Lagonda, this hobby is right up there. Psychotherapists would have enough material to fill a whole conference from our individual case histories.
And still laughing ! You are so right Marc, i just thought about some of us and our different priorities, and started laughing again. There is the grounding man, theLagonda, this hobby is right up there. Psychotherapists would have enough material to fill a whole conference from our individual case histories.
I lived with one for 4 years (classical violinist and a world class one at that) and she absolutely LOVED my Apogees and later my Acoustats...Lagonda, have you ever spoken to professional musicians? Not our Nobel Prize intellect rockers, but our thoughtful classical guys.
They spend their whole careers playing, getting inside the heads of composers, playing in different acoustics every night etc.
I've treated and got to know quite a few. Not one listens to music like we do. And none certainly talk about it the way we do.
Our respective headspaces are in v different places. But I'm certainly guilty of many transgressions myself.
Btw, at these therapy love ins, anyone of a sensitive disposition is asked to leave the room when Ked is being discussed.
No, but it was fun to take her to audio shows...we rarely stayed in a room longer than 30 seconds before it was branded "not right"! Funny to watch guys get an excited look when a pretty girl walked in and then to see their faces fall as she would immediately turn around and walk back out!Brad, she might have loved them. But did she whisper sweet nothings re usual audiophile terms?
Stop provoking him , Peter might return with a vengeance.Yeah, imagine their disappointment when she left and in walked Peter Breuninger.
I agree, and from Audio Note SETs as well but x 10 difference LOL.Sounds a lot like what I get from Aries Cerat coming from Ayon...
Just a beautiful setup Stump, love to hear your thoughts on the 212G monos compared with your previous LM SET amps. Am guessing you got these through Robert... he carries fantastic gear. Congratulations
Tang.... You're killing me! I wasn't real familiar with your Ayon amplifiers; with the addition of your Lamms did you add a lot more power (wattage) to your system? Are these amps quieter too?
The Ayon Titan has around 75watts depending on which tubes are used. The Lamm is 32 watts. The Lamm is quieter (once taken the ground pin of their plugs out.) No loss of dynamic, drive and headroom. Even more dynamic contrast too. The tonr is more complete full body from bottom to top. Some people question their highs but I found best highs in these amps. For example the sound of metal hitting metal is deceptively real. You dont just hear the ringing. You hear the point of metal impact the metal in high definition. The sound of skin of drum or snare is like you watching it not just hearing it. It really surprises me how an amp can do that. The Ayons were excellent but these Lamm are beyond, The spacing between instruments and stage width when play music with many instruments like orchestra is less spread out than with the Ayons. This is the aspect I found Ayons better than the Lamm. Overall, The Lamm is a better match to my Cessaro by a wide margin.Tang.... You're killing me! I wasn't real familiar with your Ayon amplifiers; with the addition of your Lamms did you add a lot more power (wattage) to your system? Are these amps quieter too?
Do you think that having only one output tube per channel is offsetting the extra power or is it simply the designs are too different to compare in this way? I used to own the Ayon Crossfire III and I reviewed the Vulcan Evo. The Vulcan Evo was weightier sounding and dare I say it, tubier sounding than the Crossfire, which was Spookily transparent and after tube rolling had good but not amazing tonal density. With stock tubes it was tonally a bit bleached. The Vulcan was richer and weightier with more powerful bass but I would argue less transparent and perhaps less dynamic even. Comparing the Crossfire III with the Genus, the Genus has the weightiness of the Vulcan with more precise structure to the sound then either Ayon and transparency at least as good as Crossfire. At least on paper, the Genus was the lowest rated power of the three (25 watts) but sounds the most powerful. I guess the Lamm benefits from the massive outboard power supplies...this is also the "secret" I think of Aries Cerat that and the transformer coupled circuitry done right.The Ayon Titan has around 75watts depending on which tubes are used. The Lamm is 32 watts. The Lamm is quieter (once taken the ground pin of their plugs out.) No loss of dynamic, drive and headroom. Even more dynamic contrast too. The tonr is more complete full body from bottom to top. Some people question their highs but I found best highs in these amps. For example the sound of metal hitting metal is deceptively real. You dont just hear the ringing. You hear the point of metal impact the metal in high definition. The sound of skin of drum or snare is like you watching it not just hearing it. It really surprises me how an amp can do that. The Ayons were excellent but these Lamm are beyond, The spacing between instruments and stage width when play music with many instruments like orchestra is less spread out than with the Ayons. This is the aspect I found Ayons better than the Lamm. Overall, The Lamm is a better match to my Cessaro by a wide margin.
Tang
The Ayon Titan has around 75watts depending on which tubes are used. The Lamm is 32 watts. The Lamm is quieter (once taken the ground pin of their plugs out.)
I don’t think this is a Lamm specific issue as many things sound better ungrounded but it is a risky practice.