Ked. Ron is the owner of WBF. If he can't own the best why bother.
By this logic as the other owner owns Af1, that is the co-best. And Tang is not a forum owner and now, not a forum poster. Maybe TL1 can take over as the Board of WBF?
Ked. Ron is the owner of WBF. If he can't own the best why bother.
What do you think is the best turntable he could buy? I know u luv Vyger.
There isn't a best TT. There are bad TTs to be kept out, bad synergies, and bad arms and components, and there are good synergies. Once you get to a good synergy, multiple options could work.
For me, the most important is records. Any one with an averagely transparent system would have experienced how much the system sound changes from a bad record to a good one.
I found Vyger works best for classical and jazz and blues in SETs horns systems as they let the nuance through better. Not saying it won't work in complex systems, but my experience in trying it in such systems is limited, and maybe Chris at Rhapsody Dallas can demo that best through Pilium and Magico M9. I do know many owners with cone based systems including Wilsons happy with it, and the one cone system I liked it in was Sigma MAAT Vector with Koda amps, massive Stage 3 cabling, Dagostino preamp and Allnic 8000 phono, but those speakers are 8 ohms 100 db and simple corssovers.
I also find DaVa trumps tables, having compared the TD 124 with DaVa basic on 3012r to Continuum Caliburn with the Etsuro Gold. The TD 124 is normally much lesser in resolution compared to higher end tables, but here it was higher resolution. The owner thought the same. At Mike's my key takeaway was the DaVa, and I also appreciated the NVS FCL synergy.
Therefore I think the Vyger LT arm with Red Sparrow and a pivot mounted on it to manage the DaVa is the best solution imo to get two very different sounds that should cover all records and all genres of music. If one wants two tables, then they can have their pivoted favorite next to the Vyger with the DaVa, with the table of their choice. What the table is is less important to me, as to the fact that it has the DaVa on it. I have heard DaVa work brilliantly both in SETs horns and in SS cone systems. Audioquattr is moving his pivoted arm with DaVa to Vyger from his Techdas AF3p and I will get to hear that on my next trip.
I think Brinkmann Balance is a great table at a lower price than the expensive ones that even when not better than some expensive ones on X or Y or Z attribute, is a sufficiently good and complete table for the owner to be satisfied and to now focus on records.
Many audiophiles will be better off than where they are today if they got a TD 124, Garrard 301, STST Motus II or some such reasonably priced table and mount a DaVa on it.
The other thing is the signal path. Analogphiles get that if they had a great analog set up, but a digital crossover, their analog playback will be compromised. So they keep passive crossovers in the interest of purity. However, a step further is that complicated circuitry, crossover, and cabling is the equivalent of a digital crossover in killing analog nuances. Therefore I believe in keeping a simple signal path (e.g. First order crossover, very simple circuit no feedback amps, etc. High sensitivity and impedance matched, all drivers firing in the same direction (preferably only 2 max), time aligned). The simpler the signal path, the less is the delta in tables just by going up on an attribute. It is then more important the analog synergy set up sounds right as compared to doing more on some bass or treble axis, as these things get maxed out very fast in such good systems.