Big congrats Amadeus! I'm using K70 and saving up for the K160, appreciate if you could share your comparison between the two as you are the only one who's upgrading to K160 from K70 I know.
I must admit whit this amps in my setup i hear now more than before the shortcomings of my setup and room and feel that i have to work more on my room acoustics and fine tuning of my system because i am pretty sure i didn't got the full potential of this creation there is still so much room for progression and whit the K160 in the hart of my system i have a long road to go the K160 amps will not forgive when its not right but when its definitely it will please.....
It has been a month since I got the Robert Koda K160 Monos after installing them i started burning them gently (cooking) for two weeks, the first two weeks on "normal power", after two weeks in "high power" mode and in the third third week I received my new power cords from wall two power strip and from power strip to K160 s first day when I installed the new Stealth Audio power cords the sound was spectacular at the picks that's possible in terms of dynamic contrast explosive potential in complex passages of Symphonic Music and Jazz specially well recorded Big Band music such as very good LPs from Duke Ellington Band or Johny Hodges with Billy Strayhorn or lets say CSO Conducted by Fritz Reiner Mussorgsky pictures at a exhibition... But on the second and third day the sound collapsed and became restless and days following the sound was changing all the day from bright to dark and cliché fright of every (experienced) Audiophile who know that cables and electronics sound very good from the start mostly and sound can turn into worst in a few days but it comes always better than it has started.
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I must admit whit this amps in my setup i hear now more than before the shortcomings of my setup and room and feel that i have to work more on my room acoustics and fine tuning of my system because i am pretty sure i didn't got the full potential of this creation there is still so much room for progression and whit the K160 in the hart of my system i have a long road to go the K160 amps will not forgive when its not right but when its definitely it will please.....
It has been a month since I got the Robert Koda K160 Monos after installing them i started burning them gently (cooking) for two weeks, the first two weeks on "normal power", after two weeks in "high power" mode and in the third third week I received my new power cords from wall two power strip and from power strip to K160 s first day when I installed the new Stealth Audio power cords the sound was spectacular at the picks that's possible in terms of dynamic contrast explosive potential in complex passages of Symphonic Music and Jazz specially well recorded Big Band music such as very good LPs from Duke Ellington Band or Johny Hodges with Billy Strayhorn or lets say CSO Conducted by Fritz Reiner Mussorgsky pictures at a exhibition... But on the second and third day the sound collapsed and became restless and days following the sound was changing all the day from bright to dark and cliché fright of every (experienced) Audiophile who know that cables and electronics sound very good from the start mostly and sound can turn into worst in a few days but it comes always better than it has started.
Know a month later last three days sound became stable no changes anymore maybe very micro in the coming few weeks but no big jumps and sound character and first time i feel i can write my findings on this master pieces.
For me the low and is very important its the foundation of music when Bass is not powerful fast articulated and in correct size whit the rest of the sound spectrum the music will not sing and flow like water the first thing i notice about the sound of K160 is the Bass the lowest octaves they are very fast powerful tuneful but articulated the Double Bass or Japanese Koda Drums or Timpani of a Symphonic orchestra are all tuneful powerful and in shape of the rest of instruments in Jazz music the Double bass comes from down under deep articulated and just whit the perfect size of energy and tight but not overly tight.
The Midrange is indispensable for the magic of music the midrange of K160as at least as good as the best SE amplifier pure open natural warmth (not tubby).The Midrange resolution on lower midrange and higher midrange is unheard.
The higher frequencies are lightening fast and have a slenderness that is full bodied the Cymbals sound like Cymbals you can feel the coper and tin.
The general sound is very very fast also the resolution is unbelievable high whit out loosing soul and musicality.The K160 are the highest resolution amps that i have heard they are very powerful on High-power mode you got 220 watt of pure class A but whit all those characteristics same time it remains intimate and keeps the single ended sound character on midrange and that makes it in my opinion so special and different than others....
I must admit whit this amps in my setup i hear now more than before the shortcomings of my setup and room and feel that i have to work more on my room acoustics and fine tuning of my system because i am pretty sure i didn't got the full potential of this creation there is still so much room for progression and whit the K160 in the hart of my system i have a long road to go the K160 amps will not forgive when its not right but when its definitely it will please.....
It has been a month since I got the Robert Koda K160 Monos after installing them i started burning them gently (cooking) for two weeks, the first two weeks on "normal power", after two weeks in "high power" mode and in the third third week I received my new power cords from wall two power strip and from power strip to K160 s first day when I installed the new Stealth Audio power cords the sound was spectacular at the picks that's possible in terms of dynamic contrast explosive potential in complex passages of Symphonic Music and Jazz specially well recorded Big Band music such as very good LPs from Duke Ellington Band or Johny Hodges with Billy Strayhorn or lets say CSO Conducted by Fritz Reiner Mussorgsky pictures at a exhibition... But on the second and third day the sound collapsed and became restless and days following the sound was changing all the day from bright to dark and cliché fright of every (experienced) Audiophile who know that cables and electronics sound very good from the start mostly and sound can turn into worst in a few days but it comes always better than it has started.
