Speaker cables?They have been Cardas Clear Beyond for a while.
Speaker cables?They have been Cardas Clear Beyond for a while.
At the moment I think I've been waterboarding the wrong suspect. I think I should've been working over the 47' Belden 1192A cables. Maybe they're a good match for vintage horns -- maybe not so good for contemporary ribbons?
The late Allen Wright always felt that the thinnest wire you could get away with (from current delivery perspective) was the best...or very thin foil. His interconnects used the thinnest solid silver core wire (with just thin lacquer coating for dielectric) I have ever seen...very delicate but sounded sublime.I do not know why but Audio Note speaker cables are perfect for Audio Note Systems and also good/perfect for tube amplifier / High efficiency DD paper speakers. I have listened to Audio Note speaker cables in a current hungry speaker / high power solidstate system but the result was not good.
You know lower resistance speaker cables are better for bass but in multi channel amplifier (separate amplifier for under 90hz) Romy also had a good experience with cheap thin wire in DSET config, it means the subject is complex and is not simple.
Good question!Ron, what does large scale classical played loud now sound like? Do you feel like the amp is now right, and that it was a wire issue all along?
adyc asked about interconnects.Speaker cables?
Yeah, put a few hours on the new cable and then swap back. I'll be curious if they do things similar to what they did in my admittedly, completely different Fyne system.Audio 101: change one variable at a time if you want to understand what affects what.
+1. And if ICs smooth over sibilance they usually cause other problems. But it sounds like multiple changes at once.I'd hang onto the other IC's for the moment. You can't prove that they won't be better suited to a different amp or such. As in what if something else causes a sibilance but swapping IC's can tame it?
Yeah, put a few hours on the new cable and then swap back. I'll be curious if they do things similar to what they did in my admittedly, completely different Fyne system.
Ron, what does large scale classical played loud now sound like? Do you feel like the amp is now right, and that it was a wire issue all along?
For ribbons. I would use ribbon cables.adyc asked about interconnects.
Speaker cables have always been Gary Koh's Absolute Fidelity.
Yeah, put a few hours on the new cable and then swap back. I'll be curious if they do things similar to what they did in my admittedly, completely different Fyne system.
As you knew better than I did the RD75 is not a pure ribbon.For ribbons. I would use ribbon cables.
I'd hang onto the other IC's for the moment. You can't prove that they won't be better suited to a different amp or such. As in what if something else causes a sibilance but swapping IC's can tame it?
Oh yes, excellent idea. I should've done that.it will be good every time you post this, you reply to your previous video. That way all the videos stay linked together making it easy for readers to listen to the current one, previous one, so on.
I concur , In particular Magnan Signature were most excellent driving Apogees and later the CLX Anniversary‘sFor ribbons. I would use ribbon cables.
if ICs smooth over sibilance they usually cause other problems.
At the moment I think I've been waterboarding the wrong suspect. I think I should've been working over the 47' Belden 1192A cables. Maybe they're a good match for vintage horns -- maybe not so good for contemporary ribbons?
OMG! Are the Mullard input tubes pumping up the bass?
(And the woofer level is on the Grover Neville setting (-23.5) -- lowest I have ever had it.)
Of course I shouldn't have made tube and 47' cable changes at the same time.
The tonal balance sounds different. Any excessive sibilance is gone.
What a crazy f$&@ing hobby!
It's hands off the controls for me, pencils down. I am very happy with this sound.
I should've done this 47' interconnect cable swap sooner.
Shout out to Angela Cardas who suggested the Cardas Clear Reflection! Thank you, Angela!
PS: Does anybody need 94 feet of Belden 1192A?
I am not sure what you mean by if the amp is "right." I definitely could keep it now and just be happy. I don't think that amp was ever "wrong."
I have said for sometime that I am happy with the JA100s, but that I've been wondering if I might be able to "gild the lily" by increasing the power while at the same time preserving the weightiness while at the same time increasing midrange purity. That made me wonder about Jadis JA200 with EL34s, MastersounD PF100, Trafomatic Elysium and Wavac 833.
That's a fun idea, but snaking the cables through the in-wall conduits is not fun, and I really wanted to try to make some progress and clean the place up. So I probably won't be doing that interesting experiment anytime soon -- unless there's a strong consensus that I'm wrong about the cables.
Eva Cassidy "Fields of Gold"