Jim's System
We visited Jim on Tuesday afternoon and what I am about to describe is IMHO the best conceived, planned and brought to fruition system that I have ever heard in my life. I have said that several times before about other systems such as my good friend marty, as well as ddk, Mike Lavigne and brother Jack however Jim's system is so incredible that I saved it for last because I have so many photos and so many thoughts that it is difficult for me to wrap my mind around what I heard. It is the finest, most majestic system I have ever heard and in a room that is so perfectly designed for this system that every audiophile needs to hear Jim's system in order to know what "real" sounds like. It is just like being in the first three rows dead center in the symphony.
I had the pleasure of meeting Jim with Jack when they were in San Francisco several years ago and they found time to visit. We spent the afternoon together that day listening and getting to know one another.Jim is somewhat of a lurker on WBF for no other reason than his life is so busy that he rarely gets time to discuss what he loves most and that is music. I know that when they visited me Jim was fascinated with my Studer RTR. He told me that no one in the Philippines owns a tape recorder because of the heat and humidity. Suffice it to say that the room Jim built is so perfect that the temperature in the sound room does not vary by more than +2 to -2 degrees. As a result I would hazard a guess that Jim is the only audiophile in the Philippines with a tape recorder. In fact he has not one but has 3 perfect in every way Studer A820's each with the heads bypassed to their own individual (3) Doshi tape head pre's. In fact Jim was the first client of Nick Doshi to receive the tape pre with left and right VU meters. for tape calibration. Each A820 has the ability templet either 1/4" or 1/2" tapes. Along the other side of his room are also a perfect ATR Arias as well as a perfect Studer A80 powered by their own VTL preamp and amplifier,
Room dimensions are in a league that I have never seen except in the recent large rooms at the Hong Kong audio show. Jim's room is 14 feet tall x 9 meters wide by 11 meters long (I hope I got it right but Jim will hopefully chime in with any corrections.
Again when the doors close to his sound room you are in a chamber that fluctuates no more than 1-2 degrees up or down on any day. It is that stable. The floor is a gorgeous hardwood with a beautiful centre carpet in a fashion similar to Jack's but in a much larger scale. As Jack told me he had the jazz club whereas brother Jim had the concert hall. Boy was Jack correct. Jim's room is one that mere mortals can only dream of. It is truly unobtanium and on a scale that I will bet no one on this planet has such a similar room. Jim and Jack both used the same acoustician and I could tell. room treatments were in view as in Jack's but blended with the walls and the ceiling as I saw at Jack's.
Suffice it to say that this listening session lasted for 9 hours with an amazing dinner in between in a separate room just outside the listening room. I told Jim that I have never had a listening session that long anywhere including my own system. It was for me a life changing event in this hobby because I have never seen such a room or heard sound as perfect as this in all of my years in this hobby. It was absolutely without equal to anything I have ever heard. Yes we were in the concert hall in the first three rows
A chronicler on the build of Jim's room can be found here. It is worth the read because pictures truly cannot capture the enormity and grandness of this system
http://www.whatsbestforum.com/showt...stem-on-the-planet&p=3530&viewfull=1#post3530
Jim has a dedicated room in the ultimate sense of the word. In his quest to build the room of his dreams Jim bought the lot adjacent to his home and built a single story structure that is larger than most people's houses. It is drop dead gorgeous. I did not know that when you entered the structure you don't enter into the sound room but rathe another very large room where Jim entertains his guests. This was furnished and attired in some of the most beautiful furniture I have ever seen. Nothing was left to the imagination with a full bar and a place to prepare food at the front of the room as well as him and her bathrooms at the front left and right.
Several years ago in his quest for the perfect sound Jim commissioned Albert Von Schweikert to design a one off speaker that would set the standard for all other speakers. The speaker was 3 years in design before it was delivered to Manila. He has the one and only as there will never be another of its kind VR111 which consists of 2 towers per channel. The bass tower has 4 drivers each individually powered by a 1500 watt class D amplifier. Each subwoofer could be individually adjusted in order to allow for shaping and shadowing of the bass. Jack gave us a demonstration of how this could be achieved later in the day. Needless to say it was impressive. Also impressive was that each tower was one piece and not modular like the VR11's and were taller still than the VR 11's which were 8 feet tall and the VR 111's were 9 feet tall.
Each speaker had its own crossover and these were so large that I thought it was another speaker behind the towers when I first saw the room. The crossovers looked like they weighed 100's of pounds each. IIRC the crossover to the towers is at 50 Hz
There were several dozen Shunyata Anaconda power cords for all his components that it must have taken Caelin a month to make them all
Interconnects were top of the line Master Built as were the speaker cables.
Each main tower has 8 mid bass drivers (4 top and 4 bottom) . Each main tower also has 4 midrange drivers and three tweeters (two were soft dome and the third was a ribbon tweeter). There was also a ribbon super tweeter on the back of each main tower.
The interconnects from the side wall came under the floor to the fronton the room into a cyclops with a Shunyata Typhon plugged into the same circuit as the amps which were plugged into the the Cylops again with al Shunyata Anaconda PC's. The midrange and treble were power by a pair of VAC Statement mono blocks whereas the mid bass was powered by a pair of VTL Siegfried's. All the amps were sitting on Critical Mass System Maxxum stands as were the Cyclops and Typhon and crossovers.
To add to this amazing room all front end components were also sitting on CMS racks. I am uncertain if they were Maxxum or Black Diamond shelves. Suffice it to say, I think I counted over 20 CMS shelves. I discovered CMS racks myself at the suggestion of Jack. I am glad that I did as I sit patiently waiting for Joe to deliver my final CMS rack to house all of my front end components. They are truly that good and it was refreshing to see the arsenal of CMS racks that Jim had