nice to see you here Mark, and welcome to What's Best Forum. those cycles look awesome, works of art really.I agree but I don't think Mike is alone there.
I'm pretty sure Frank Shroeder, Mike Fremer and a bunch of other audio luminaries agree that Win is onto something and it's about time the world got to hear it.
Caveat: I'm biased but it's because I know Win and think a great deal of him. I no longer have any financial involvement with the Saskia project, as explained above.
Mike, soon time for yr LFD on Saskia review?
The Saskia set up is my favorite...
Yes.Did you happen to compare the Saskia set-up to the CS set-up using a vocals track? (I ask because of my current hypothesis that there is something categorically believable about linear-tracking tonearms on vocals.)
I‘d love to hear the Saskia now with the new LFD cable. But no doubt we’re in very elite territory comparing the CS Port and Saskia, as I’d be ecstatic owning either as both are amazing tables and when I visited I had zero problem engaging fully with the music regardless of the table in use. Mike leads a charmed life for sure to have the two side by side. That said, as I am not a big listener of classical, I may just prefer the Saskia (but it is unobtanium, not so the CS Port.)The Saskia set up is my favorite...
Did you happen to compare the Saskia set-up to the CS set-up using a vocals track? (I ask because of my current hypothesis that there is something categorically believable about linear-tracking tonearms on vocals.)
Tease !![]()
It sure makes you right ! Easy winActually, I took "Yes." as a complete, if not detailed, answer to my question.![]()
Ron, tell us more about your hypothesis.
It sure makes you right ! Easy winNow deal with Peter
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If only one word and no further description required, then yes = natural
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