As your cables are new I’d be figuring they’ll open up quite a deal as they settle in Ron. Ribbon tweeters are just more revealing than most and benefit from better cables with a more open and resolved top end. I had been thinking you’d possibly been chasing issues that related to your ICs but it’ll be good for you to be able to see if that’s the case.I am wondering if both pairs of cheap cables, the Belden and the Gotham, were contributing sibilance/a bit of the edginess all this time?
My main impression so far is that I'm hearing less sibilance.
It’s easy to swap the tubes back to see what’s doing what when your cables are burned in… consider it play time.Of course I shouldn't have made tube and 47' cable changes at the same time.
The tonal balance sounds very noticeably different.
What a crazy f$&@ing hobby!
Of course I shouldn't have made tube and 47' cable changes at the same time.
The tonal balance sounds different.
What a crazy f$&@ing hobby!
I just listened to your two latest Eva Cassidy videos. Could you describe for us what you hear in your room between the two videos? How do you separate the contribution of the cable and the tubes?
Ron,OMG! Are the Mullard input tubes pumping up the bass?
(And the woofer level is on the Grover Neville setting (-23.5) -- lowest I have ever had it.)
It’s easy to swap the tubes back to see what’s doing what when your cables are burned in… consider it play time.
Are you going to change the IC to Cardas from components to preamp as well?Nah, I'm not interested in autopsies. I just want to get to where I want to be. I'm there now.
Are you going to change the IC to Cardas from components to preamp as well?
Optimising ribbon panel speakers is a joy, it’s so easy to hear when you are getting there and immediately clear when you are not. Dialling them in is easy as well because they let you know so much even with changes of fine increments.Nah, I'm not interested in autopsies. I just want to get to where I want to be. I'm there now.
Eva Cassidy "Fields of Gold"
You just can't handle the "truth TM" Ron, don't blame the cables for the mediocre recordings you like, if you want the pretty version of everything, just use tubes everywhere ! Oh yes you are doing that already !I hear today's "Fields of Gold" playback as a bit smoother, a bit warmer, a bit more natural, omitting the touch of brittleness (dryness?) on the prior one. (A bit complicated because today's recording was at higher volume than the prior one.)
The 47' interconnects have been the most consistent element thus far. I actually swapped in the Ei KT90s about three weeks ago. But I think a basic cable was a rational place to start.
I am listening 89dB to 95dB to Famous Blue Raincoat (digital recording) and Thriller (bright-ish, mediocre multi-track pop recording). Edginess, brightness, dryness, excessive sibilance all gone.
I've actually done a lot of tube swapping even with the VTLs. No tube swap made a difference this significant. I blame the 47' Belden 1192A interconnects.
Musica Nuda's "Eleanor Rigby" sounds so different than it did in March.