavy power supplies are at the base of each product, suspended on an A-frame and coupled to the floor through floor spikes to protect sensitive electronics housed above from interference. The two sections are separated by a beautiful acrylic divide, which also breaks the path of eddy currents and minimises electromagnetic radiation.

Every aspect of the design was imagined, modelled and auditioned to extract the ultimate in performance, not only in technical excellence as measured on a test bench but where it really counts: playing music. The best amplifier in the world isn’t so, if it isn’t a joy to listen to.

NAC S1 Technology
New electronic design

The NAC S1 features a completely new electronic design, optimised from the ground up for sound quality. At the input stages in the lower enclosure all switching is mounted on a brass frame, which is suspended using a leaf-spring system to decouple it from mechanical vibration. It is also covered by an inert metallic cage to dissipate electromagnetic radiation. The signal is converted to balanced within the lower half before being sent through the acrylic divide to the main analogue boards which are isolated in their own spring-loaded suspension system (see below) in the top section. All inputs are also individually isolated from each other so there is no detriment to performance when multiple sources are connected.

Dual Volume Control

There are numerous ways to design an audiophile volume control, each with their own advantages and setbacks. The stepped attenuator can sound great but it does, however, come with one disadvantage in that the sound tends to be uneven during volume change. The new Naim DVC includes a chip volume control that is used while changing volume to allow a smooth progression of change. The millisecond the volume is fixed the electronic volume control switches completely out of circuit back to the now set stepped attenuator.

DVC also uses a fixed set of single resistors for each of its 100 volume possibilities so that combinations of resistors - creating multiple signal paths and multiple path lengths ‘blurring the signal’ - aren’t used.



Vertical Suspension Isolation

The NAC S1 utilises a unique mass-loaded suspension system (a technique pioneered by the Naim 500 Series) for the critical preamplifier audio circuit board. Mounting the circuit board onto a heavy brass plate suspended by springs, a combination with a resonant frequency of 9Hz isolates the critical circuits from external and internal vibration from significantly below the human threshold of hearing. Within this isolated system a board housing Naim DRs is suspended in parallel to audio circuitry, giving each stage its own dedicated supply along the shortest possible path.



NAP S1 - Technology

No Global Feedback

Sells was determined from the outset that the design would not use overall feedback. By breaking the feedback loop he could guarantee the speed of the amplifier would exceed what was needed to achieve the demanding new power levels and bandwidth. Secondly, by breaking the feedback loop the dynamic loading of the speaker is isolated from the delicate gain stages. The gain stages are then free and always working into a known load.

Three Stage Design

The NAP S1 power amplifier is a bridged design, which uses three short stages with only the first, the instrumentation voltage gain, using negative feedback. The second is an ultra-fast error cancellation system and the third is a unity gain high current output buffer. Each stage is optimised for only one task and the result is genuinely state of the art performance.



Naim 009 Transistors

To deliver the power with the performance targeted required a very special output transistor. Naim worked with the supplier of its already famous 007 transistor to produce a very special device, the 009. The 009 utilises Aluminium Nitride (ALN) - a substrate that has ten times the thermal conductivity of traditional Aluminium Oxide. In addition, the thermal paste used, to ensure good thermal conductivity to the heatsink is Nano diamond based. Diamond conducts heat 2.5 times faster than copper, as an example. The result is a transistor running with the maximum possible temperature stability for maximum linearity.

Statement Discrete Regulators

Both preamplifier and power amplifier feature multiple heavily-regulated linear power supplies. The power transformer of the NAP S1 is a huge 4000VA toroid using the finest grain orientated steel for maximum efficiency. Statement’s requirements necessitated specialised Naim discrete regulators to be designed, as currents and voltages are significantly higher than in existing products. This brings the fast recovery and low noise so praised in Naim’s DR technology.

Design & Manufacture

Industrial Design

It is an often-used cliché but the industrial design of Naim’s Statement amplifiers is truly form follows function. It may be beautifully finished and expertly crafted but every piece, every screw, was chosen for performance, longevity and of course pride of ownership.

The imposing monolithic structure with its stark silhouette is offset by the organic flow of the heat sink and the beautifully lit volume control and central divide. This duality in the design reflects how Naim’s pursuit of technical brilliance is always grounded in the abstract human experience of music.

Metallurgy

The distinctive, sculptured heatsink itself starts life as a single billet of solid aluminium. It is then machined to achieve the general curve profile before the fins are cut by a five-axis CNC machine, which is continually doused with coolant over the course of several hours. The metalwork then travels to a specialist supplier where it is submerged in an electrolyte fluid containing black ink. A DC current is passed through the solution causing a reaction, which creates a perfectly even black coating around the aluminium. Each piece is then painstakingly polished and inspected before being hand assembled at Naim in Wiltshire.

Steve Sells (Naim Electronic Design Director)

Steve Sells is fanatical about amplifier design. He created his first amp when he was just 14 years old and still exercises his creative muscle by designing new circuits in his free time. “I’ve had the ambition to create the ultimate amplifier ever since I can remember. It’s a rare opportunity to start from scratch and design without compromise.”

Steve was given the green light for Statement in 2010 and since then has worked tirelessly with Naim R&D to make it a reality. “It’s a massive project. To really push the boundaries of what we could achieve has required the efforts of teams from across Naim. Electronic, mechanical and industrial design engineers with combined experience totalling well over a hundred years have contributed to this project.”



