The version I like the best is the Alban Berg Quartet in the mid-1970s on Telefuken (later Teldec). Very good performance and excellent sonics. I have them in a 5 LP box set.I love this music. When I read Jeffrey's write-up mentioning Mozart this is the first album that came to mind. Then I re-read and he said 'quartet' so maybe not - but yes! The above is an excellent album - part of a 3 record set. Scored for a quartet with an extra viola. The Grumiaux group's rendition is superb and the recordings are excellent.
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1991 - Philips 6500 619, 6500 620, 6500 621 also a box set 6747 10
I had the pleasure of visiting PeterA’s system last week for a listening session with the added of bonus of meeting MadFloyd for the first time. We had a great listening session and went to lunch in the beautiful Marblehead harbor.
Finally, we listened to Pink Floyd’s Dark Side of the moon. I was eager to hear this as it was such a big disappointment the last time I heard it at Peter’s house. I’m just going to cut to the chase: this was the BEST reproduction of Dark Side I’ve ever heard on a stereo. We cranked this up very loud and we were not disappointed. From the huge bass rush at the beginning of the album, to the vocal solo in the Great Gig in the Sky, we were treated to fantastic effortless sound. No strain, no compression, no harshness, just music. This system plays vocals like I have never heard in my life. I turned to Peter and said: “you have now treated me to the worst, and now the best playback of Dark Side I’ve ever heard.” And dare I say, Ian was there with me too.
I WAS 'there' with you - it totally did justice to that recording. As much as I'm a Pink Floyd fan, and that IS one of my 'desert island' albums, I hardly ever play it - at least not on my system. And quite frankly, now I probably won't. There's just no comparison! My very 'polite' 10" woofers try to make a delicate ballet out of that music!
It wasn't just the bass though; it was the scale and how certain elements - not just the sound FX, but vocals - just popped and were HUGE. Easily the best I've heard David and Rick's vocals sound!
The version I like the best is the Alban Berg Quartet in the mid-1970s on Telefuken (later Teldec). Very good performance and excellent sonics. I have them in a 5 LP box set.
Wolfgang Amadeus Mozart - Alban Berg Quartett, Wien - Die 10 Grossen Streichquartette / The 10 Great String Quartets / Les 10 Grands Quatuors À Cordes
View credits, reviews, tracks and shop for the 1979 Vinyl release of "Die 10 Grossen Streichquartette / The 10 Great String Quartets / Les 10 Grands Quatuors À Cordes" on Discogs.www.discogs.com
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Tima you’re killing me by listing the number, too easy to buy! Now off to eBay for the boxed set.
Is it possible to please have a video of the Reiner Scheherazade 2nd movement, around first 5 to 6 mins
Bonzo,
Do you want me to post it here or in your Bar Brawl thread? That seems to be the place for incitement and the celebration of all things un-natural.
Sure, posting it is possible, but I don’t know when. I’m waiting for the rack to be delivered and to work some more on set up and some fine-tuning. I just pulled out the Reiner reissue for Jeff which I never listen to because I prefer the original Mehta I have on Decca
That's a beautiful rack, Peter. I've never heard of Sipo wood, and I used to build hardwood furniture as a hobby. How did you select this particular wood species for the rack and who built it for you? Are there any leveling feet under the rack legs?
@PeterA , I looked it up and I've known this wood as Utile in the past. You found some nice boards as it looks quite similar to genuine Mahogany in the pics. And it's going to look right at home next to the Vitabox speakers. If you know, I'd be curious to know the joinery technique he used at the shelf-leg joints. It looks like the legs might be slotted but I can't quite tell. Good idea on the wood shims. Best to level the rack and not need to level the table as you said. I look forward to seeing everything in its final resting spot.
Elegant simplicity.. Beautiful, nicely done!We discussed the joinery extensively and settled on the simplest solution: basic notches on each corner leg/post and cut outs in each corner of the lower shelves. They were then glued and clamped for drying. When I went to inspect progress, we did a dry fitting and the entire rack was put together up on a table and then flipped 90 degrees and placed on the ground. The dry joints were so tight that they had to be lightly tapped into place and then the rack simply rested on the ground without clamps or anything and it could support weight. The tolerances are truly exceptional. The top shelf is different and fully isolated from the rack below because of the turntable. The top is removable but fixed in position. The whole thing is very simple and straight forward, but it is build to a very high standard and I presume it will be extremely functional and will have minimal impact on the sound. The idea is for no deadening or dampening of the sound and no enhancement either. That is where the steel plates and various other design features learned from my previous experiments come into play. At least, that is the goal.
Here are some more photos from the workshop before final assembly, gluing and staining:
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I like it unstained...I would have just impregnated it would oil/wax to deepen the natural color...but beautiful nonetheless...We discussed the joinery extensively and settled on the simplest solution: basic notches on each corner leg/post and cut outs in each corner of the lower shelves. They were then glued and clamped for drying. When I went to inspect progress, we did a dry fitting and the entire rack was put together up on a table and then flipped 90 degrees and placed on the ground. The dry joints were so tight that they had to be lightly tapped into place and then the rack simply rested on the ground without clamps or anything and it could support weight. The tolerances are truly exceptional. The top shelf is different and fully isolated from the rack below because of the turntable. The top is removable but fixed in position. The whole thing is very simple and straight forward, but it is build to a very high standard and I presume it will be extremely functional and will have minimal impact on the sound. The idea is for no deadening or dampening of the sound and no enhancement either. That is where the steel plates and various other design features learned from my previous experiments come into play. At least, that is the goal.
Here are some more photos from the workshop before final assembly, gluing and staining:
View attachment 79825
View attachment 79826
We discussed the joinery extensively and settled on the simplest solution: basic notches on each corner leg/post and cut outs in each corner of the lower shelves. They were then glued and clamped for drying. When I went to inspect progress, we did a dry fitting and the entire rack was put together up on a table and then flipped 90 degrees and placed on the ground. The dry joints were so tight that they had to be lightly tapped into place and then the rack simply rested on the ground without clamps or anything and it could support weight. The tolerances are truly exceptional. The top shelf is different and fully isolated from the rack below because of the turntable. The top is removable but fixed in position. The whole thing is very simple and straight forward, but it is build to a very high standard and I presume it will be extremely functional and will have minimal impact on the sound. The idea is for no deadening or dampening of the sound and no enhancement either. That is where the steel plates and various other design features learned from my previous experiments come into play. At least, that is the goal.
Here are some more photos from the workshop before final assembly, gluing and staining:
View attachment 79825
View attachment 79826