Know a month later last three days sound became stable no changes anymore maybe very micro in the coming few weeks but no big jumps and sound character and first time i feel i can write my findings on this master pieces.
For me the low and is very important its the foundation of music when Bass is not powerful fast articulated and in correct size whit the rest of the sound spectrum the music will not sing and flow like water the first thing i notice about the sound of K160 is the Bass the lowest octaves they are very fast powerful tuneful but articulated the Double Bass or Japanese Koda Drums or Timpani of a Symphonic orchestra are all tuneful powerful and in shape of the rest of instruments in Jazz music the Double bass comes from down under deep articulated and just whit the perfect size of energy and tight but not overly tight.
The Midrange is indispensable for the magic of music the midrange of K160as at least as good as the best SE amplifier pure open natural warmth (not tubby).The Midrange resolution on lower midrange and higher midrange is unheard.
The higher frequencies are lightening fast and have a slenderness that is full bodied the Cymbals sound like Cymbals you can feel the coper and tin.
The general sound is very very fast also the resolution is unbelievable high whit out loosing soul and musicality.The K160 are the highest resolution amps that i have heard they are very powerful on High-power mode you got 220 watt of pure class A but whit all those characteristics same time it remains intimate and keeps the single ended sound character on midrange and that makes it in my opinion so special and different than others....
I must admit whit this amps in my setup i hear now more than before the shortcomings of my setup and room and feel that i have to work more on my room acoustics and fine tuning of my system because i am pretty sure i didn't got the full potential of this creation there is still so much room for progression and whit the K160 in the hart of my system i have a long road to go the K160 amps will not forgive when its not right but when its definitely it will please.....
Out of curiosity what is it that you're hearing that needs improvement because component wise you have a pretty solid system?
david
Thanks for the sharing! I've heard K160s several times with K15ex pre and Goebel speakers and this echoes my impression. They are lightening fast with lots of energy and super resolution, while the bass seems to be tighter/more controlled than my K70.
The K160s truly are one of the most impressive power amps out there.
BTW I've been testing Robert's MC1 phono lately on loan, oh my... what a beauty it is! ! After hearing every single product created by Robert I can confidently say that all of them are cut from the same cloth thus share the house sound from Robert's personal taste.
It is about control, (polite) manner, beautiful timbre, extension on both sides, full-bodied(bloom??) and speed.
Dear Nickif (??),
I am very happy that you have heard the K160 amps and that you can confirm what i have heard is approximately a mirror of your findings!
So i have a witness here
Amadeus,
This is fantastic! How do they compare with the Mephisto which I believe you have owned at one point?
Hi Amadeus...I dont know how i missed your response. Thank you! I hope you are continuing to enjoy your magnificent K160s! As you know, Absolute Sounds became the importer for Robert Koda several weeks ago, and my decision to purchase was then directed over to them by Robert who has been incredibly helpful.Mephisto is great ss Amplifier it is mega powerful and has musicality as well so its needles to make direct comparison between Mephisto and K160 they have are in other price ranges and so is the performance.
Only one way to find out! Is AS bringin in the K160?Hi Amadeus...I dont know how i missed your response. Thank you! I hope you are continuing to enjoy your magnificent K160s! As you know, Absolute Sounds became the importer for Robert Koda several weeks ago, and my decision to purchase was then directed over to them by Robert who has been incredibly helpful.
I wanted to thank you, CMarin, Nickif, Jazzhead, CKK, Howiebrou and others who all kindly gave me advice regarding my decision on the K15EX. It truly is a special preamp, and I now have a better appreciation of the quality and particularly nuanced, incredibly low-noise, pure and powerful sound you are enjoying.
I really would be curious to know what happens in our system if we substituted the K160s for the Gryphon Mephisto.
Hah! I K-N-E-W someone would say that! I am sure they would if I asked...but given how few in the world I believe there, I am sure it would be quite a long wait. That said, I cannot think of more than 1 possibly 2 other amps in the world (Boulder 3060) I would wish to hear besides the Gryphon Mephisto and Robert Koda K160s (which I just realized are also pure Class A Solid State). Lets get the Gryphon Mephisto back in from the shop, and I suspect I will very happy just settle down into pure music.Only one way to find out! Is AS bringin in the K160?
Or bring your Mephisto on a road trip and go visit Amadeus in the Netherlands. That would be an epic discovery.Hah! I K-N-E-W someone would say that! I am sure they would if I asked...but given how few in the world I believe there, I am sure it would be quite a long wait. That said, I cannot think of more than 1 possibly 2 other amps in the world I would wish to hear besides the Gryphon Mephisto and Robert Koda K160s (which I just realized are also pure Class A Solid State.) Lets get the Gryphon Mephisto back in from the shop, and I suspect I will very happy just settle down into pure music.
Or bring your Mephisto on a road trip and go visit Amadeus in the Netherlands. That would be an epic discovery.