Specifications

NAC S1 Preamplifier

Inputs: 3 X DIN, 3 X RCA, 2 X Balanced
Output: 1 X Balanced, 2 X Unbalanced
Weight: 61.5kg
Dimensions (mm): 940 x 270 x 412

NAP S1 Mono Power Amplifier

Inputs: 1 x XLR (each)
Outputs: binding posts for spade & 4mm banana
Weight: 101kg (each)
Dimensions (mm): 940 x 256 x 383 (each)
 

Elberoth

Member Sponsor
Dec 15, 2012
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If you compare the inside of the Naim Statement with, for example, a FMA 1811 (in the same price range) it looks that you actually get something for the money.

+1

Naim new flagship looks lavishly overbuild. Very unlike the FM Acoustics or some other exotica. If you compare it to some competing products, or even some that cost much less (say the highly regarded $60k Momentum monos), NAIM's marigin on this product must be much, much lower. I seriously doubt they will make any money on it (ever) just like the Bugatti is loosing $1m on every Veyron sold.
 

mep

Member Sponsor & WBF Founding Member
Apr 20, 2010
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Aa-hem, those in bold are specifications??

I thought the same thing. No output power ratings, no distortion specs, no frequency response measurements. I'm glad to know it has binding posts though.
 

IanG-UK

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Apr 11, 2011
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XV-1

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May 24, 2010
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I thought the same thing. No output power ratings, no distortion specs, no frequency response measurements. I'm glad to know it has binding posts though.

I guess we will have to wait for John A aka Stereophile to measure. :D

Do manufacturers send out 200k amps for critical measures by Stereophile?
 

Elberoth

Member Sponsor
Dec 15, 2012
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I read somwhere it puts down 750W at 8 ohm. Not sure if distortion specs or frequency response measurements would be of any interest to most audiophiles as they mean almost nothing (case in point - amps with no global negative feedback).
 

nirodha

Well-Known Member
Aug 11, 2010
683
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anybody managed to have a listen @CES ?

Now THAT is an Intelligent question! What does it matter if Naim's founder did not invent Naim for such a product, or that it might harm Naim's reputation?!? Shouldn't it be all about....did they succeed to be a contender for THE BEST? ;)
 

wizard

Member
Oct 17, 2010
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wizard-highend.blogspot.com
View attachment 13869

Sound & Vision The Bristol Show 2014
Bristol Marriott City Centre Hotel
Friday 21st – Sunday 23rd February 2014
10:00 – 17:00 everyday

Executive Lounge: Statement Series (ticketed demonstrations)
Bristol Suite: Naim Classic and Uniti Range
Foyer: Naim Label

Visitors to this year’s Sound & Vision the Bristol Show will be able to experience the first public demonstrations of our new flagship amplification system, Statement.

Free tickets to the Statement demonstrations in the Executive Lounge will be available from the Naim stand in the Bristol Suite.
They will be allocated on a first-come first-serve basis so make sure you stop by as soon as you arrive to secure your seat.
 

Orb

New Member
Sep 8, 2010
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Just to add,
if I remember the concept for the design has been in the works for nearly a decade.
So definitely before Focal and was something they always wanted to do, but I guess the tie up with Focal possibly enabled further cash available to bring this to actual working prototype then market.
It does use specially fabricated components, some of which are truly exotic (not saying they are/not needed but required for their concept design).

Cheers
Orb
 

MylesBAstor

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Apr 20, 2010
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Shaffer

New Member
Nov 2, 2012
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If you compare the inside of the Naim Statement with, for example, a FMA 1811 (in the same price range) it looks that you actually get something for the money. But I haven´t own any of these super expensive amplifiers so I can´t say anything about the sound. But somehow, I don´t get upset over another 200.000 dollar product if it actually looks amazing and state of the art (as AF1, Q7, Vivaldi). But I don´t buy any of them so maybe I should shut up now.

View attachment 13414

Hell, I won't buy 99.9% of the gear shown here. Can't afford it, and even if I could, $200K for an amplifier? Beyond my level of acceptance, but I am glad that gear like this exists.
 

caesar

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May 30, 2010
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I don't understand why there is always this strong emotional reaction to expensive audio gear. Why are so many people assuming it is overpriced junk without hearing it? No one is holding a gun to anyone's head to buy this stuff. Yes, there are super rich people out there. There always have been, and there always will be. Some have made their money in admirable ways, such as entrepreneurship, while others have stolen or gotten their gains through crony capitalism and being in bed with slimy politicians. But that is life...

As for Naim, you can find Naim in Bentley; the brands are associated. So if someone loves their Bentley, some of that love and respect may be translated to Naim. Bentley sells only about 10,000 a year. If 1/2 of 1% of Bentley owners like what they hear and can afford it, it's about 50 amps sold per year.

Furthermore, we all know that price is an indication of quality. The issue for the majority of us, whether seriously shopping for this amp or not, is whether the price supports that there is something truly unique that Naim is adding here, or whether it is overpriced junk. But let's not assume it is overpriced junk until someone who can put aside their prejudices can truly evaluate this piece of gear and compare it to other expensive and less expensive amps.
 

caesar

Well-Known Member
May 30, 2010
4,300
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Thinking that the amp is not "overpriced junk", I believe the question is then, "are the sonic improvements worth the premium price?"

Lee

Amen. And with so many in the reviewer community who seem to have some sort of high end guilt, how many can truly set aside their prejudices and pre-conceived notions about price and evaluate this piece of gear and compare it to other expensive and less expensive amps?
 

LL21

Well-Known Member
Dec 26, 2010
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I have now heard the Naim Statement driving the big Focal Grande Utopia EMs...setup by Naim/Focal. Spent about an hour. Main highlights were an incredibly low noise floor with minute details delicately delivered alongside powerful bass whacks. The speaker seemed more 'dextrous' than when I first heard it...but I the speaker was almost brand new when I first heard it and this is now more broken in...more importantly, this was just casual listening notes/impressions, not extensive time.
 

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